{"product_id":"un-petit-coffret-d-initiation-quatre-tresors-du-lettre","title":"Textile box set “Four Treasures of the Scholar”","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eTextile Box \"Four Treasures of the Scholar\" – Introduction to Chinese Calligraphy and Solid Ink\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis introductory textile box contains the essential tools for discovering Chinese calligraphy, sumi-e, ink wash painting, and solid ink preparation.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIt includes four brushes, an inkstone, a Sumi ink stick, a dish, a brush rest, and an uncarved practice seal, all stored in an embroidered textile box.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nPaper is not included: please use Xuan paper or a medium compatible with ink techniques to test ink bleed, black density, and brush pressure.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 10px;\"\u003e\n  To understand the role of the brush, ink, paper, and inkstone, you can consult the \n  \u003ca href=\"https:\/\/ikaneworld.com\/pages\/quatre-tresors-du-lettre-pinceau-encre-papier-pierre\"\u003eIkane guide on the Four Treasures of the Scholar\u003c\/a\u003e.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The Four Treasures of the Scholar traditionally refer to the brush, ink, paper, and inkstone. This box gathers the preparation and drawing tools; paper is chosen separately according to the desired diffusion speed.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The ink is not ready to use. The stick must be rubbed with a little water on the flat part of the inkstone. You first obtain a concentrated base, then you can lighten it drop by drop.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The four brushes allow comparison of various line widths and ink capacities. The stone seal is provided uncarved: it cannot be used to sign a work without prior engraving and seal paste.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eBOX CONTENTS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eBrushes:\u003c\/strong\u003e 4 calligraphy brushes of different sizes\u003cbr\u003e\n    \u003cstrong\u003eInkstone:\u003c\/strong\u003e round stone for grinding and diluting ink\u003cbr\u003e\n    \u003cstrong\u003eInk:\u003c\/strong\u003e 1 solid Sumi ink stick\u003cbr\u003e\n    \u003cstrong\u003ePorcelain:\u003c\/strong\u003e 1 brush rest and 1 dish\u003cbr\u003e\n    \u003cstrong\u003eSeal:\u003c\/strong\u003e 1 uncarved stone practice seal\u003cbr\u003e\n    \u003cstrong\u003eBox:\u003c\/strong\u003e embroidered textile box\u003cbr\u003e\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePREPARING INK FOR THE FIRST TIME\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For a small quantity, allow about 5 minutes of grinding. This time serves as a guide, not an absolute rule: stop when the ink no longer appears watery and a test stroke yields an even black.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Place only a few drops of water on the flat part of the inkstone. Do not fill the entire cavity initially: a concentrated base is easier to correct than an overly diluted preparation.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Hold the stick almost vertically, with its base flat against the stone. Rub slowly in small circles or regular movements, without applying strong pressure.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    After 3 minutes, observe the ink. If it remains grey and very liquid, continue for another 1 to 2 minutes. Then test a stroke on a scrap of the same paper.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    If the black is too pale, rub for another 30 to 60 seconds. If the ink is too thick or catches on the paper, add one or two drops of water, mix, then test again.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Moisten the brush before loading it, then remove excess water without twisting the fibers. Start with the medium brush: it is generally simpler for testing basic strokes and pressure changes.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The brush rest prevents loaded fibers from touching the table. The dish can hold clear water or a second ink dilution to work with multiple shades of black.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    After use, rinse brushes and the inkstone with clear water. Wipe the damp side of the ink stick and allow each item to dry before storage.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Do not store any still-wet items in the textile box. Retained moisture can mark the fabric, damage brushes, or deform fibers.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To start with an easier-to-control medium, this box can be paired with \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper\u003c\/a\u003e \n    in a semi-treated finish, which facilitates initial diffusion tests.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To repeat strokes, work on a continuous length, or practice without paper limitations, you can also check out the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/rouleau-d-atelier-papier-vegetal-semi-traite\"\u003esemi-treated vegetable paper studio roll\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-rouleau\"\u003eXuan paper roll for calligraphy\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To hang brushes upside down to dry after rinsing, you can pair it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/porte-pinceaux-calligraphie-suspendu\"\u003ehanging calligraphy brush holder\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For a more structured version in a wooden box, you can compare it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-de-calligraphie-quatre-tresors-deluxe\"\u003edeluxe Four Treasures calligraphy box\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To find papers, brushes, inkstones, and inks related to this practice, you can consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/calligraphie\"\u003eCalligraphy\u003c\/a\u003e \n    selection.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Studio Tip\u003c\/strong\u003e\u003cbr\u003e\n  First prepare a rich black, then place a small amount into the dish with a few drops of water. This gives you two ink densities without having to restart the entire grinding process.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":55975227785548,"sku":"CJJT112825301AZ","price":47.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Coffret4lettre_3.png?v=1773516532","url":"https:\/\/b31fyk-vr.myshopify.com\/en\/products\/un-petit-coffret-d-initiation-quatre-tresors-du-lettre","provider":"IKANE PARIS","version":"1.0","type":"link"}