{"product_id":"set-de-peintures-traditionnelles-chinoises-gouache-a-l-eau","title":"Set of traditional Chinese paintings","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eTraditional Chinese Paint Set – 12 Water-Based Pigments for Guohua, Washes, and Brushwork\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis traditional Chinese paint set includes 12 tubes of 12 ml for brush painting, washes, \u003cem\u003eguohua\u003c\/em\u003e, and color studies on absorbent paper.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe pigments gradually dilute with water, allowing for light layering, fluid gradients, and variations in density without excessive opacity.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nSuitable for landscapes, botanical compositions, line studies, and color passages, these paints react particularly well on Xuan paper, rice paper, and natural fiber supports.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    These water-based paints are designed for brush practices: loading, diluting, applying color, allowing the material to spread into the paper fibers, then returning with a denser value to reinforce certain areas.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Unlike highly opaque paint, this type of pigment allows for working with transparency, successive layers, and water variations. The white of the paper remains important in constructing light.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The result depends on the paper, the amount of water, the brush load, the speed of the stroke, and the number of superimposed passes.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eType:\u003c\/strong\u003e Water-based pigments \u003cbr\u003e\n    \u003cstrong\u003eContents:\u003c\/strong\u003e 12 tubes of 12 ml\u003cbr\u003e\n    \u003cstrong\u003eTexture:\u003c\/strong\u003e Fluid cream, easily dilutable\u003cbr\u003e\n    \u003cstrong\u003eUsage:\u003c\/strong\u003e \u003cem\u003eGuohua\u003c\/em\u003e, washes, brush painting, line work, landscapes, botanical compositions\u003cbr\u003e\n    \u003cstrong\u003eCompatibility:\u003c\/strong\u003e Xuan paper, rice paper, absorbent natural fiber supports\u003cbr\u003e\n    \u003cstrong\u003eBox dimensions:\u003c\/strong\u003e approximately 250 × 200 × 50 mm\u003cbr\u003e\n    \u003cstrong\u003eFunction:\u003c\/strong\u003e Dilute, layer, shade, strengthen values, and work with color by brush\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSAGE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Place a small amount of pigment on a palette, then gradually dilute with water. Starting light allows for better value control before adding denser material.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For a light wash, increase the water content and work quickly. For a more intense color, reduce water or layer several coats after drying.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Test the color on a scrap of the same paper before a final composition. Highly absorbent paper will allow the color to penetrate the fibers faster; treated paper will maintain a more stable line.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Close tubes after use, clean brushes with clear water, and allow the palette to dry before storing.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eTO BE PAIRED WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To observe pigment diffusion, this set can be paired with \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper\u003c\/a\u003e, \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-semi-mur\"\u003esemi-ripe Xuan paper\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/rouleau-d-atelier-papier-vegetal-semi-traite\"\u003esemi-treated plant-fiber workshop roll\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For line work, colored washes, and variations in load, you can use it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-traditionnel-de-calligraphie\"\u003ebamboo calligraphy brush\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-de-calligraphie-poils-naturels\"\u003etraditional rabbit hair brush\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-5-pinceaux-calligraphie\"\u003eset of 5 Chinese calligraphy brushes\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare mixes, measure water, and keep colors separate, it can complement the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/palette-en-ceramique-compartimentee\"\u003ecompartmented ceramic palette\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To rest brushes between passes and preserve the tips, you can also consider the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique\"\u003ejade-effect ceramic brush rest\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/porte-pinceaux-calligraphie-suspendu\"\u003ehanging calligraphy brush holder\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Start with plenty of water and little pigment. Nuances often appear in lighter layers before more saturated passes: it's better to build slowly than to cover too quickly.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56126976360780,"sku":"CJJJJTJT15010-12 colors","price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Set_de_peinture_traditionnelle.png?v=1778215009","url":"https:\/\/b31fyk-vr.myshopify.com\/en\/products\/set-de-peintures-traditionnelles-chinoises-gouache-a-l-eau","provider":"IKANE PARIS","version":"1.0","type":"link"}