{"title":"New products","description":"\u003cp data-start=\"59\" data-end=\"297\" class=\"PDq2pG_selectionAnchorContainer\"\u003eDiscover the latest additions to the Ikane shop: drawing materials, calligraphy supplies, inks, papers, brushes, pigments, notebooks, sculpting tools, and accessories for tea or incense preparation.\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"299\" data-end=\"619\"\u003eThis selection brings together recently added products, including their characteristics, dimensions, materials, and compatible techniques. It allows you to quickly identify new available supplies and compare their function with items already in the shop.\u003c\/p\u003e\n\u003cp data-start=\"621\" data-end=\"916\"\u003eThe collection is updated as new arrivals and Ikane selections come in. You will find essential tools to complete your equipment as well as less common formats, textures, or accessories for drawing, writing, painting, and paper-related practices.\u003c\/p\u003e","products":[{"product_id":"palette-a-compartiments-peinture-calligraphie","title":"Ceramic palette with 5 wells","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eCeramic Compartment Palette – 5 wells for inks, pigments and washes\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis compartment palette features five connected ceramic wells for preparing, separating, and adjusting multiple shades during an ink, calligraphy, watercolor, or detailed painting session.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nEach well can accommodate a different value: light wash, more concentrated ink, intermediate mix, diluted pigment, or retouching color.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe glazed ceramic offers a smooth, stable, and easy-to-rinse surface. The compact size allows you to keep your mixtures close at hand without cluttering your workspace.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    These wells are useful whenever your work requires multiple dilution levels. They allow you to prepare a progression of values before starting: from lightest to densest, or from a very diluted color to a more concentrated version.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The separation of the wells prevents shades from mixing too quickly. It allows for a clear reading of values during work, especially when the brush moves quickly from one tone to another.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    It is suitable for practices where nuance is as important as line: ink wash, calligraphy, watercolor, water painting, fine brush details, and pigment testing.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eShape:\u003c\/strong\u003e 5 connected wells\u003cbr\u003e\n    \u003cstrong\u003eMaterial:\u003c\/strong\u003e glazed ceramic\u003cbr\u003e\n    \u003cstrong\u003eFunction:\u003c\/strong\u003e separate dilutions, organize shades, and keep multiple values available during the session\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Prepare your mixtures before starting, reserving one well for clear water or the lightest dilution, then the others for more concentrated values.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For washes, organize values from lightest to densest. This method prevents overloading the brush and allows you to easily return to an already prepared shade.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Rinse the ceramic with clear water after use, before pigments or ink dry in a thick layer in the wells.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Dry with a soft cloth or let air dry. Avoid impacts: ceramic is a rigid and fragile material.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For solid ink practice, these wells can accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-batons-d-encre\"\u003eink stick set\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/baton-d-encre-traditionnelle-mosong\"\u003eMosong traditional ink stick\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-7-5-cm-initiation\"\u003e7.5 cm ink stone\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For line and wash work, they can be used with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/ensemble-de-3-pinceaux-de-calligraphie-chinoise-coffret-cadeau\"\u003eChinese calligraphy brush set\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-pinceaux-traditionnels-chinois-pour-calligraphie\"\u003etraditional Chinese brush set\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-pinceaux-de-calligraphie-fibres-rigides\"\u003estiff-fiber calligraphy brush set\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For color, this palette can complement the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-peintures-traditionnelles-chinoises-gouache-a-l-eau\"\u003etraditional Chinese paint set\u003c\/a\u003e, \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pigment-aquarelle-supervision\"\u003eSuper Vision watercolor pigments\u003c\/a\u003e \n    or pan watercolor practice.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To observe the reaction of dilutions, choose a suitable surface such as \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper\u003c\/a\u003e, \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-semi-mur\"\u003esemi-ripe Xuan paper\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/carnet-aquarelle-de-poche-300g\"\u003e300g pocket watercolor sketchbook\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Place mixtures from lightest to densest, from left to right. This progression allows for better reading of values, avoids overly concentrated mixtures, and keeps each shade available throughout the session.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Bamboo","offer_id":55869845832012,"sku":"CJJT135962003CX","price":35.0,"currency_code":"EUR","in_stock":true},{"title":"Lotus","offer_id":55869845864780,"sku":"CJJT135962002BY","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Coupelles_motif_lotus.png?v=1778179191"},{"product_id":"ensemble-de-3-pinceaux-de-calligraphie-chinoise-coffret-cadeau","title":"Set of 3 calligraphy brushes – mixed fibers","description":"\u003cp\u003e\u003cstrong style=\"color: #1a1b41;\"\u003eSet of 3 Chinese calligraphy brushes – mixed fibers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003eThis set of 3 Chinese calligraphy brushes is perfect for practicing lines, thick and thin strokes, sumi-e, washes, and ink painting.\u003c\/p\u003e\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003eThe three sizes allow you to go from precise lines to broader strokes: the small size emphasizes control, the medium size remains versatile, and the large size holds more water or ink.\u003c\/p\u003e\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003eThe mixed fibers offer a flexible tip with enough resilience to support changes in pressure, stroke starts, and tip returns.\u003c\/p\u003e\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\" open=\"\"\u003e\n\u003csummary style=\"font-size: 16px; font-weight: bold; text-transform: uppercase; cursor: pointer; color: #4480c7;\"\u003eINFORMATION\u003c\/summary\u003e\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eThis set is suitable for both learning and regular practice. It allows you to compare different ink capacities, line widths, and fiber responses on the same paper.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eThe longer and wider the fiber part, the more liquid the brush retains and the longer the stroke. The small brush is more suited for short strokes and details; the large one better supports broad gestures, solid areas, and washes.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003eThe stained wood handles remain light in hand. The box allows you to keep all three sizes together, provided the brushes are always stored perfectly dry.\u003c\/p\u003e\n\n\u003c\/details\u003e\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\" open=\"\"\u003e\n\u003csummary style=\"font-size: 16px; font-weight: bold; text-transform: uppercase; cursor: pointer; color: #4480c7;\"\u003eFEATURES\u003c\/summary\u003e\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e 3 brushes of different sizes\u003cbr\u003e\u003cstrong\u003eFibers:\u003c\/strong\u003e mixed fibers\u003cbr\u003e\u003cstrong\u003eHandles:\u003c\/strong\u003e stained wood\u003cbr\u003e\u003cstrong\u003eOverall length:\u003c\/strong\u003e approx. 22.7 cm per brush\u003cbr\u003e\u003cstrong\u003eFiber length:\u003c\/strong\u003e 3.7 cm · 4.3 cm · 5 cm\u003cbr\u003e\u003cstrong\u003eDiameters:\u003c\/strong\u003e 0.9 cm · 1.05 cm · 1.2 cm\u003cbr\u003e\u003cstrong\u003ePractices:\u003c\/strong\u003e Chinese calligraphy, sumi-e, ink painting, washes, line work\u003cbr\u003e\u003c\/p\u003e\n\n\u003c\/details\u003e\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\" open=\"\"\u003e\n\u003csummary style=\"font-size: 16px; font-weight: bold; text-transform: uppercase; cursor: pointer; color: #4480c7;\"\u003eCHOOSING THE RIGHT BRUSH\u003c\/summary\u003e\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\u003cstrong\u003eSmall size — 3.7 cm fibers:\u003c\/strong\u003e for small characters, details, short strokes, and exercises requiring little ink capacity.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\u003cstrong\u003eMedium size — 4.3 cm fibers:\u003c\/strong\u003e the most versatile for common exercises, changes of direction, and pressure variations.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\u003cstrong\u003eLarge size — 5 cm fibers:\u003c\/strong\u003e for large characters, broad strokes, solid areas, and washes requiring more water or ink.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003eOn Xuan paper, an untreated paper diffuses quickly and requires a decisive stroke. Semi-treated paper slows down the ink and facilitates learning pressure control.\u003c\/p\u003e\n\n\u003c\/details\u003e\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\" open=\"\"\u003e\n\u003csummary style=\"font-size: 16px; font-weight: bold; text-transform: uppercase; cursor: pointer; color: #4480c7;\"\u003ePREPARATION \u0026amp; MAINTENANCE\u003c\/summary\u003e\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eBefore first use, soften the fibers in cold or slightly warm water if they are still sized. Then remove excess water without twisting the tip.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eGradually load the ink or wash, then test the brush on a scrap of the same paper. This allows you to observe the reservoir, diffusion, and tip return before the final stroke.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eAfter use, rinse the fibers in clear water until the color disappears. Gently reshape the tip with your fingers, without pulling or pressing too hard.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003eLet dry flat or suspended, then replace the brushes in the box only when they are perfectly dry.\u003c\/p\u003e\n\n\u003c\/details\u003e\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\" open=\"\"\u003e\n\u003csummary style=\"font-size: 16px; font-weight: bold; text-transform: uppercase; cursor: pointer; color: #4480c7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eTo prepare traditional ink, this set can be paired with the \u003ca href=\"https:\/\/ikaneworld.com\/products\/baton-d-encre-traditionnelle-mosong\"\u003eMosong traditional ink stick\u003c\/a\u003e, the \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-batons-d-encre\"\u003eink stick set\u003c\/a\u003e or the \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-7-5-cm-initiation\"\u003e7.5 cm inkstone for beginners\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eTo organize several dilutions during your session, it can be combined with the \u003ca href=\"https:\/\/ikaneworld.com\/products\/palette-a-compartiments-peinture-calligraphie\"\u003eceramic compartment palette\u003c\/a\u003e or the \u003ca href=\"https:\/\/ikaneworld.com\/products\/palette-en-ceramique-compartimentee\"\u003ecompartmented ceramic palette\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eTo work on line diffusion, use it with \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper\u003c\/a\u003e, \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-semi-mur\"\u003esemi-ripe Xuan paper\u003c\/a\u003e or the \u003ca href=\"https:\/\/ikaneworld.com\/products\/rouleau-d-atelier-papier-vegetal-semi-traite\"\u003esemi-treated plant fiber workshop roll\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003eTo rest brushes between strokes or dry them properly, you can consult the \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique\"\u003ejade effect ceramic brush rest\u003c\/a\u003e or the \u003ca href=\"https:\/\/ikaneworld.com\/products\/porte-pinceaux-calligraphie-suspendu\"\u003ehanging calligraphy brush holder\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003c\/details\u003e\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\u003cstrong style=\"color: #1a1b41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003eDraw the same line with all three brushes, using ink of the same density. You will immediately see which one best retains its tip, which extends the stroke, and which gives you the desired control.\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":55896569676108,"sku":"CJJT170012001AZ","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Pinceaux_calligraphie_2.jpg?v=1784162485"},{"product_id":"pinceau-en-poils-de-martre-fine","title":"Fine calligraphy brush – soft and precise tip","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eFine Marten Hair Brush – Chinese Calligraphy, Xiaokai, Lishu, and Precise Strokes\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis fine marten hair brush is designed for precise writing, small characters, ink details, and slow calligraphy exercises.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIts fine, flexible, and responsive tip allows for light finishes, sharp angles, narrow lines, and subtle variations in thickness.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIt is particularly suitable for Xiaokai and Lishu styles, fine lines, detail touch-ups, and practices where hand pressure must remain very controlled.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    This brush is designed for precise movements: small characters, calligraphic details, short strokes, outlines, punctuation, touch-ups, and lines that require a well-controlled tip.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The fine fiber reacts quickly to changes in pressure and inclination. Light pressure produces a fine line; a firmer press widens the line without completely losing the tip.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The natural bamboo handle offers a light grip, suitable for long writing sessions, repetitive exercises, and strokes that require little tension in the fingers.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eTip diameter:\u003c\/strong\u003e approximately 8 mm\u003cbr\u003e\n    \u003cstrong\u003eTip length:\u003c\/strong\u003e approximately 20 mm\u003cbr\u003e\n    \u003cstrong\u003eHandle:\u003c\/strong\u003e natural bamboo\u003cbr\u003e\n    \u003cstrong\u003eCompatibility:\u003c\/strong\u003e ink prepared on stone, liquid ink, light wash, Xuan paper, or paper suitable for ink\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Before first use, gently moisten the fiber with clear water to soften the tip and remove any potential storage sizing.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Load the brush gradually, then remove excess on the edge of the inkstone, dish, or palette. For fine writing, an overloaded tip can thicken the stroke too quickly.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Work with minimal pressure. The slower the movement, the more visible the stroke variations become, especially on slightly absorbent paper.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    After use, rinse with clear water until the ink or pigment disappears. Gently reshape the tip with your fingers, without twisting the fiber, then let it air dry.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare ink by hand, this brush can accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/baton-d-encre-traditionnelle-mosong\"\u003eMosong traditional ink stick\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-batons-d-encre\"\u003eink stick set\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-7-5-cm-initiation\"\u003e7.5 cm inkstone for beginners\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To control ink bleeding, you can use it with \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-semi-mur\"\u003esemi-ripe Xuan paper\u003c\/a\u003e, \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/rouleau-d-atelier-papier-vegetal-semi-traite\"\u003esemi-treated vegetable paper roll\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To organize different ink or wash values, it can be combined with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/palette-a-compartiments-peinture-calligraphie\"\u003eceramic compartment palette\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To rest the brush between strokes and avoid flattening the tip, you can check out the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique\"\u003ejade effect ceramic brush rest\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique-1\"\u003eBlue Dragon brush rest\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  This brush works particularly well with minimal pressure. On slightly absorbent paper, slowing down the movement reveals fine, lively, almost vibrant outlines.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":55896623087948,"sku":"CJYD188954201AZ","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Pinceau_de_calligraphie_tres_fin.png?v=1778215487"},{"product_id":"coffret-de-rangement-en-bambou-pour-aquarelle","title":"Bamboo watercolour box 24 or 36 half pans","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eBamboo Watercolor Box – refillable 24 or 36 half-pan palette\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis bamboo watercolor box allows you to create a personalized palette with refillable half-pans, to organize your colors and transport your pigments.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nTwo sizes are available: 24 pans for a compact and portable palette, or 36 pans to keep more colors visible while working.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nNatural bamboo offers a more pleasant grip than a classic plastic case. The compartments keep the half-pans in place during storage, studio moves, or sessions away from a fixed table.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    This box is used to create a custom palette: basic colors, a reduced range, a travel palette, a personal color chart, or a selection dedicated to a specific technique.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The half-pans can be filled with tube watercolor, compact gouache, or suitable pigment mixtures. Once dry, the pans can be reactivated with water depending on the paint used.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The bamboo format is suitable for artists, students, illustrators, and hobbyists who want to build a durable, clear, and easily evolving palette throughout their practice.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCHOOSING THE FORMAT\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    \u003cstrong\u003e24-pan format:\u003c\/strong\u003e more compact, with a sliding lid. It is suitable for reduced palettes, quick sessions, mobile work, and essential color selections.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    \u003cstrong\u003e36-pan format:\u003c\/strong\u003e wider, with a hinged opening. It allows you to keep more colors visible and organize a more extensive palette by families, values, or uses.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    If you often paint with a limited range, the 24-pan is sufficient. If you like to prepare several shades, separate warm and cool colors, or keep ready-made mixtures, the 36-pan will be more comfortable.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eMaterial:\u003c\/strong\u003e bamboo\u003cbr\u003e\n    \u003cstrong\u003ePans:\u003c\/strong\u003e 2 ml half-pans included\u003cbr\u003e\n    \u003cstrong\u003eDimensions 24 pans:\u003c\/strong\u003e approximately 14 × 10.5 × 4 cm\u003cbr\u003e\n    \u003cstrong\u003eDimensions 36 pans:\u003c\/strong\u003e approximately 17 × 11.5 × 3 cm\u003cbr\u003e\n    \u003cstrong\u003eFunction:\u003c\/strong\u003e store, organize, transport, and refill colors\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Fill the half-pans with the chosen paint, then let it dry completely before closing the box. Incomplete drying can cause sticking to the lid or movement during transport.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Organize colors by families, temperature, or frequency of use. You can also leave some pans empty to create personal mixtures during sessions.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Clean paint marks on the bamboo with a slightly damp cloth, then dry immediately. Avoid stagnant water, soaking, and abrasive products.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Store the box in a dry place. Bamboo may show slight variations in shade and grain, which are characteristic of the natural material.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To fill the half-pans, this box can accompany \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pigment-aquarelle-supervision\"\u003eSuper Vision watercolor pigments\u003c\/a\u003e \n    or the practice of tube watercolor to be dried in pans.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare mixtures during the session, you can complement it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/palette-en-ceramique-compartimentee\"\u003ecompartmented ceramic palette\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/palette-a-compartiments-peinture-calligraphie\"\u003e5-well ceramic palette\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For painting with a compact palette, it can be paired with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-pochette-de-pinceaux-aquarelle-artsecret\"\u003eArtSecret watercolor brush set\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-pinceaux-plats-en-bambou-lavis-aplats-et-fonds-aquarelles\"\u003ebamboo flat brush set\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/carnet-aquarelle-de-poche-300g\"\u003e300g pocket watercolor sketchbook\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    For a ready-to-use solution, you can also consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/peinture-aquarelle-en-godets-boite-metal\"\u003ewatercolor pans in a metal box\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Studio Tip\u003c\/strong\u003e\u003cbr\u003e\n  Building your own palette gradually changes the way you paint. With frequent use, certain colors always reappear: they slowly become a personal signature.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"24 cups","offer_id":55896723882316,"sku":"CJJT138330402BY","price":29.0,"currency_code":"EUR","in_stock":true},{"title":"36 cups","offer_id":55896723947852,"sku":"CJJT138330404DW","price":33.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Boite_en_bois_pour_rangement_peinture.png?v=1778215457"},{"product_id":"stylo-a-plume-laiton-et-bois","title":"Refillable wood and brass fountain pen","description":"\u003cp\u003e\u003cstrong style=\"color:#1A1B41;\"\u003eWood and Brass Fountain Pen with Case — Piston Converter Refillable\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size:18px; line-height:1.6;\"\u003e\nThis fountain pen combines a wooden body with brass elements for handwriting, notebooks, correspondence, annotations, and signatures.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size:18px; line-height:1.6;\"\u003e\nIts piston converter allows you to fill the reservoir directly from a fountain pen compatible ink bottle, then rinse it and change colors as needed.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size:18px; line-height:1.6;\"\u003e\nInk is not included. To preserve the feed and nib, use only fluid ink clearly marked \"for fountain pens,\" such as \u003ca href=\"https:\/\/ikaneworld.com\/products\/encre-poezie-30ml\"\u003e\u003cu\u003ePoezie 30ml liquid ink\u003c\/u\u003e\u003c\/a\u003e.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size:16.5px; line-height:1.6; margin:12px 0 0;\"\u003e\nA demonstration of the pen in action can be seen in this\n\u003ca href=\"https:\/\/www.instagram.com\/p\/DYOygokMQOY\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cu\u003eIkane video\u003c\/u\u003e\u003c\/a\u003e.\n\u003c\/p\u003e\n\n\u003chr style=\"border:none; border-top:1px solid rgba(58,123,200,0.3); margin:28px 0 0;\"\u003e\n\n\u003cdetails style=\"padding:8px 0;\"\u003e\n  \u003csummary style=\"font-size:16px; font-weight:700; text-transform:uppercase; color:#4480C7; cursor:pointer;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6; margin:8px 0;\"\u003e\n    The elongated wooden body is complemented by a brass section and cap. The cap protects the nib when not in use and during transport in its case.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6; margin:8px 0;\"\u003e\n    The converter inside the barrel functions as a small removable reservoir. Its piston draws ink from the bottle and then gradually feeds the nib during writing.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6; margin:8px 0 0;\"\u003e\n    The wood may show natural variations in shade, grain, and figuring. The brass may patinate, darken, or gradually mark with hand contact.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top:1px solid rgba(58,123,200,0.22); padding:8px 0;\"\u003e\n  \u003csummary style=\"font-size:16px; font-weight:700; text-transform:uppercase; color:#4480C7; cursor:pointer;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6; margin:8px 0 0;\"\u003e\n    \u003cstrong\u003eMaterials:\u003c\/strong\u003e Wood and brass\u003cbr\u003e\n    \u003cstrong\u003eLength:\u003c\/strong\u003e Approximately 15.8 cm\u003cbr\u003e\n    \u003cstrong\u003eFilling:\u003c\/strong\u003e Piston converter\u003cbr\u003e\n    \u003cstrong\u003eCompatible Ink:\u003c\/strong\u003e Liquid fountain pen ink\u003cbr\u003e\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top:1px solid rgba(58,123,200,0.22); padding:8px 0;\"\u003e\n  \u003csummary style=\"font-size:16px; font-weight:700; text-transform:uppercase; color:#4480C7; cursor:pointer;\"\u003eWHAT INK TO USE?\u003c\/summary\u003e\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6; margin:8px 0;\"\u003e\n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/encre-poezie-30ml\"\u003e\u003cu\u003ePoezie 30ml liquid ink\u003c\/u\u003e\u003c\/a\u003e is designed for fountain pens equipped with a converter, piston, or other filling system compatible with bottled ink.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6; margin:8px 0;\"\u003e\n    Its range of shades allows for color changes for daily writing, journaling, correspondence, annotations, or line drawing. The result varies depending on the nib's flow and the paper's absorbency.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6; margin:8px 0;\"\u003e\n    Do not pour \u003ca href=\"https:\/\/ikaneworld.com\/products\/flacon-d-encre-30ml\"\u003e\u003cu\u003e30ml dip pen ink\u003c\/u\u003e\u003c\/a\u003e into this pen: it is intended for dip pens and traditional pen holders.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6; margin:8px 0 0;\"\u003e\n    Also avoid India inks, acrylics, shellac-based inks, thick, glittery, waterproof, or pigmented inks unless their compatibility with fountain pens is explicitly stated.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top:1px solid rgba(58,123,200,0.22); padding:8px 0;\"\u003e\n  \u003csummary style=\"font-size:16px; font-weight:700; text-transform:uppercase; color:#4480C7; cursor:pointer;\"\u003eFILLING THE CONVERTER\u003c\/summary\u003e\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6; margin:8px 0;\"\u003e\n    Unscrew the wooden barrel and ensure the converter is properly secured behind the nib section.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6; margin:8px 0;\"\u003e\n    Turn the piston to expel air and place the mechanism in its lowest position.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6; margin:8px 0;\"\u003e\n    Fully immerse the nib in the ink, until the small hole visible on its surface is submerged. Then slowly turn the piston in the opposite direction to draw in the ink.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6; margin:8px 0;\"\u003e\n    Remove the pen from the bottle, then gently wipe the nib and section with a soft, lint-free cloth.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6; margin:8px 0 0;\"\u003e\n    Screw the barrel back on, wait a few seconds for the ink to reach the feed, then test it on a piece of paper.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top:1px solid rgba(58,123,200,0.22); padding:8px 0;\"\u003e\n  \u003csummary style=\"font-size:16px; font-weight:700; text-transform:uppercase; color:#4480C7; cursor:pointer;\"\u003eUSE \u0026amp; MAINTENANCE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6; margin:8px 0;\"\u003e\n    Write without applying strong pressure. The nib should glide on the paper: pressing harder does not necessarily increase the flow and can make the line less consistent.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6; margin:8px 0;\"\u003e\n    Close the pen after each use to limit ink drying in the nib and feed.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6; margin:8px 0;\"\u003e\n    Rinse the converter and nib with clean water when changing colors, when the flow becomes irregular, or before a long period of disuse.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6; margin:8px 0;\"\u003e\n    Draw in and expel water several times with the piston until it runs clear. Do not use hot water, alcohol, or household cleaning products.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6; margin:8px 0 0;\"\u003e\n    Wipe the wood and brass with a soft, dry cloth. For storage of several weeks, empty the reservoir, rinse it, and let the components dry before closing the pen.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top:1px solid rgba(58,123,200,0.22); padding:8px 0;\"\u003e\n  \u003csummary style=\"font-size:16px; font-weight:700; text-transform:uppercase; color:#4480C7; cursor:pointer;\"\u003eFOR WHOM?\u003c\/summary\u003e\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6; margin:8px 0;\"\u003e\n    This pen is suitable for people who wish to replace disposable cartridges with bottled ink and freely choose their ink color.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6; margin:8px 0 0;\"\u003e\n    It can accompany daily writing, journaling, research notebooks, letters, work notes, and signatures, both at home and on the go.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top:1px solid rgba(58,123,200,0.22); border-bottom:1px solid rgba(58,123,200,0.22); padding:8px 0;\"\u003e\n  \u003csummary style=\"font-size:16px; font-weight:700; text-transform:uppercase; color:#4480C7; cursor:pointer;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6; margin:8px 0;\"\u003e\n    To fill the converter directly, pair the pen with \u003ca href=\"https:\/\/ikaneworld.com\/products\/encre-poezie-30ml\"\u003e\u003cu\u003ePoezie 30ml liquid ink\u003c\/u\u003e\u003c\/a\u003e, available in several blues, greens, purples, browns, and plant-based shades.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6; margin:8px 0;\"\u003e\n    For writing and journaling, it can accompany the \u003ca href=\"https:\/\/ikaneworld.com\/products\/carnet-decriture-artisanal-en-cuir\"\u003e\u003cu\u003ehandmade leather notebook with 120g kraft paper\u003c\/u\u003e\u003c\/a\u003e or the \u003ca href=\"https:\/\/ikaneworld.com\/products\/carnet-constellation-noir\"\u003e\u003cu\u003ezodiac constellation notebook\u003c\/u\u003e\u003c\/a\u003e. Always test the ink on an inconspicuous page before extended use.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6; margin:8px 0;\"\u003e\n    To keep the pen directly with a notebook, use the \u003ca href=\"https:\/\/ikaneworld.com\/products\/etui-de-carnet-et-stylos-rangement\"\u003e\u003cu\u003ezippered notebook pen case\u003c\/u\u003e\u003c\/a\u003e. For carrying an A5 notebook and several tools, the \u003ca href=\"https:\/\/ikaneworld.com\/products\/mini-valise-a5-d-ecriture\"\u003e\u003cu\u003eA5 nomadic artist case\u003c\/u\u003e\u003c\/a\u003e offers more comprehensive storage.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6; margin:8px 0;\"\u003e\n    To explore writing where the nib is dipped directly into the ink, instead consult the \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-plume-a-tremper\"\u003e\u003cu\u003edip pen set\u003c\/u\u003e\u003c\/a\u003e or the \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-plume-de-verre-ecriture-a-l-encre-et-traces-experimentaux\"\u003e\u003cu\u003eglass pen set with inks\u003c\/u\u003e\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6; margin:8px 0 0;\"\u003e\n    These dip tools operate differently from the refillable fountain pen. You can also find notebooks, instruments, and accessories in the \u003ca href=\"https:\/\/ikaneworld.com\/collections\/ecriture\"\u003e\u003cu\u003eWriting\u003c\/u\u003e\u003c\/a\u003e collection.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cp style=\"font-size:18px; line-height:1.6; margin-top:18px;\"\u003e\n  \u003cspan style=\"display:inline-flex; align-items:center; justify-content:center; width:28px; height:28px; margin-right:8px; border-radius:50%; background:#4480C7; color:#FFFFFF; font-size:15px; vertical-align:middle;\"\u003e♥\u003c\/span\u003e\n  \u003cstrong style=\"color:#1A1B41;\"\u003eIkane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  For the first refill, choose a Poezie shade with no particular effect and use paper you are already familiar with. This will allow you to observe the nib's flow without confusing the pen's reaction with that of overly absorbent paper.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Black","offer_id":55896802656588,"sku":"CJYD203489202BY","price":34.0,"currency_code":"EUR","in_stock":true},{"title":"Sandalwood Red","offer_id":55896802689356,"sku":"CJYD203489201AZ","price":34.0,"currency_code":"EUR","in_stock":true},{"title":"Sandalwood","offer_id":55896802722124,"sku":"CJYD203489203CX","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/stylo_en_bois_et_laiton_sur_une_table_en_bois.jpg?v=1778179326"},{"product_id":"crayons-de-croquis-au-carbone","title":"Set of 12 assorted charcoal pencils","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eSet of 12 Charcoal Pencils – Black, White, Sanguine, and Sepia for Sketches and Values\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis set of 12 charcoal pencils allows for drawing with values, contrasts, and highlights, with a range designed to work with both shadow and light.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe 6 black pencils are used to establish masses, deepen dark areas, and structure volumes. The 2 white pencils bring back light, especially on tinted paper.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nSanguine and sepia add a warmer tone to the lines, useful for figure studies, portraits, observational sketches, and material exploration.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    This set combines several tones to approach drawing as a construction of light: establishing shadows, opening up volumes, warming certain areas, and then adding highlights at the right moment.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The blacks provide depth. The whites reveal reliefs. Sanguine and sepia add a more organic vibration, less cold than a purely black and white drawing.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The wood-cased format offers a more stable grip than raw charcoal. It allows for working on details, contours, and progressive adjustments without losing the dry, matte feel of charcoal.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCHARACTERISTICS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eContent:\u003c\/strong\u003e 12 pencils\u003cbr\u003e\n    \u003cstrong\u003eColors:\u003c\/strong\u003e 6 black, 2 white, 2 sanguine, 2 sepia\u003cbr\u003e\n    \u003cstrong\u003eLength:\u003c\/strong\u003e approximately 17.5 cm\u003cbr\u003e\n    \u003cstrong\u003eWeight:\u003c\/strong\u003e approximately 7 g per pencil\u003cbr\u003e\n    \u003cstrong\u003eLead type:\u003c\/strong\u003e compact charcoal\u003cbr\u003e\n    \u003cstrong\u003eRecommended surfaces:\u003c\/strong\u003e white or tinted paper, fine or medium grain\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSAGE \u0026amp; TECHNIQUES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Start with blacks to establish main masses and shadow areas. Then work on transitions by blending, layering, or light reworks depending on the desired contrast level.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    On tinted paper, white pencils allow light to appear without filling the entire surface. Highlights should be measured: a few well-placed dots are often enough to give dimension to the drawing.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Sanguine and sepia can be used to warm up a skin tone, emphasize muscle tension, suggest a texture, or create a softer base before adding blacks.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Charcoal remains a dry medium: fixing the drawing or protecting the page may be necessary if the support needs to be handled, transported, or stored.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To strengthen matte blacks and work deep shadows, this set can be paired with \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/crayons-carbone-fusain-doux\"\u003esoft charcoal carbon pencils\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For very light highlights, lights, and contrasts on dark paper, you can also check out \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/crayons-charbon-blanc\"\u003ewhite charcoal pencils\u003c\/a\u003e \n    or \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-stylos-opaques-20-pieces\"\u003eopaque white pens\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To work on a more contrasted surface, the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/carnet-de-croquis-noir-papier-beige\"\u003eblack sketchbook with beige paper\u003c\/a\u003e \n    allows whites, sepias, and blacks to stand out.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To explore dry color, masses, and layering, you can complement with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pastels-secs-72-couleurs-boite-en-bois\"\u003e72-color dry pastels\u003c\/a\u003e \n    or browse the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/dessin\"\u003eDrawing\u003c\/a\u003e \n    selection.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  On tinted paper, first lay down shadows and masses, then save white for the end. Used too early, it mixes with the charcoal; applied last, it reveals light with much greater precision.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":55896954208588,"sku":"CJWJWJYZ04048-12pcs a box","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/set_de_fusains_noir_blanc_sainguine.png?v=1778215398"},{"product_id":"outils-de-modelage-en-bois-dur-et-acier-inoxydable-6-pieces","title":"Set of 6 sculpting tools","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eSet of 6 Modeling Tools – Hardwood and Stainless Steel for Clay, Wax, and Finishing\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis set of 6 modeling tools features various profiles for working with clay, ceramics, wax, plaster, or polymer clay, from material removal to surface finishing.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nEach end serves a specific purpose: opening a line, digging a cavity, removing excess material, softening a transition, reshaping an angle, or cleaning a contour.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe hardwood handles provide a stable grip, while the stainless steel metal parts offer the necessary rigidity for clean cuts and gradual adjustments.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    This set is suitable for refining, removing, and precision work. It allows you to modify an already built form to adjust volumes, correct an edge, draw a line, or rework a surface before drying.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The metal ends are useful for digging, removing, marking, or cutting more decisively. The wooden areas allow for softer contact with the material, especially for smoothing, softening, or reworking without tearing the surface too much.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The result depends on the moisture content of the clay or the flexibility of the material being worked. Very soft material deforms easily; firmer material allows for sharper lines and more stable details.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eContent:\u003c\/strong\u003e 6 tools\u003cbr\u003e\n    \u003cstrong\u003eMaterials:\u003c\/strong\u003e Hardwood and stainless steel\u003cbr\u003e\n    \u003cstrong\u003eLength:\u003c\/strong\u003e Approximately 15 to 19 cm depending on the model\u003cbr\u003e\n    \u003cstrong\u003eCompatibility:\u003c\/strong\u003e Clay, ceramics, wax, plaster, polymer clay\u003cbr\u003e\n    \u003cstrong\u003eFunction:\u003c\/strong\u003e Digging, smoothing, incising, removing, marking, correcting, and refining volumes\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To remove material, work in gradual passes rather than too deep movements. This allows you to maintain volume control and avoid tearing.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    On still soft clay, metal parts allow for clean removal and sharp lines. On a firmer surface, wooden tools help to smooth, soften, or rework without marking too strongly.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Clean tools after use before clay, plaster, or paste dries on the profiles. Rinse if necessary, then carefully dry metal parts and handles.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Store tools dry, away from prolonged moisture, to preserve the wood and stainless steel parts.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To build volumes before finishing, this set can complement the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-d-outils-de-modelage-9-pieces\"\u003e9-piece modeling tool set\u003c\/a\u003e, \n    which is more versatile for shaping, smoothing, and structuring clay.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To dig deeper or remove material in cavities, you can pair it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/outil-creux-de-sculpture-pour-argile-et-ceramique\"\u003eset of 4 hollow tools for clay and ceramics\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/outil-courbe-de-sculpture\"\u003ecurved sculpture tool for clay\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For very fine adjustments, contours, and edges, it can be used with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/outil-de-finition-pour-argile-en-acier-inoxydable\"\u003estainless steel clay finishing tool\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-8-outils-de-precision-aluminium\"\u003eset of 8 aluminum precision tools\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To control proportions, diameters, or measurement transfers on a piece, you can also check out the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/compas-de-mesure-et-de-tracage-pour-ceramique\"\u003emeasuring and tracing caliper for ceramics\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Working with different moisture levels completely changes how the material reacts. On still soft clay, metal tools allow for clean removal; on a drier surface, wood helps to smooth and rework without tearing the texture.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":55901876781388,"sku":"CJJJJTJT05037-P6pcs a set","price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/set_outils_sculpture_argile.png?v=1778179386"},{"product_id":"papier-japonais-12-feuilles-de-coton-trois-textures","title":"Japanese cotton paper cards 3-grain","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eJapanese Cotton Paper Cards – 12 sheets, three textures for ink, drawing, and light watercolor\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThese 100% cotton paper cards are suitable for ink, drawing, calligraphy, graphite, charcoal, and light watercolor tests on a compact format.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nEach pack includes 12 cards in 105 × 155 mm format, available in fine, medium, or coarse grain depending on the desired level of precision, texture, or absorption.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nCotton paper gradually absorbs ink and remains more stable than standard paper with light water layers, while retaining a surface sensitive to line work.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    These cards are designed for material tests, small compositions, calligraphic fragments, value studies, painted cards, texture research, or tests of reaction between paper, tool, and pigment.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The 105 × 155 mm format allows for working on a short image, a motif, a letter, a drawn note, or a series of samples without using a large sheet.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Cotton offers better resistance to repeated strokes and light layers of water. For very wet washes or abundant flat areas, it is best to first test the paper's reaction on a card.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCHOOSING THE GRAIN\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    \u003cstrong\u003eFine grain:\u003c\/strong\u003e retains more precision. Suitable for crisp lines, writing, regular details, fine ink strokes, and compositions requiring a more controlled surface.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    \u003cstrong\u003eMedium grain:\u003c\/strong\u003e offers a balance between control and texture. Suitable for light overlays, pressure variations, mixed media experiments, graphite, ink, and small watercolor touches.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eCoarse grain:\u003c\/strong\u003e reveals more of the material's texture. Rubbings, irregularities, and pigment build-up become more visible, especially with charcoal, dry pencils, thick inks, or textured gestures.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eMaterial:\u003c\/strong\u003e 100% cotton paper\u003cbr\u003e\n    \u003cstrong\u003eVariations:\u003c\/strong\u003e fine grain, medium grain, or coarse grain\u003cbr\u003e\n    \u003cstrong\u003eSize:\u003c\/strong\u003e 105 × 155 mm\u003cbr\u003e\n    \u003cstrong\u003eQuantity:\u003c\/strong\u003e 12 cards\u003cbr\u003e\n    \u003cstrong\u003eAcidity:\u003c\/strong\u003e acid-free, neutral pH\u003cbr\u003e\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; TIPS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Test the tool on a first card before starting a series. The same pencil, brush, or pen reacts differently depending on the chosen grain.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For ink or light watercolor, start with little water. Gradually adding moisture allows for better control of spreading and prevents saturating the fibers too quickly.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For charcoal, graphite, or dry pencils, choose the grain according to the desired effect: fine for details, medium for balance, coarse to emphasize texture.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Allow water-worked cards to dry completely before stacking them, to prevent transfers, marks, or warping due to moisture.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For dry drawing and values, these cards can be paired with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/crayons-de-croquis-au-carbone\"\u003eset of 12 carbon sketch pencils\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/crayons-carbone-fusain-doux\"\u003esoft carbon charcoal pencils\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/crayons-charbon-blanc\"\u003ewhite charcoal pencils\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For writing and fine lines, they can be used with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/flacon-d-encre-30ml\"\u003e30ml ink bottle for dip pens\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-plume-a-tremper?variant=57586636489036\"\u003edip pen set\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-d-ecriture-a-l-encre-plume-en-verre-et-porte-plume?variant=57506188034380\"\u003eink writing set with glass pen\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For color, they can complement the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pigment-aquarelle-supervision\"\u003eSuper Vision watercolor pigments\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/peinture-aquarelle-en-godets-boite-metal\"\u003epan watercolor paint set\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/palette-a-compartiments-peinture-calligraphie\"\u003eceramic compartment palette\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    For fine brushwork, you can also pair them with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-en-poils-de-martre-fine\"\u003efine sable brush\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-pochette-de-pinceaux-aquarelle-artsecret\"\u003eArtSecret watercolor brush set\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  The support directly influences the drawing style. The same tool produces different sensations depending on the chosen grain: sharper on fine grain, more balanced on medium grain, more textured on coarse grain.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"END","offer_id":55901996122444,"sku":"CJYD196994003CX","price":19.0,"currency_code":"EUR","in_stock":true},{"title":"AVERAGE","offer_id":55901996155212,"sku":"CJYD196994002BY","price":19.0,"currency_code":"EUR","in_stock":true},{"title":"Thick","offer_id":55901996187980,"sku":"CJYD196994001AZ","price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/empire_de_papier_3_grains.png?v=1778215367"},{"product_id":"assiette-pour-encre-et-pigments","title":"Celadon ceramic dish","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eCeladon ceramic dish – ink, pigments, washes and calligraphy\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis celadon ceramic dish is used to prepare a few drops of ink, water or pigment during a calligraphy, sumi-e, wash or brush painting session.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIts slightly hollow shape helps control small dilutions: denser black, intermediate value, light wash or pigment picked up with a little water.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe bamboo motif appears subtly under the celadon glaze. The shade changes depending on the light, the amount of liquid and the depth of the ink or pigment used.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    This dish is used to prepare small quantities rather than a large volume of mixture. It is suitable for precise movements: loading a brush, adjusting a dilution, testing a value or keeping a lighter ink next to a concentrated black.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    It can be used with ink prepared on stone, liquid inks, water-based pigments, light washes or colors used with a fine brush.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    It can also temporarily hold a brush between two strokes, provided that the tip rests gently and is not crushed against the edge.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eMaterial:\u003c\/strong\u003e glazed celadon ceramic\u003cbr\u003e\n    \u003cstrong\u003ePattern:\u003c\/strong\u003e bamboo\u003cbr\u003e\n    \u003cstrong\u003eDimensions:\u003c\/strong\u003e approximately 9.7 cm × H 2 cm\u003cbr\u003e\n    \u003cstrong\u003eFunction:\u003c\/strong\u003e prepare, dilute, separate a value, adjust the amount of water and control brush loading\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Pour a few drops of water or a small amount of ink into the dish. Gradually add water to obtain a lighter value, rather than diluting too much from the start.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For washes, prepare a more concentrated base, then lighten it in small touches. This method allows for better control of blacks, grays and transitions.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Rinse the dish with clear water after use, before the ink or pigments dry in a thick layer on the glaze.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Dry with a soft cloth or let air dry. Avoid impacts: ceramic remains a rigid and breakable material.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eTO PAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare traditional ink, this dish can accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/baton-d-encre-traditionnelle-mosong\"\u003eMosong traditional ink stick\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-batons-d-encre\"\u003eink stick set\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-7-5-cm-initiation\"\u003e7.5 cm inkstone\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To work on lines, details and small values, it can be used with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-en-poils-de-martre-fine\"\u003efine sable hair brush\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-traditionnel-de-calligraphie\"\u003ebamboo calligraphy brush\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/ensemble-de-3-pinceaux-de-calligraphie-chinoise-coffret-cadeau\"\u003eset of 3 Chinese calligraphy brushes\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare several dilutions at the same time, you can supplement with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/palette-a-compartiments-peinture-calligraphie\"\u003eceramic compartment palette\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/palette-en-ceramique-compartimentee\"\u003ecompartmented ceramic palette\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    For brush painting with color, it can also accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-peintures-traditionnelles-chinoises-gouache-a-l-eau\"\u003eset of traditional Chinese gouache paints\u003c\/a\u003e \n    or \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pigment-aquarelle-supervision\"\u003eSuper Vision watercolor pigments\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane workshop tip\u003c\/strong\u003e\u003cbr\u003e\n  Preparing several levels of dilution in the dish allows for more vibrant and less uniform blacks. A few drops are often enough to completely transform the depth of the line.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":55902055399756,"sku":"CJJT140361602BY","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/coupelle_pour_preparation_encre.png?v=1778215338"},{"product_id":"coffret-d-aquarelles-solides","title":"Solid watercolor palette – 12 or 24 colors","description":"\u003cp\u003e\u003cstrong\u003eSolid Watercolor Palette — available in 12 or 24 colors.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr style=\"border:none;border-top:1px solid rgba(58,123,200,0.3);margin:14px 0;\"\u003e\n\n\u003cp\u003e\nCompact watercolor palette made of water-reactivatable solid pigments,\ndesigned for color studies,\nsketchbooking,\nillustration,\nand progressive transparency explorations.\n\u003c\/p\u003e\n\n\u003cp\u003e\nPigments are applied in light layers,\ndilution,\nand superposition.\nEach color can be used as a very light wash\nor in a denser concentration depending on the amount of water added.\n\u003c\/p\u003e\n\n\u003cp\u003e\nThe \u003cstrong\u003e12-color\u003c\/strong\u003e format is suitable for an essential palette,\neasy to transport,\nand ideal for mobile practices or initial mixing.\n\u003c\/p\u003e\n\n\u003cp\u003e\nThe \u003cstrong\u003e24-color\u003c\/strong\u003e format allows for a broader range of shades\nand more transitions without prior mixing,\nparticularly useful for botanical studies,\nlandscapes,\natmospheres,\nor light variations.\n\u003c\/p\u003e\n\n\u003cp\u003e\nThe compact case protects the pans\nand easily accompanies work in the studio,\nwhile traveling,\nor outdoors.\n\u003c\/p\u003e\n\n\u003chr style=\"border:none;border-top:1px solid rgba(58,123,200,0.25);margin:14px 0;\"\u003e\n\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eVariants\u003c\/strong\u003e: 12 or 24 colors\u003cbr\u003e\n\u003cstrong\u003eType\u003c\/strong\u003e: solid pan watercolor\u003cbr\u003e\n\u003cstrong\u003ePigment Capacity\u003c\/strong\u003e: approx. 8 ml per pan\u003cbr\u003e\n\u003cstrong\u003eUsage\u003c\/strong\u003e: watercolor, illustration, sketchbooking, color study\n\u003c\/p\u003e\n\n\u003chr style=\"border:none;border-top:1px solid rgba(58,123,200,0.4);margin:16px 0;\"\u003e\n\n\u003cp\u003e\u003cstrong\u003e🤍 Ikane Studio Tip\u003c\/strong\u003e\u003cbr\u003e\nStart with a small amount of pigment\nand build up values gradually.\nWatercolor often gains depth when layers remain light and transparent.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"12 colors","offer_id":55902069555532,"sku":"CJJT102171301AZ","price":34.0,"currency_code":"EUR","in_stock":true},{"title":"24 colors","offer_id":55902069588300,"sku":"CJJT102171302BY","price":53.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/image_palette_aquarelle.png?v=1778215278"},{"product_id":"encre-fluorescente-reactive-a-la-lumiere-uv","title":"18ml UV Invisible Ink with Lamp","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003e18 ml UV Invisible Ink – Hidden Writing, Secret Drawing, and Mini Reveal Lamp\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis UV invisible ink allows you to write or draw a line that is almost imperceptible in normal light, then reveal it under ultraviolet light with the included mini lamp.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIt can be used to add a hidden message, a discreet marker, a secret annotation, or a second image on paper, visible only upon revelation.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe result depends on the surface: on some papers, the dry line may remain slightly visible. It is therefore preferable to do a test before working on a definitive composition.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    In normal light, the dry ink remains very discreet. Under ultraviolet light, the applied areas become fluorescent and reveal the drawing.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    It can be used alone or added to an existing drawing: hidden text, nocturnal details, signs, outlines, annotations, composition markers, or a second reading of an image.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    For a clearer revelation, let the ink dry completely, reduce ambient light, then briefly illuminate the drawing with the mini UV lamp.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eCapacity:\u003c\/strong\u003e 18 ml\u003cbr\u003e\n    \u003cstrong\u003eRevelation:\u003c\/strong\u003e under ultraviolet light\u003cbr\u003e\n    \u003cstrong\u003eAccessory included:\u003c\/strong\u003e mini UV lamp\u003cbr\u003e\n    \u003cstrong\u003eRecommended surfaces:\u003c\/strong\u003e smooth or slightly absorbent papers, after prior testing\u003cbr\u003e\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFIRST USE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Test the ink on a scrap of your chosen paper. Some surfaces absorb more liquid and may make the line more visible after drying.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Apply a thin layer to limit visible marks in normal light. Too thick an application can leave a trace, even before UV revelation.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Allow to dry completely without rubbing the surface. Revelation will be cleaner if the paper is dry and ambient light is reduced.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Briefly illuminate the drawing with the mini UV lamp. Add a second layer only if the fluorescence is too weak after the first test.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Do not pour this ink into a fountain pen with a reservoir. Instead, use a dip pen, a fine brush, or an easy-to-clean tool.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAPER, TOOLS \u0026amp; PRECAUTIONS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Smooth paper facilitates fine lines and clear drawings. Very absorbent paper can diffuse the ink, widen the line, and make the mark more visible in normal light.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Use a fine brush, a dip pen, or a tool compatible with fluid ink. Clean the tool quickly after use to avoid dry deposits.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Do not look directly at the UV source and do not point the mini lamp at your eyes. Keep the entire set out of reach of young children.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Close the bottle after use and store it away from heat, direct light, and dust.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To work with a dip pen, this ink can be accompanied by the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-plume-a-tremper?variant=57586636489036\"\u003edip pen set\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-d-ecriture-a-l-encre-plume-en-verre-et-porte-plume?variant=57506188034380\"\u003eink writing set with glass pen\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For effects visible in natural light and enhanced under UV, you can also check out the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/encre-fluorescente-18ml\"\u003e18 ml fluorescent ink\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To create contrasts on dark paper or add visible highlights, it can be combined with \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-stylos-opaques-20-pieces\"\u003eopaque white pens\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/carnet-de-croquis-noir-papier-beige\"\u003eblack sketchpad with beige paper\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To explore other light effects, you can consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/colorant-liquide-phosphorescent-pour-resine\"\u003ephosphorescent liquid dye for resin\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/fil-phosphorescent-matiere-textile-lumineuse\"\u003ephosphorescent textile thread\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  First draw the visible part of the image, then add a detail under UV that changes its interpretation: a phrase, a path, a constellation, or a second outline.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":55902086332748,"sku":"CJJJJTJT23235-18ml ultra violet light","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/ink_uv.jpg?v=1778223736"},{"product_id":"baton-d-encre-traditionnelle-mosong","title":"Sumi black ink stick","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eMosong Traditional Ink Stick – Sumi Solid Ink for Grinding on Stone\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis Mosong traditional ink stick allows you to prepare black ink by hand for calligraphy, sumi-e, wash painting, and ink drawing.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nA few drops of water on an ink stone are enough to gradually release the material. The longer the grinding, the denser, darker, and more concentrated the ink becomes.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nUnlike ready-to-use liquid ink, the intensity is adjusted during preparation: deep black for bold strokes, lighter dilution for washes, gradients, and pressure variations.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 10px;\"\u003e\n  To choose the stone, measure the water, understand grinding, and adapt the paper, you can consult the \n  \u003ca href=\"https:\/\/ikaneworld.com\/pages\/batons-et-pierres-a-encre-papiers-pinceaux-plumes-lavis\"\u003eIkane guide on ink sticks, stones, papers, brushes, and washes\u003c\/a\u003e.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The ink stick is prepared directly on a moistened ink stone. The action involves slowly rubbing the base of the stick on the stone's surface to produce ink usable with a brush.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The density depends on two elements: the amount of water applied and the grinding time. With little water, the ink becomes more concentrated; with more water, it becomes more fluid and lighter.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Its hexagonal shape offers a stable grip. It slightly slows down the movement and helps maintain more consistent grinding, especially during initial preparations.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eType:\u003c\/strong\u003e Sumi solid ink\u003cbr\u003e\n    \u003cstrong\u003eComposition:\u003c\/strong\u003e fine soot and natural binder\u003cbr\u003e\n    \u003cstrong\u003eDimensions:\u003c\/strong\u003e approximately 7.5 × 1.8 × 1 cm\u003cbr\u003e\n    \u003cstrong\u003eWeight:\u003c\/strong\u003e approximately 20 g\u003cbr\u003e\n    \u003cstrong\u003eRequired support:\u003c\/strong\u003e ink stone and clear water\u003cbr\u003e\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePREPARING THE INK\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Place a few drops of water on the flat part of the ink stone. Do not fill the entire cavity initially: a small amount of water makes it easier to obtain a concentrated base.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Hold the stick almost vertically, with its base flat on the stone. Rub slowly in circles or regular movements, without pressing hard.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    After a few minutes, test the blackness with a brush on a scrap piece of paper. If the ink appears too light, continue grinding. If it sticks or becomes too thick, add one or two drops of water.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    For washes, first prepare concentrated ink, then dilute it in a separate bowl. This method gives more control than starting with an overly watery preparation.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Wipe the wet side of the stick after each session. Do not leave it soaking in water and do not put it away when it is still wet.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Rinse the stone with clear water after use, without detergent. A layer of dried ink can hinder subsequent preparations and alter the grinding texture.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Allow the stick to air dry before returning it to its storage. Enclosed humidity can weaken the solid ink or mark the surface.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Store in a dry place, away from humidity and strong temperature variations.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eTO PAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare the ink, this stick can be paired with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-7-5-cm-initiation\"\u003e7.5 cm ink stone\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-naturelle\"\u003enatural ink stone with lid\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To work on lines, solids, and pressure variations, you can use it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-traditionnel-de-calligraphie\"\u003ebamboo calligraphy brush\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-de-calligraphie-poils-naturels\"\u003etraditional rabbit hair brush\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-pinceaux-de-calligraphie-fibres-rigides\"\u003eset of stiff fiber calligraphy brushes\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To observe the diffusion of black, choose a suitable support such as the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-semi-mur\"\u003esemi-ripe Xuan paper\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/rouleau-d-atelier-papier-vegetal-semi-traite\"\u003esemi-treated vegetable paper roll\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To start with an already organized set, you can also consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-baton-initiation\"\u003estarter ink stone and stick set\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/calligraphie\"\u003eCalligraphy\u003c\/a\u003e selection.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Start with very little water, then gradually increase the dilution. The quality of the black depends as much on the preparation time as on the gesture itself: it's better to build slowly than to drown the ink from the start.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":55902086889804,"sku":"CJJJJTJT15689-Photo Color-7.5x1.8x1cm","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/SUMI_INK.png?v=1778215160"},{"product_id":"mini-bruleur-dencens-a-trois-pieds","title":"Three-foot incense burner","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eThree-legged incense burner – dark alloy for cones and small preparations\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis three-legged incense burner accompanies moments of preparation, reading, writing, or slow work with a sober and mineral presence.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIts slightly textured dark surface evokes ancient incense burners, with a more matte and patinated finish than classic glossy ceramics.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIts compact size allows for small quantities of incense suitable for this type of burner. It does not come with an internal stick holder: for incense sticks, a separate holder must be used.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    This burner is designed for short burns and small incense preparations that can be placed directly in a stable container, such as certain cones or small, suitable forms.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The three-legged structure stabilizes the object and slightly elevates it. This design limits direct contact with the table, but the burner should always be placed on a heat-resistant surface.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The burner does not contain a rod, central hole, grid, or internal stick holder. To use incense sticks, a compatible stick holder must be added or a support designed for this purpose chosen.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCHARACTERISTICS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eMaterial:\u003c\/strong\u003e textured metal alloy\u003cbr\u003e\n    \u003cstrong\u003eFinish:\u003c\/strong\u003e patinated dark surface\u003cbr\u003e\n    \u003cstrong\u003eDimensions:\u003c\/strong\u003e approximately H 6.5 cm × Ø 7.8 cm\u003cbr\u003e\n    \u003cstrong\u003eCompatibility:\u003c\/strong\u003e incense cones and suitable small preparations\u003cbr\u003e\n    \u003cstrong\u003eInternal stick holder:\u003c\/strong\u003e not included\u003cbr\u003e\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; PRECAUTIONS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Place the burner on a stable, flat, and heat-resistant surface. Avoid tablecloths, papers, fabrics, fragile wood, or areas near curtains.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Use a small amount of incense. For a cone, place the element in the center of the burner, light the tip, then blow gently to maintain the ember.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Do not place a stick directly in the burner if it is not held by a separate stick holder. An unstable stick can fall, scatter ashes, or burn outside the container.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Never leave burning unattended. Keep away from children, pets, drafts, and flammable materials. Allow to cool completely before moving or emptying the burner.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Remove ashes only when the burner is cold. Empty gently, then wipe with a soft, dry cloth.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Avoid stagnant water, abrasive products, and metal sponges, which can alter the dark finish or textured surface.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Store in a dry place. Slight marks related to heat, ashes, or handling may appear with use.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For stick burning, choose the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/assiette-support-dencens\"\u003estainless steel incense holder plate\u003c\/a\u003e, \n    which has a stick holder and a larger surface to collect ashes.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For long or thin incense, you can also check out dedicated holders like the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/porte-encens-mineral-en-ciment-noir\"\u003emineral black cement incense holder\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/bruleur-d-encens-suspendu\"\u003ehanging incense burner\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To work with powdered or small-form incense, you can check out \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/poudre-d-encens\"\u003esandalwood incense powder\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-moulage-d-encens-inverse-cuivre\"\u003einverted copper incense molding set\u003c\/a\u003e, \n    always using an appropriate burning method.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To create a preparation space with incense, tea, notebook, or writing, you can find the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/preparer\"\u003ePrepare\u003c\/a\u003e selection.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Using a small amount of incense is often enough to change the atmosphere of a space. For sticks, use a separate stick holder: this burner serves as a container, not an internal holder.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":55902096032076,"sku":"CJJT165327501AZ","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/porte-encens_a_trois_pieds.png?v=1778215127"},{"product_id":"flacon-d-encre-30ml","title":"Calligraphy dip pen ink 30ml","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003ePen holder ink 30 ml – writing, calligraphy and dip pen drawing\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis 30 ml liquid ink is designed for pen holder work: handwriting, calligraphic alphabets, ink drawing, and line study.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIts fluidity allows for a regular flow on the dip pen, with a clean, continuous, and controlled line depending on the pressure applied.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIt is suitable for slow practices, precise lines, thick and thin strokes, illustration details, and writing that requires a stable flow without overloading the pen.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    This ink is used with a dip pen or a traditional pen holder. Simply dip the tip slightly into the bottle, then remove the excess before writing or drawing.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The balanced viscosity facilitates pressure variations: fine lines, heavier lines, slowdowns, restarts, and precise details. The black remains legible, even in lighter passages.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    This ink is designed for dip pens. Do not use it in a fountain pen with a reservoir unless the pen manufacturer confirms compatibility.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eCapacity:\u003c\/strong\u003e 30 ml\u003cbr\u003e\n    \u003cstrong\u003eType:\u003c\/strong\u003e ink for pen holder and dip pen\u003cbr\u003e\n    \u003cstrong\u003eBottle:\u003c\/strong\u003e rigid plastic with metal cap\u003cbr\u003e\n    \u003cstrong\u003eCompatibility:\u003c\/strong\u003e dip pens and traditional pen holders\u003cbr\u003e\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Dip only the tip of the nib. An overloaded nib can deposit too much ink at once, create a smudge, or make the line less regular.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Remove excess on the edge of the bottle or on a scrap piece of paper before starting. This step helps stabilize the flow and avoid heavy initial drops.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Clean the nib with clear water after use, before the ink dries in the slit or around the tip. Then wipe with a soft cloth.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Close the bottle after each session and store it away from heat, direct light, and dust.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To write with a traditional nib, this ink can accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-plume-a-tremper?variant=57586636489036\"\u003edip pen set\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-d-ecriture-a-l-encre-plume-en-verre-et-porte-plume?variant=57506188034380\"\u003eink writing set with glass pen\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For titles, broader thick and thin strokes, you can also check out the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-7-stylos-de-calligraphie-a-plume-plate\"\u003eset of 7 flat-nib calligraphy pens\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For a writing support suitable for notes, fragments, and dry sketches, it can be used with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/carnet-decriture-artisanal-en-cuir\"\u003ehandmade leather writing notebook\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/carnet-constellation-noir\"\u003eblack constellation notebook\u003c\/a\u003e, always testing the ink on a discreet page.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To find nibs, notebooks, and accessories related to handwriting, you can consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/ecriture\"\u003eWriting\u003c\/a\u003e selection.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane workshop tip\u003c\/strong\u003e\u003cbr\u003e\n  Dip only the tip of the nib to maintain a stable flow. Cleaning quickly after use prevents dry ink buildup and preserves the fineness of the line.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Black","offer_id":55902292934988,"sku":"CJJJJTJT12761-Black-30ml","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"Brown","offer_id":55902292967756,"sku":"CJJJJTJT12761-Brown-30ml","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"Green","offer_id":55902293000524,"sku":"CJJJJTJT12761-Green-30ml","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"Blue Lake","offer_id":55902293033292,"sku":"CJJJJTJT12761-Lake blue-30ml","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"Orange","offer_id":55902293066060,"sku":"CJJJJTJT12761-Orange-30ml","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"Pink","offer_id":55902293098828,"sku":"CJJJJTJT12761-Pink-30ml","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"Purple","offer_id":55902293131596,"sku":"CJJJJTJT12761-Purple-30ml","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"Red","offer_id":55902293164364,"sku":"CJJJJTJT12761-Red-30ml","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"Royal blue","offer_id":55902293197132,"sku":"CJJJJTJT12761-Royal Blue-30ml","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"Bordeaux","offer_id":55902293229900,"sku":"CJJJJTJT12761-Wine Red-30ml","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Encre_karkos.png?v=1773442269"},{"product_id":"tapis-de-calligraphie-rouleau-d-entrainement","title":"Reusable water calligraphy mat","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eReusable Calligraphy Mat – Water Practice, No Paper or Consumables Needed\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis reusable calligraphy mat allows you to practice brush strokes with clear water, without paper, pigment, or consumables to replace.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe wet brush temporarily reveals the stroke on the surface, then the writing gradually disappears as it dries. The mat allows you to write, observe, correct, and start again.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIts long format of 140 × 42 cm facilitates successive repetitions, rhythm exercises, warm-ups, and character learning before practicing on a definitive medium.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    This mat is designed for calligraphy training: character structure, movement regularity, pressure control, brush placement, and stroke repetition.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The goal is not to preserve the trace, but to repeat. The gradual disappearance of the stroke helps to identify hesitations, breaks in speed, and differences in pressure.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    It is suitable for beginners learning the basics as well as more advanced individuals who wish to warm up, work on a character, or correct a movement before transferring to paper.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eFunctionality:\u003c\/strong\u003e water-revealed writing, then gradual disappearance upon drying\u003cbr\u003e\n    \u003cstrong\u003eMaterial:\u003c\/strong\u003e thickened Oxford canvas with treated surface\u003cbr\u003e\n    \u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 140 × 42 cm\u003cbr\u003e\n    \u003cstrong\u003eUsage:\u003c\/strong\u003e calligraphy training, stroke repetition, warm-up, character learning\u003cbr\u003e\n    \u003cstrong\u003eCompatibility:\u003c\/strong\u003e calligraphy brushes used with clear water\u003cbr\u003e\n    \u003cstrong\u003eConsumables needed:\u003c\/strong\u003e none\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSAGE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Fill a small dish with clear water, wet the brush, then remove excess water before drawing. An overly loaded brush can leave too wide a mark or slow down drying.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Repeat the same character several times along the entire length of the mat. Observe differences in pressure, axis stability, and movement continuity.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Allow to dry naturally before rolling or storing the mat. Avoid folding it sharply to preserve the working surface.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Use only clear water. Pigments, colored liquids, markers, or tinted products can stain the surface and prevent its intended use.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For water practice, this mat can be used with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-traditionnel-de-calligraphie\"\u003ebamboo calligraphy brush\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-de-calligraphie-poils-naturels\"\u003etraditional rabbit hair brush\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-pinceaux-de-calligraphie-fibres-rigides\"\u003eset of stiff fiber calligraphy brushes\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To rest the brush between repetitions, you can complement with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique\"\u003ejade-effect ceramic brush rest\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique-1\"\u003eBlue Dragon brush rest\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To store or dry brushes after rinsing, you can also consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/porte-pinceaux-calligraphie-suspendu\"\u003ehanging calligraphy brush holder\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To find tools related to brush learning, you can consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/calligraphie\"\u003eCalligraphy\u003c\/a\u003e selection.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Repeat the same character several times along the entire length of the mat. The gradual disappearance of the stroke helps to better observe the actual rhythm of the gesture, without focusing too quickly on the final result.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":55975054278988,"sku":"CJYD197503602BY","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Tapis_de_calligraphie_a_l_eau.png?v=1778215100"},{"product_id":"set-de-pinceaux-de-calligraphie-fibres-rigides","title":"Set of 3 calligraphy brushes","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eSet of 3 Calligraphy Brushes – Stiff Fibers for Strong Strokes, Sumi-e, and Ink\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis set of 3 calligraphy brushes is designed for traditional calligraphy, sumi-e, ink drawing, and practices where brush pressure shapes the stroke.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe firm natural fibers react quickly to pressure. They allow for creating clean lines, strong fills, and precise variations in thickness.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe three sizes allow you to adapt your movements for large characters, intermediate strokes, or more contained details, with a long handle that supports arm movement.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    These brushes are suitable for slow, firm, and structured strokes. Their firm tip retains its shape better during the stroke, which helps maintain a legible line, even when pressure varies.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Unlike a very soft brush, which absorbs movements more and produces more fluid transitions, this set offers more resistance under the hand. It is better suited for constructed characters, long lines, and strong contrasts.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The result depends on the ink load, the paper used, the fiber's moisture, and the arm's movement. On highly absorbent Xuan paper, the stroke will spread faster; on semi-treated paper, it will remain more controlled.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eContent:\u003c\/strong\u003e 3 brushes\u003cbr\u003e\n    \u003cstrong\u003eHandle:\u003c\/strong\u003e lacquered wood\u003cbr\u003e\n    \u003cstrong\u003eFibers:\u003c\/strong\u003e firm natural fibers\u003cbr\u003e\n    \u003cstrong\u003eCompatibility:\u003c\/strong\u003e Chinese ink, Sumi ink stick, ink wash\u003cbr\u003e\n    \u003cstrong\u003eFunction:\u003c\/strong\u003e drawing, loading ink, varying pressure, creating fills, fine lines, and strong lines\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eSIZES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    \u003cstrong\u003eLarge:\u003c\/strong\u003e tip 6 cm · diameter 1.5 cm · handle 24 cm\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    \u003cstrong\u003eMedium:\u003c\/strong\u003e tip 5.5 cm · diameter 1.4 cm · handle 24 cm\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eSmall:\u003c\/strong\u003e tip 5 cm · diameter 1.3 cm · handle 24 cm\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Before first use, fully moisten the fibers with clear water to soften them and remove any storage stiffness.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Load the brush gradually. For a clean stroke, remove excess water or ink on the edge of the ink stone, dish, or palette before drawing.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Work with the weight of your arm rather than finger pressure. Stroke stability often comes from overall body movement, especially for long lines and large characters.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    After use, rinse the fibers with clear water until the ink disappears. Do not twist the tip. Gently reshape it with your fingers, then let it air dry, ideally upside down.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare ink by hand, this set can be paired with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-batons-d-encre\"\u003eink stick set\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/baton-d-encre-solide\"\u003esolid ink stick\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-7-5-cm-initiation\"\u003e7.5 cm ink stone\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To work on stroke diffusion, you can use it with \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper\u003c\/a\u003e, \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-semi-mur\"\u003esemi-ripe Xuan paper\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/rouleau-d-atelier-papier-vegetal-semi-traite\"\u003esemi-treated vegetable paper roll\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To rest brushes between strokes, you can add the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique\"\u003ejade effect ceramic brush rest\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique-1\"\u003eblue Dragon brush rest\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To dry brushes upside down after rinsing, you can also check out the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/porte-pinceaux-calligraphie-suspendu\"\u003ehanging calligraphy brush holder\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Fully moisten the fibers before first use. For strong strokes, don't just press with your fingers: engage your arm, slow your movement, and let the tip regain its shape between strokes.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":55975121551692,"sku":"CJJT169284101AZ","price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Set_de_pinceaux_pour_calligraphie.png?v=1778215066"},{"product_id":"un-petit-coffret-d-initiation-quatre-tresors-du-lettre","title":"Textile box set “Four Treasures of the Scholar”","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eTextile Box \"Four Treasures of the Scholar\" – Introduction to Chinese Calligraphy and Solid Ink\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis introductory textile box contains the essential tools for discovering Chinese calligraphy, sumi-e, ink wash painting, and solid ink preparation.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIt includes four brushes, an inkstone, a Sumi ink stick, a dish, a brush rest, and an uncarved practice seal, all stored in an embroidered textile box.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nPaper is not included: please use Xuan paper or a medium compatible with ink techniques to test ink bleed, black density, and brush pressure.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 10px;\"\u003e\n  To understand the role of the brush, ink, paper, and inkstone, you can consult the \n  \u003ca href=\"https:\/\/ikaneworld.com\/pages\/quatre-tresors-du-lettre-pinceau-encre-papier-pierre\"\u003eIkane guide on the Four Treasures of the Scholar\u003c\/a\u003e.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The Four Treasures of the Scholar traditionally refer to the brush, ink, paper, and inkstone. This box gathers the preparation and drawing tools; paper is chosen separately according to the desired diffusion speed.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The ink is not ready to use. The stick must be rubbed with a little water on the flat part of the inkstone. You first obtain a concentrated base, then you can lighten it drop by drop.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The four brushes allow comparison of various line widths and ink capacities. The stone seal is provided uncarved: it cannot be used to sign a work without prior engraving and seal paste.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eBOX CONTENTS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eBrushes:\u003c\/strong\u003e 4 calligraphy brushes of different sizes\u003cbr\u003e\n    \u003cstrong\u003eInkstone:\u003c\/strong\u003e round stone for grinding and diluting ink\u003cbr\u003e\n    \u003cstrong\u003eInk:\u003c\/strong\u003e 1 solid Sumi ink stick\u003cbr\u003e\n    \u003cstrong\u003ePorcelain:\u003c\/strong\u003e 1 brush rest and 1 dish\u003cbr\u003e\n    \u003cstrong\u003eSeal:\u003c\/strong\u003e 1 uncarved stone practice seal\u003cbr\u003e\n    \u003cstrong\u003eBox:\u003c\/strong\u003e embroidered textile box\u003cbr\u003e\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePREPARING INK FOR THE FIRST TIME\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For a small quantity, allow about 5 minutes of grinding. This time serves as a guide, not an absolute rule: stop when the ink no longer appears watery and a test stroke yields an even black.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Place only a few drops of water on the flat part of the inkstone. Do not fill the entire cavity initially: a concentrated base is easier to correct than an overly diluted preparation.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Hold the stick almost vertically, with its base flat against the stone. Rub slowly in small circles or regular movements, without applying strong pressure.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    After 3 minutes, observe the ink. If it remains grey and very liquid, continue for another 1 to 2 minutes. Then test a stroke on a scrap of the same paper.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    If the black is too pale, rub for another 30 to 60 seconds. If the ink is too thick or catches on the paper, add one or two drops of water, mix, then test again.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Moisten the brush before loading it, then remove excess water without twisting the fibers. Start with the medium brush: it is generally simpler for testing basic strokes and pressure changes.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The brush rest prevents loaded fibers from touching the table. The dish can hold clear water or a second ink dilution to work with multiple shades of black.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    After use, rinse brushes and the inkstone with clear water. Wipe the damp side of the ink stick and allow each item to dry before storage.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Do not store any still-wet items in the textile box. Retained moisture can mark the fabric, damage brushes, or deform fibers.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To start with an easier-to-control medium, this box can be paired with \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper\u003c\/a\u003e \n    in a semi-treated finish, which facilitates initial diffusion tests.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To repeat strokes, work on a continuous length, or practice without paper limitations, you can also check out the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/rouleau-d-atelier-papier-vegetal-semi-traite\"\u003esemi-treated vegetable paper studio roll\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-rouleau\"\u003eXuan paper roll for calligraphy\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To hang brushes upside down to dry after rinsing, you can pair it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/porte-pinceaux-calligraphie-suspendu\"\u003ehanging calligraphy brush holder\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For a more structured version in a wooden box, you can compare it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-de-calligraphie-quatre-tresors-deluxe\"\u003edeluxe Four Treasures calligraphy box\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To find papers, brushes, inkstones, and inks related to this practice, you can consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/calligraphie\"\u003eCalligraphy\u003c\/a\u003e \n    selection.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Studio Tip\u003c\/strong\u003e\u003cbr\u003e\n  First prepare a rich black, then place a small amount into the dish with a few drops of water. This gives you two ink densities without having to restart the entire grinding process.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":55975227785548,"sku":"CJJT112825301AZ","price":47.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Coffret4lettre_3.png?v=1773516532"},{"product_id":"carnet-decriture-artisanal-en-cuir","title":"Genuine leather notebook – handcrafted binding","description":"\u003cp\u003e\u003cstrong\u003eGenuine Leather Journal — handcrafted binding and thick kraft paper for writing, sketching, and workshop notes.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr style=\"border:none;border-top:1px solid rgba(58,123,200,0.3);margin:14px 0;\"\u003e\n\n\u003cp\u003e\nA journal designed for regular writing,\ndrawing,\nand handwritten notes.\nThe genuine leather cover gradually develops a natural patina:\nhandling marks,\ncolor variations,\nand softening of the grain appear over time.\n\u003c\/p\u003e\n\n\u003cp\u003e\nThe handcrafted binding allows for a flexible and stable opening,\nsuitable for long sessions\nas well as quick daily annotations.\nThe 120 gsm kraft paper offers a slightly textured surface,\npleasant for fountain pens,\ngraphite,\ngel pens,\nand lightly pigmented inks.\n\u003c\/p\u003e\n\n\u003cp\u003e\nThe intermediate size makes it easy to transport without sacrificing writing comfort.\nSuitable for workshop journals,\nresearch notebooks,\npreparatory sketches,\nor handwritten correspondence.\n\u003c\/p\u003e\n\n\u003cp\u003e\nThe thicker paper slightly slows down the hand's movement,\nwhich often encourages more structured writing\nand a better perception of the hand's rhythm.\n\u003c\/p\u003e\n\n\u003chr style=\"border:none;border-top:1px solid rgba(58,123,200,0.25);margin:14px 0;\"\u003e\n\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eCover\u003c\/strong\u003e: genuine leather\u003cbr\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: handcrafted\u003cbr\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: 19 × 14 cm\u003cbr\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 200 pages\u003cbr\u003e\n\u003cstrong\u003ePaper\u003c\/strong\u003e: 120 gsm kraft\u003cbr\u003e\n\u003cstrong\u003eUse\u003c\/strong\u003e: handwritten notes, sketching, workshop journal\u003cbr\u003e\n\u003cspan style=\"font-size:0.875rem;\"\u003eLeather naturally presents variations in shade, grain, and texture.\u003c\/span\u003e\n\u003c\/p\u003e\n\n\u003chr style=\"border:none;border-top:1px solid rgba(58,123,200,0.4);margin:16px 0;\"\u003e\n\n\u003cp\u003e\u003cstrong\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\nAvoid highly saturated or very wet inks.\nThe journal often becomes more flexible after a few weeks of regular use.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56002472280396,"sku":"CJBG109787201AZ","price":42.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/carnet_en_cuir_reliure_artisanale.png?v=1778215038"},{"product_id":"set-de-peintures-traditionnelles-chinoises-gouache-a-l-eau","title":"Set of traditional Chinese paintings","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eTraditional Chinese Paint Set – 12 Water-Based Pigments for Guohua, Washes, and Brushwork\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis traditional Chinese paint set includes 12 tubes of 12 ml for brush painting, washes, \u003cem\u003eguohua\u003c\/em\u003e, and color studies on absorbent paper.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe pigments gradually dilute with water, allowing for light layering, fluid gradients, and variations in density without excessive opacity.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nSuitable for landscapes, botanical compositions, line studies, and color passages, these paints react particularly well on Xuan paper, rice paper, and natural fiber supports.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    These water-based paints are designed for brush practices: loading, diluting, applying color, allowing the material to spread into the paper fibers, then returning with a denser value to reinforce certain areas.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Unlike highly opaque paint, this type of pigment allows for working with transparency, successive layers, and water variations. The white of the paper remains important in constructing light.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The result depends on the paper, the amount of water, the brush load, the speed of the stroke, and the number of superimposed passes.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eType:\u003c\/strong\u003e Water-based pigments \u003cbr\u003e\n    \u003cstrong\u003eContents:\u003c\/strong\u003e 12 tubes of 12 ml\u003cbr\u003e\n    \u003cstrong\u003eTexture:\u003c\/strong\u003e Fluid cream, easily dilutable\u003cbr\u003e\n    \u003cstrong\u003eUsage:\u003c\/strong\u003e \u003cem\u003eGuohua\u003c\/em\u003e, washes, brush painting, line work, landscapes, botanical compositions\u003cbr\u003e\n    \u003cstrong\u003eCompatibility:\u003c\/strong\u003e Xuan paper, rice paper, absorbent natural fiber supports\u003cbr\u003e\n    \u003cstrong\u003eBox dimensions:\u003c\/strong\u003e approximately 250 × 200 × 50 mm\u003cbr\u003e\n    \u003cstrong\u003eFunction:\u003c\/strong\u003e Dilute, layer, shade, strengthen values, and work with color by brush\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSAGE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Place a small amount of pigment on a palette, then gradually dilute with water. Starting light allows for better value control before adding denser material.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For a light wash, increase the water content and work quickly. For a more intense color, reduce water or layer several coats after drying.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Test the color on a scrap of the same paper before a final composition. Highly absorbent paper will allow the color to penetrate the fibers faster; treated paper will maintain a more stable line.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Close tubes after use, clean brushes with clear water, and allow the palette to dry before storing.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eTO BE PAIRED WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To observe pigment diffusion, this set can be paired with \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper\u003c\/a\u003e, \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-semi-mur\"\u003esemi-ripe Xuan paper\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/rouleau-d-atelier-papier-vegetal-semi-traite\"\u003esemi-treated plant-fiber workshop roll\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For line work, colored washes, and variations in load, you can use it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-traditionnel-de-calligraphie\"\u003ebamboo calligraphy brush\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-de-calligraphie-poils-naturels\"\u003etraditional rabbit hair brush\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-5-pinceaux-calligraphie\"\u003eset of 5 Chinese calligraphy brushes\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare mixes, measure water, and keep colors separate, it can complement the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/palette-en-ceramique-compartimentee\"\u003ecompartmented ceramic palette\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To rest brushes between passes and preserve the tips, you can also consider the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique\"\u003ejade-effect ceramic brush rest\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/porte-pinceaux-calligraphie-suspendu\"\u003ehanging calligraphy brush holder\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Start with plenty of water and little pigment. Nuances often appear in lighter layers before more saturated passes: it's better to build slowly than to cover too quickly.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56126976360780,"sku":"CJJJJTJT15010-12 colors","price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Set_de_peinture_traditionnelle.png?v=1778215009"},{"product_id":"encens-de-santal-roule-a-la-main-28-batons","title":"Hand-rolled sandalwood incense","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eHand-rolled natural sandalwood incense – 28 sticks for reading, writing, and quiet workshops\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis natural sandalwood incense accompanies times of preparation, reading, writing, drawing, or creating, with a woody, dry, and gradual smoke.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nMade from advertised sandalwood and natural herbs, it comes in 15 cm hand-rolled sticks. The scent remains discreet, intended as a background presence rather than an overpowering diffusion.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nEach stick may show slight variations in shape and burn due to artisanal rolling. The slow burn allows you to mark the beginning of a session without saturating the space.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    This incense is used as a time marker: light a stick, set up the space, then begin your practice. It is suitable for moments when you seek a calmer atmosphere, without overly sweet scents or excessive diffusion.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Its sandalwood scent develops an advertised woody, dry, and natural note. It can accompany ink preparation, calligraphy, journaling, reading, or repetitive workshop tasks.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The intensity depends on ventilation, room volume, the holder used, and the number of sticks lit. Starting with a single stick helps maintain controlled diffusion.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCHARACTERISTICS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eComposition:\u003c\/strong\u003e advertised sandalwood and natural herbs\u003cbr\u003e\n    \u003cstrong\u003eQuantity:\u003c\/strong\u003e approximately 28 sticks\u003cbr\u003e\n    \u003cstrong\u003eLength:\u003c\/strong\u003e approximately 15 cm\u003cbr\u003e\n    \u003cstrong\u003eDiameter:\u003c\/strong\u003e approximately 3 mm\u003cbr\u003e\n    \u003cstrong\u003eManufacturing:\u003c\/strong\u003e artisanal hand-rolling\u003cbr\u003e\n    \u003cstrong\u003eScent:\u003c\/strong\u003e woody, dry, advertised natural, without advertised artificial aromas\u003cbr\u003e\n    \u003cstrong\u003eRequired holder:\u003c\/strong\u003e stable, heat-resistant incense holder, compatible with the stick's diameter\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; PRECAUTIONS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Place the stick in a stable incense holder, on a flat, heat-resistant surface. Ensure the stick's diameter is compatible with the holder's opening.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Light the tip, let the flame catch for a few seconds, then gently blow it out to leave only the ember.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Never leave burning incense unattended. Keep away from papers, fabrics, curtains, dry plants, drafts, children, and pets.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Aerate the room after use, especially in an enclosed space or if the incense has burned for a long time.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eSTORAGE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Store the sticks in a dry place, away from moisture, direct light, and strong odors.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Avoid storing them near perfumes, essential oils, scented candles, or household products, to preserve their woody scent.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Handle the sticks with care. Their slender, hand-rolled format can make them more susceptible to twisting or impacts.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To collect ashes on a simple surface, this incense can be paired with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/assiette-support-dencens\"\u003estainless steel incense holder plate\u003c\/a\u003e, \n    provided the stick's diameter is compatible with the holder's opening.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For a more mineral presentation, you can check compatibility with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/porte-encens-mineral-en-ciment-noir\"\u003eblack cement mineral incense holder\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To create a preparation space with incense, tea, notebook, or writing, it can be placed near the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/plateau-de-the-compact-en-bambou\"\u003ecompact bamboo tea tray\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/plateau-de-preparation-en-bois\"\u003ewooden preparation tray\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To find items related to incense, tea, and preparation rituals, you can consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/preparer\"\u003ePrepare\u003c\/a\u003e selection.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane workshop tip\u003c\/strong\u003e\u003cbr\u003e\n  Light a single stick at the beginning of a session. Let the burn mark the practice time rather than heavily scenting the space: the incense accompanies the action; it should not dominate.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56178113216844,"sku":"CJBJPFST00597-1 box","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/encens_tibetain.png?v=1778214978"},{"product_id":"encens-naturel-d-agarwood-vietnamien","title":"Natural agarwood (Vietnamese Aloe) — raw incense","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eNatural Vietnamese agarwood incense – raw agarwood in thin sticks\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis natural Vietnamese agarwood incense, also known as aloeswood, comes in 21 cm thin sticks for a slow and steady burn.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe sticks are advertised as being composed of agarwood powder and Qipi, with no added fragrance. The scent remains woody, dry, deep, and discreet, without any marked artificial notes.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis is a subtle incense, suitable for long periods of activity: reading, writing, drawing, tea ceremonies, calligraphy, or simply setting up a calm workshop environment. The smoke accompanies the session without trying to saturate the space.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Agarwood, or aloeswood, is sought after for its woody, resinous, and deep fragrance. Here, the thin stick format allows for a steady diffusion, which is simpler to use than resin or powder that needs heating.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Unlike very fragrant or floral incense, this incense remains drier and more discreet. It is suitable for spaces where a stable olfactory presence is desired, without sweet or overpowering scents.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The intensity depends on ventilation, room volume, the incense holder used, and the number of sticks lit. Starting with just one stick allows you to gauge the actual diffusion in the space.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCHARACTERISTICS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eMaterial:\u003c\/strong\u003e advertised Vietnamese agarwood \/ aloeswood, Qipi\u003cbr\u003e\n    \u003cstrong\u003eLength:\u003c\/strong\u003e approximately 21 cm\u003cbr\u003e\n    \u003cstrong\u003eType:\u003c\/strong\u003e advertised natural incense, no added fragrance\u003cbr\u003e\n    \u003cstrong\u003ePackaging:\u003c\/strong\u003e approximately 100 sticks per tube\u003cbr\u003e\n    \u003cstrong\u003eScent:\u003c\/strong\u003e woody, dry, resinous, deep, and discreet\u003cbr\u003e\n    \u003cstrong\u003eUse:\u003c\/strong\u003e reading, writing, drawing, tea, calligraphy, space preparation, quiet workshop\u003cbr\u003e\n    \u003cstrong\u003eSupport needed:\u003c\/strong\u003e stable, heat-resistant incense holder, suitable for thin sticks\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; PRECAUTIONS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Place the stick in a stable incense holder, on a flat, heat-resistant surface. Ensure that the ashes will fall properly into the holder throughout the burn.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Light the tip of the stick, let the flame catch for a few seconds, then gently blow it out to leave only the ember.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Never leave burning incense unattended. Keep away from paper, fabric, curtains, dried plants, drafts, children, and pets.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Ventilate the room after use, especially in an enclosed space or if the incense has burned for a long time.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eSTORAGE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Store the sticks in their tube, in a dry place, away from humidity and direct light.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Avoid storing them near perfumes, essential oils, scented candles, or household products: agarwood can absorb certain surrounding odors.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Handle the sticks with care. Their thinness allows for a steady burn but makes them more susceptible to twisting and impacts.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eTO PAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To collect ashes on a simple surface, this incense can be used with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/assiette-support-dencens\"\u003estainless steel incense holder plate\u003c\/a\u003e, \n    provided the stick diameter is compatible with the holder opening.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For a more vertical or established diffusion, you can check compatibility with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/porte-encens-mineral-en-ciment-noir\"\u003eblack cement mineral incense holder\u003c\/a\u003e \n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For another long-burning aromatic wood option, you can also check out the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/encens-spirale-a-l-agarwood\"\u003eagarwood spiral incense\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To create a space with incense, tea, reading, or writing, you can find the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/preparer\"\u003ePrepare\u003c\/a\u003e selection.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Light a single stick at the beginning of your session, then let the burning accompany the rhythm of your work. This incense is most effective when it remains discreet: a woody presence in the background, not a smoke that takes over the entire space.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56178368479564,"sku":"CJJJJTJT21197-Default-20g","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/boite_encens_traditionnel.jpg?v=1778220104"},{"product_id":"encens-japonais-parfume-cedarwood-black-tea-coffee-sauvage","title":"Japanese Incense - Short Format","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eJapanese Short Stick Incense – 20-minute burn for reading, writing, and workshops\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThese Japanese short stick incenses are perfect for accompanying moments of reading, writing, drawing, calligraphy, or preparing a calm space.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nTheir approximately 8 cm size allows for a short burn, about 20 minutes per stick, without diffusing too long in the room.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nFour blends are offered: Tuberose, Sauvage, Black Tea, or Cedar. As the sticks are slightly thicker than some fine incenses, please check the diameter of your incense holder before use.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The duration is approximately 20 minutes. It may vary depending on room ventilation, drafts, ambient humidity, and the storage conditions of the stick.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The short format is suitable for moments when you want to mark a beginning and an end: a few pages of reading, a calligraphy session, a drawing time, or a break at the end of the day.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Scent intensity depends on the room size and its ventilation. Starting with just one stick helps to assess the scent's presence without overwhelming the space.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCHOOSE YOUR SCENT\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    \u003cstrong\u003eTuberose:\u003c\/strong\u003e floral, dense, and enveloping accord. Top notes: neroli, bergamot, pink pepper, violet. Heart: jasmine, tuberose, rose, orchid, peach. Base: musk, sandalwood, cedar, vanilla.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    \u003cstrong\u003eSauvage:\u003c\/strong\u003e fresh, aromatic, and slightly spicy accord. Top note: bergamot. Heart: lavender, pepper, star anise, cinnamon. Base: ambergris, vanilla.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    \u003cstrong\u003eBlack Tea:\u003c\/strong\u003e cozy, soft, and slightly milky accord. Top note: Earl Grey tea. Heart: jasmine, rose, milk. Base: vanilla, musk.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eCedar:\u003c\/strong\u003e woody, resinous, and structured accord. Top notes: bergamot, juniper berry, pine, cypress. Heart: rose, jasmine, cedar. Base: cedar, amber, guaiac wood.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCHARACTERISTICS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eLength:\u003c\/strong\u003e approx. 8 cm\u003cbr\u003e\n    \u003cstrong\u003eDuration:\u003c\/strong\u003e approx. 20 minutes per stick\u003cbr\u003e\n    \u003cstrong\u003eScents:\u003c\/strong\u003e Tuberose, Sauvage, Black Tea, or Cedar depending on variant\u003cbr\u003e\n    \u003cstrong\u003ePrecaution:\u003c\/strong\u003e check incense holder compatibility before lighting\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; PRECAUTIONS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Place the stick in a stable incense holder, on a flat, heat-resistant surface. Ensure the stick is secure and that the ash will fall into the holder.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Light the tip, let the flame catch for a few seconds, then gently blow to leave only the ember.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Never leave burning incense unattended. Keep away from fabrics, papers, curtains, dry plants, drafts, children, and pets.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Ventilate the room after burning, especially in a closed or poorly ventilated space.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To collect ash on a simple surface, this incense can be used with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/assiette-support-dencens\"\u003estainless steel incense holder plate\u003c\/a\u003e, \n    provided the stick diameter is compatible with the holder's opening.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For a more vertical or contained presentation, you can also check compatibility with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/porte-encens-mineral-en-ciment-noir\"\u003eblack cement mineral incense holder\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To create a reading, tea, or writing space, it can be placed near the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/plateau-de-the-compact-en-bambou\"\u003ecompact bamboo tea tray\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/plateau-de-preparation-en-bois\"\u003ewooden preparation tray\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To find items related to incense, tea, and preparation rituals, you can consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/preparer\"\u003ePrepare\u003c\/a\u003e selection.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Light a single stick at the beginning. Its burning becomes a simple marker: as the scent settles, put down your phone and engage in your chosen practice.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Savage","offer_id":56178466160972,"sku":"CJYD228350102BY","price":13.0,"currency_code":"EUR","in_stock":true},{"title":"Black tea","offer_id":56178466029900,"sku":"CJYD228350105EV","price":13.0,"currency_code":"EUR","in_stock":true},{"title":"Cedar","offer_id":56178466095436,"sku":"CJYD228350103CX","price":13.0,"currency_code":"EUR","in_stock":true},{"title":"Tuberose","offer_id":56178466128204,"sku":"CJYD228350109IR","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Petit_encens_japonais_format_court.png?v=1778220046"},{"product_id":"carte-cadeau","title":"Creator card. Ikane","description":"\u003cp\u003e\n  \u003cstrong\u003eAn Ikane gift card to let everyone choose the materials, tools, and objects that will accompany their practice.\u003c\/strong\u003e\n\u003c\/p\u003e\n\n\u003chr style=\"border:none;border-top:1px solid rgba(58,123,200,0.3);margin:14px 0;\"\u003e\n\n\u003cp\u003e\n  \u003cstrong\u003eDescription\u003c\/strong\u003e\u003cbr\u003e\n  Giving an Ikane gift card means allowing everyone to choose the materials, tools, or objects that truly match their way of creating.\n\u003c\/p\u003e\n\n\u003cp\u003e\n  Drawing, painting, sculpture, writing, calligraphy, or exploring new practices: the card can be used freely throughout the store.\n\u003c\/p\u003e\n\n\u003cp\u003e\n  It is sent instantly by email after purchase and can be used at any time, with no expiration date.\n\u003c\/p\u003e\n\n\u003chr style=\"border:none;border-top:1px solid rgba(58,123,200,0.4);margin:16px 0;\"\u003e\n\n\u003cp\u003e\n  \u003cstrong\u003e🤍 Ikane workshop tip\u003c\/strong\u003e\u003cbr\u003e\n  When hesitating between several materials or disciplines, the gift card allows the recipient to choose what they truly need for their practice.\n\u003c\/p\u003e","brand":"IKANE WORLD","offers":[{"title":"€50.00","offer_id":56200924561740,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true},{"title":"€75.00","offer_id":56200924594508,"sku":null,"price":75.0,"currency_code":"EUR","in_stock":true},{"title":"€100.00","offer_id":56200924627276,"sku":null,"price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/cartecadeau_c2135382-6fa3-44f9-bb4b-7a905f5de61d.png?v=1778179479"},{"product_id":"bruleur-d-encens-japonais","title":"Japanese wooden incense burner","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eJapanese Solid Wood Incense Burner – Rosewood Stick Holder for Calm Spaces\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis Japanese solid wood incense burner holds an incense stick and accompanies moments of reading, writing, tea, or workshop preparation.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nMade from rosewood, it features visible grain, natural hues, and a minimalist shape that fits easily on a table, bookshelf, or desk.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe holder serves to keep the stick upright and create a simple marker in the space. Incense is not included: choose a stick compatible with the opening and always check its stability before lighting.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    This holder is designed for incense sticks. Its simple shape allows you to place incense at the start of a session without adding an overly decorative or prominent object to your workspace.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Rosewood is a solid wood with a distinct grain. Each piece may show slight variations in color, pattern, and texture due to its natural material.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    As with any incense holder, you must ensure the stick is held correctly and that the ashes fall into the designated area, without touching paper, fabric, or sensitive surfaces.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eMaterial:\u003c\/strong\u003e solid wood, rosewood\u003cbr\u003e\n    \u003cstrong\u003eUse:\u003c\/strong\u003e incense stick holder\u003cbr\u003e\n    \u003cstrong\u003eFinish:\u003c\/strong\u003e visible natural grain\u003cbr\u003e\n    \u003cstrong\u003eCompatibility:\u003c\/strong\u003e incense sticks\u003cbr\u003e\n    \u003cstrong\u003eFunction:\u003c\/strong\u003e hold the stick, collect ashes, and support stable burning\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSAGE \u0026amp; PRECAUTIONS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Place the holder on a flat, stable, and heat-resistant surface. Avoid papers, fabrics, tablecloths, curtains, fragile wood, and areas exposed to drafts.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Insert the stick into the opening, then check that it is held securely. Ashes should fall into the holder and not onto the table.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Light the end of the stick, let the flame catch for a few seconds, then gently blow to leave only the ember.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Never leave burning incense unattended. Keep away from children, pets, and flammable materials. Allow to cool completely before emptying or moving the holder.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Remove ashes only when the holder is cold. Wipe with a soft, dry cloth after use.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Avoid standing water, abrasive products, household alcohol, and harsh sponges, which can alter the wood or its finish.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Slight marks related to ashes, heat, or handling may appear with use. These are part of the normal evolution of a regularly used wooden object.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For a short burn, this holder can accompany \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/encens-japonais-parfume-cedarwood-black-tea-coffee-sauvage\"\u003eJapanese short stick incense\u003c\/a\u003e, \n    ensuring the stick's diameter is compatible with the opening.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For a slower woody scent, you can use it with \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/encens-de-santal-roule-a-la-main-28-batons\"\u003ehand-rolled natural sandalwood incense\u003c\/a\u003e \n    or \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/encens-naturel-d-agarwood-vietnamien\"\u003eVietnamese natural agarwood incense\u003c\/a\u003e, \n    if the stick fits properly in the holder.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For a wider holder designed to collect ashes on a metal surface, you can also check out the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/assiette-support-dencens\"\u003estainless steel incense holder plate\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To create a space with incense, tea, a notebook, or writing, you can explore the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/preparer\"\u003e\"Prepare\" selection\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Use this holder as a marker for the beginning or end of a session. Before lighting, ensure the stick is stable and that ashes will fall into the holder. Incense not included.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56247646191948,"sku":"CJJT111591901AZ","price":62.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/bruleur_d_encens_en_bois_noir.jpg?v=1778219864"},{"product_id":"set-de-pinceaux-traditionnels-chinois-pour-calligraphie","title":"Traditional calligraphy brush set","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eTraditional Chinese brush set – calligraphy, wash, and ink painting\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis set of traditional Chinese brushes is designed for calligraphy, ink painting, wash techniques, and regular practice of brushstrokes.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe various brushes offer different responses in hand: soft bristles, firmer bristles, or mixed bristles depending on the model, allowing for exploration of thick lines, fine lines, long lines, and pressure variations.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe set includes a brush roll, useful for storing tools, transporting them, and allowing them to dry more properly after rinsing.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    This set allows you to compare several stroke sensations on absorbent paper: water load, pigment retention, tip flexibility, fiber return, and line stability.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Softer brushes are ideal for washes, broad gestures, and fluid variations. Firmer brushes provide more control for structured characters, crisp lines, and strong strokes.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The result depends on the paper, dilution, the amount of water in the fiber, and the pressure applied. On highly absorbent Xuan paper, the stroke spreads quickly; on semi-treated paper, it remains more legible and controlled.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCHARACTERISTICS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eHandles:\u003c\/strong\u003e wood\u003cbr\u003e\n    \u003cstrong\u003eBristles:\u003c\/strong\u003e soft, firm, and mixed depending on the brush\u003cbr\u003e\n    \u003cstrong\u003eDimensions:\u003c\/strong\u003e approximately 300 × 120 × 40 mm\u003cbr\u003e\n    \u003cstrong\u003eCompatibility:\u003c\/strong\u003e ink prepared on stone, liquid ink, watercolor washes, water-based pigments\u003cbr\u003e\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Before first use, gently dampen the bristles with clean water to soften the fiber and prepare the tip.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Load the brush gradually. For a sharper line, remove excess water or color on the edge of the inkstone, dish, or palette before drawing.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    After use, rinse the bristles thoroughly with clean water until all color is gone. Do not twist the tip: gently reshape it with your fingers.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Allow brushes to air dry before storing them in the brush roll. Storing them too quickly while the bristles are still damp can deform the fiber or trap moisture.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eTO PAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare ink by hand, this set can be paired with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/baton-d-encre-solide\"\u003esolid ink stick\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/baton-d-encre-traditionnelle-mosong\"\u003etraditional Mosong ink stick\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-7-5-cm-initiation\"\u003e7.5 cm inkstone\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To observe stroke diffusion, you can use it with \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper\u003c\/a\u003e, \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-semi-mur\"\u003esemi-ripe Xuan paper\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/rouleau-d-atelier-papier-vegetal-semi-traite\"\u003esemi-treated vegetable paper roll\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To work with color using brushes, it can complement the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-peintures-traditionnelles-chinoises-gouache-a-l-eau\"\u003etraditional Chinese watercolor paint set\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/palette-en-ceramique-compartimentee\"\u003ecompartmented ceramic palette\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To rest your brushes during a session, you can check out the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique\"\u003ejade-effect ceramic brush rest\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique-1\"\u003eBlue Dragon brush rest\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Rinse thoroughly after use, then let the brushes dry before closing them in the brush roll. To better feel the differences between the tips, test each brush with the same dilution on the same paper.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56248014831948,"sku":"CJJT153529102BY","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Pour_calligraphie.png?v=1778179267"},{"product_id":"papier-xuan-rouleau","title":"Xuan paper roll","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eXuan Paper Roll – Calligraphy, Ink Writing, and Long Compositions\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis Xuan paper roll is ideal for practicing calligraphy, traditional writing, and ink painting on a continuous format of 240 × 2000 mm.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe roll format supports long compositions, character series, repeated exercises, and strokes that require more space than a pre-cut sheet.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nDepending on the chosen finish, the fibers react differently to water and ink: more moderate absorption to maintain control of the stroke, or a smoother surface for a sharper rendering.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The roll of Xuan paper allows for uninterrupted work: unroll the necessary length, prepare the composition, repeat a character, or create a longer line of writing.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    It is suitable for ink practices: calligraphy, brush writing, Chinese painting, washes, dilution tests, and vertical or horizontal compositions.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The rendering depends on the finish, the amount of water, the brush load, the speed of the stroke, and the density of the prepared ink.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eFormat:\u003c\/strong\u003e roll\u003cbr\u003e\n    \u003cstrong\u003eDimensions:\u003c\/strong\u003e 240 × 2000 mm\u003cbr\u003e\n    \u003cstrong\u003eAvailable finishes:\u003c\/strong\u003e semi-processed or mica-treated\u003cbr\u003e\n    \u003cstrong\u003eFunction:\u003c\/strong\u003e work on a continuous length, test absorption, compose and repeat strokes\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCHOOSING THE FINISH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The semi-processed finish offers moderate absorption. It allows for better control of the stroke while still allowing the ink to penetrate the fibers.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    It is suitable for regular exercises, first attempts on a roll, repeated characters, and strokes that require a balance between diffusion and legibility.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The mica-treated finish offers a smoother surface, with a sharper and slightly luminous rendering. It further limits diffusion and is better suited for structured lines.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    For a very free and diffuse stroke, choose a more absorbent paper. For more stable writing, the treated finish will be easier to control.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; STORAGE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Unroll only the necessary length, then stabilize the ends with a light weight or a soft clip to prevent the paper from re-rolling during work.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Test absorption on a scrap piece before starting a long composition. Adjust the ink dilution according to the chosen finish and the desired level of diffusion.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Allow to dry completely before rolling, cutting, or moving the paper. Wet ink can transfer, mark, or stick to adjacent areas.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Store the roll in a dry place, away from humidity, dust, and direct light. Handle with clean hands to avoid marks on the surface.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare ink by hand, this roll can be paired with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-batons-d-encre\"\u003eink stick set\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-7-5-cm-initiation\"\u003e7.5 cm ink stone for beginners\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-naturelle\"\u003enatural ink stone with lid\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To work on thick, thin lines and charge variations, you can use it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-traditionnel-de-calligraphie\"\u003ebamboo calligraphy brush\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-de-calligraphie-poils-naturels\"\u003etraditional rabbit hair brush\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-5-pinceaux-calligraphie\"\u003eset of 5 Chinese calligraphy brushes\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For practice on pre-cut sheets, you can also consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-semi-mur\"\u003esemi-ripe Xuan paper\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To understand how to combine paper, brush, stone, and solid ink, you can consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/pages\/batons-et-pierres-a-encre-papiers-pinceaux-plumes-lavis\"\u003eIkane guide on ink sticks, stones, papers, brushes, and washes\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Test absorption on a scrap piece before starting a long composition. Ink that is too diluted will spread faster; denser ink will produce a darker, sharper, and more legible stroke.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"semi-treated","offer_id":56248364728652,"sku":"CJYD188166701AZ","price":26.0,"currency_code":"EUR","in_stock":true},{"title":"treated with mica","offer_id":56248364761420,"sku":"CJYD188166702BY","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Rouleau_papier.png?v=1778179262"},{"product_id":"outils-pour-modelage-set-de-8-pieces","title":"Set of 8 precision clay tools","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eSet of 8 Aluminum Precision Tools - Fine Modeling, Light Engraving, and Details\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis set of 8 aluminum precision tools is designed for detailed work with clay, air-dry clays, and small sculptures in progress.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nEach profile allows for fine intervention: drawing a clean line, lightly engraving, adjusting a volume, cleaning a contour, or correcting an edge without removing too much material.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nAluminum offers a light and direct grip, useful for finishing stages where precision matters more than mass removal.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    These tools are suitable for finishing touches on an already formed material: refining a groove, reshaping an edge, accentuating a line, cleaning a detail, or correcting a small irregularity.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Unlike broader removal tools, they are primarily used for localized intervention. They are useful when the general shape is already established and the work requires more control.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The result depends on the moisture of the material, the pressure applied, and the timing of the intervention. Clay that is too soft may deform; clay that is too dry may not mark as cleanly.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCHARACTERISTICS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eContent:\u003c\/strong\u003e 8 tools\u003cbr\u003e\n    \u003cstrong\u003eMaterial:\u003c\/strong\u003e aluminum\u003cbr\u003e\n    \u003cstrong\u003eCompatibility:\u003c\/strong\u003e clay, air-dry clay, modeling clay, small sculptures\u003cbr\u003e\n    \u003cstrong\u003eFunction:\u003c\/strong\u003e tracing, engraving, local smoothing, refining, cleaning contours, and adjusting volumes\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; MAINTENANCE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Intervene when the material begins to firm up, but is still workable. This state allows for tracing or correcting without flattening the volume.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Work with short, progressive strokes. For a clean line, it is better to go over it gently several times rather than forcing it on the first pass.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Clean the tools after use before the clay or paste dries in the profiles. Rinse if necessary, then dry thoroughly.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Store the tools in a dry place to preserve the sharpness of the tips, edges, and working profiles.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eTO PAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To build volumes before finishing, this set can accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-d-outils-de-modelage-9-pieces\"\u003eset of 9 modeling tools\u003c\/a\u003e, \n    which is more versatile for shaping, hollowing, smoothing, and reshaping clay.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To remove more material or create more pronounced hollows, you can combine it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/outil-courbe-de-sculpture\"\u003ecurved clay sculpting tool\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/outil-creux-de-sculpture-pour-argile-et-ceramique\"\u003eset of 4 hollow tools for clay and ceramics\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To clean edges and refine contours after shaping, it can complement the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/outil-de-finition-pour-argile-en-acier-inoxydable\"\u003estainless steel clay finishing tool\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To add marks, veins, or surface effects, you can also consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/outil-de-texture-pour-modelage\"\u003emodeling texture tool\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Intervene when the material begins to firm up. On clay that is too soft, details will be crushed; on clay that is too dry, tools will not mark as cleanly. Clean and dry after use to preserve the sharpness of the profiles.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56256898466124,"sku":"CJJT169016901AZ","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/set_outils_modelage.png?v=1778179381"},{"product_id":"set-de-7-stylos-de-calligraphie-a-plume-plate","title":"Set of 7 flat nib calligraphy pens – for lettering and structured lines","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eSet of 7 flat-nib calligraphy pens – lettering, titles, and Latin letters\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis set of 7 flat-nib pens is ideal for practicing Latin calligraphy, lettering, handwritten titles, and varying stroke widths in letter construction.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe seven widths allow you to transition from a fine letter to a large-format title without changing tools. The flat nib produces broad or narrow strokes depending on its orientation on the paper.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe variation does not come from applying more pressure: it primarily relies on the pen's holding angle, the direction of the stroke, and the chosen nib width.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    A flat nib has a straight writing edge. When held at a stable angle, it naturally creates an alternation between broad and finer strokes.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Smaller widths are suitable for compact alphabets, preparatory exercises, calligraphic annotations, and details. Wider nibs allow for the construction of titles, initials, and compositions where the form of each letter remains clearly visible.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To maintain a clean line, use relatively smooth and low-absorbency paper. Paper that is too fibrous or very porous can cause ink to spread and reduce the sharpness of angles.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eContent:\u003c\/strong\u003e 7 pens\u003cbr\u003e\n    \u003cstrong\u003eNib shape:\u003c\/strong\u003e flat\u003cbr\u003e\n    \u003cstrong\u003eWidths:\u003c\/strong\u003e 2 mm, 3 mm, 4 mm, 5 mm, 7 mm, 9 mm, and 11 mm\u003cbr\u003e\n    \u003cstrong\u003eNib material:\u003c\/strong\u003e stainless steel\u003cbr\u003e\n    \u003cstrong\u003eBody:\u003c\/strong\u003e plastic and metal\u003cbr\u003e\n    \u003cstrong\u003eFunction:\u003c\/strong\u003e to produce thicks, thins, and width variations by the nib's angle\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCHOOSING NIB WIDTH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    2 and 3 mm nibs are suitable for small alphabets, regularity exercises, calligraphic annotations, and details.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    4 and 5 mm nibs provide a good starting point for understanding nib orientation. They make contrasts visible without requiring a very large medium.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    7, 9, and 11 mm nibs produce wider strokes, suitable for titles, initials, handwritten posters, and large-format composition exercises.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSAGE \u0026amp; MAINTENANCE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Choose a nib width, then maintain the same angle throughout the line. The stability of the angle creates the regularity of thick and thin strokes.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Start with straight strokes, simple curves, and series of lines before forming complete letters. This helps to understand how the nib reacts depending on the direction of the stroke.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Avoid pressing hard: excessive pressure can disrupt ink flow, catch the paper, or prematurely wear out the tip. The stroke width comes from the nib, not from force.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Close the pens after use to limit ink drying. Gently clean the nib if a deposit appears on the writing edge.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eTO PAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For sharper outlines, this set can be tested on \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003eartisanal Xuan paper\u003c\/a\u003e \n    with a treated finish, which is less absorbent than untreated versions.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For working on a long format, repeating alphabets, or composing wider titles, you can also consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/rouleau-d-atelier-papier-vegetal-semi-traite\"\u003eroll of semi-treated vegetable paper\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To alternate between pen calligraphy and dip pen writing, it can accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-plume-a-tremper?variant=57586636489036\"\u003edip pen set\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-d-ecriture-a-l-encre-plume-en-verre-et-porte-plume?variant=57506188034380\"\u003eink writing set with glass pen\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To find tools related to handwriting, pens, and lettering, you can consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/ecriture\"\u003eWriting\u003c\/a\u003e \n    selection.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Choose a single width and fill a page only with straight strokes before forming letters. When the angle becomes regular, thicks and thins appear naturally, without increasing pressure.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56322298609996,"sku":"CJJSBGBG00785-A","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/stylo_de_calligraphie.png?v=1781657204"},{"product_id":"coffret-batons-d-encre","title":"Inkstick grinding set — calligraphy and ink wash painting","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eInkstick set for grinding – calligraphy, wash painting, and ink painting\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis inkstick set allows you to hand-prepare the ink used in calligraphy, wash painting, and ink painting.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nEach inkstick is prepared with a few drops of water on an inkstone. Grinding gradually releases the material, allowing you to prepare only the quantity needed for the session.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe density is adjusted directly during preparation: prolonged grinding produces a more concentrated ink, while gradual dilution allows for transparent passages and various wash intensities.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 10px;\"\u003e\n  \u003ca href=\"https:\/\/ikaneworld.com\/pages\/batons-et-pierres-a-encre-papiers-pinceaux-plumes-lavis\" style=\"color: #1A1B41; font-weight: 700; text-decoration: underline; text-decoration-thickness: 1px; text-underline-offset: 3px;\"\u003e\n    Read the Ikane guide on inksticks, inkstones, papers, brushes, and washes\n  \u003c\/a\u003e\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Inksticks are slowly rubbed on the moistened surface of an inkstone. The friction gradually releases the pigments and forms a liquid preparation usable with a brush.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The amount of water, grinding time, and pressure applied determine the ink's behavior. A dense preparation is suitable for strong lines and dark areas. A more diluted preparation allows for building nuances through successive washes.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The decorations on the inksticks do not affect grinding or the ink's behavior on paper. The result primarily depends on the preparation, brush, and support used.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCHARACTERISTICS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eType:\u003c\/strong\u003e Solid ink to grind\u003cbr\u003e\n    \u003cstrong\u003ePractices:\u003c\/strong\u003e Calligraphy, wash painting, ink painting, brush drawing\u003cbr\u003e\n    \u003cstrong\u003eTools needed:\u003c\/strong\u003e Inkstone, water, brush, and suitable paper\u003cbr\u003e\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePREPARATION \u0026amp; MAINTENANCE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Place a few drops of water on the inkstone, then slowly rub the stick without pressing hard. The movement should remain steady to gradually release the material.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Test the ink on a scrap of the same paper before starting to draw. If the black is too pale, continue grinding in short increments. If the ink clogs or becomes too thick, add one or two drops of water, mix, then test again.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To work with multiple values, first prepare a dense ink, then take a small amount into a separate cup to gradually dilute it.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    After the session, wipe the wet side of the inkstick and let it dry before storing. Rinse the inkstone with clear water, without detergent, then dry it with a clean cloth.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eTO BE PAIRED WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To learn grinding, this set can be used with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-7-5-cm-initiation\"\u003e7.5 cm inkstone\u003c\/a\u003e, \n    compact and suitable for short preparations.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare a larger quantity or keep ink available during the session, you can pair it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-naturelle\"\u003enatural inkstone with lid\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To draw, vary pressure, and work with thick and thin strokes, it can be used with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/ensemble-de-3-pinceaux-de-calligraphie-chinoise-coffret-cadeau\"\u003eset of 3 Chinese calligraphy brushes\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-traditionnel-de-calligraphie\"\u003ebamboo calligraphy brush\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-5-pinceaux-calligraphie\"\u003eset of 5 Chinese calligraphy brushes\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To observe ink diffusion, you can pair it with \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper\u003c\/a\u003e, \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-semi-mur\"\u003esemi-ripe Xuan paper\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/rouleau-d-atelier-papier-vegetal-semi-traite\"\u003esemi-processed vegetal paper roll\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To understand how to combine inkstick, inkstone, brush, paper, and dilution, you can consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/pages\/batons-et-pierres-a-encre-papiers-pinceaux-plumes-lavis\"\u003eIkane guide on inksticks, inkstones, papers, brushes, and washes\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane workshop tip\u003c\/strong\u003e\u003cbr\u003e\n  Start with very little water and first prepare a dense ink. Then take a small amount into a separate cup to gradually build up the nuances, without diluting the entire preparation.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"5 Colors","offer_id":56323233415500,"sku":"CJJT134234401AZ","price":29.0,"currency_code":"EUR","in_stock":true},{"title":"Flowers and birds","offer_id":56323233448268,"sku":"CJJT134234403CX","price":29.0,"currency_code":"EUR","in_stock":true},{"title":"Goldfish","offer_id":56323233481036,"sku":"CJJT134234402BY","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Batons_d_encre.png?v=1781657118"},{"product_id":"porte-pinceaux-calligraphie-suspendu","title":"Calligraphy brush holder","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eHanging Calligraphy Brush Holder – upside-down drying and workshop storage\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis hanging brush holder allows calligraphy brushes to dry upside down after rinsing, letting water drain naturally from the fibers.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nAfter an ink session, a brush should not be left damp on a table. Water can stagnate in the bristles, rise towards the base, and gradually deform the tip.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nWith its black vertical structure, this stand can hang up to 6 brushes, keeping them accessible and helping to organize a calligraphy, ink, or wash space.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Calligraphy brushes should be rinsed with clear water after use until the ink disappears from the fibers. Once clean, hanging them to dry helps preserve the shape of the tip.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Hanging the brush upside down allows water to flow naturally downwards instead of remaining near the ferrule or the base of the bristles. This action limits stagnant moisture and helps the fibers regain their alignment.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    This type of stand is suitable for calligraphy, sumi-e, Chinese ink, wash, and soft brush painting brushes, provided they have a loop or tie for hanging.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eMaterial:\u003c\/strong\u003e molded resin\u003cbr\u003e\n    \u003cstrong\u003eColor:\u003c\/strong\u003e black\u003cbr\u003e\n    \u003cstrong\u003eDimensions:\u003c\/strong\u003e approximately 34 × 37 × 25 cm\u003cbr\u003e\n    \u003cstrong\u003eFunction:\u003c\/strong\u003e hang brushes upside down to facilitate water drainage after rinsing\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Rinse the brush with clear water until the ink disappears. Gently squeeze the bristles between your fingers or in a clean cloth to remove excess water, without twisting the tip.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Then hang the brush upside down, leaving the fibers free and uncompressed. Avoid the tips touching the tray, wall, or another tool during drying.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Place the brush holder on a stable, dry surface. Do not overload the structure beyond its stated capacity.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Clean the stand with a soft, slightly damp cloth if necessary, then dry before replacing the brushes.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To create a calligraphy space, this brush holder can accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-traditionnel-de-calligraphie\"\u003ebamboo calligraphy brush\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-de-calligraphie-poils-naturels\"\u003etraditional rabbit hair brush\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-5-pinceaux-calligraphie\"\u003eset of 5 Chinese calligraphy brushes\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare ink by hand, you can pair it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-7-5-cm-initiation\"\u003e7.5 cm ink stone for beginners\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-naturelle\"\u003enatural ink stone with lid\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/baton-d-encre-solide\"\u003e16 cm solid ink stick\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To work on a suitable surface, it can complement the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper made of vegetable fibers\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-semi-mur\"\u003esemi-ripe Xuan paper\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/rouleau-d-atelier-papier-vegetal-semi-traite\"\u003eroll of semi-treated vegetable paper\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To rest a brush between strokes, without waiting for it to dry completely, you can also check out the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique\"\u003ejade-effect ceramic brush rest\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique-1\"\u003eBlue Dragon ceramic brush rest\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Rinse the brush until the water is clear, remove excess without twisting the bristles, then hang it upside down. This simple drying method helps the tip maintain its shape and extends the life of the brush.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56323374154060,"sku":"CJJT168656401AZ","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Porte-pinceaux_de_Calligraphie_Ikane_2.png?v=1773439182"},{"product_id":"papier-xuan-artisanal-en-fibres-vegetales","title":"Handmade Xuan paper made from plant fibers","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eHandmade Xuan Paper – untreated, semi-treated or treated for ink and calligraphy\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis handmade Xuan paper is designed for calligraphy, ink painting, wash painting, and brush drawing.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nMade from plant fibers derived from advertised bamboo pulp, it reacts directly to the amount of water, ink load, and brush pressure.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nDepending on the chosen finish, the ink can diffuse quickly into the fiber, remain more stable on the surface, or find a balance between absorption and line readability.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Xuan paper is a medium very sensitive to water, ink, and brush rhythm. It allows for immediate observation of variations in pressure, speed, dilution, and load.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Untreated Xuan is very absorbent: the ink quickly enters the fiber, with vivid diffusion and more open edges. It is suitable for expressive gestures, free washes, and diffusion effects.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Semi-treated Xuan offers moderate absorption. It maintains a balance between diffusion and precision, useful for learning, regular exercises, and strokes that require flexibility and readability.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Treated Xuan is less absorbent: the ink remains more on the surface, allowing for a sharper line, more direct control, and more controlled edges.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eMaterial:\u003c\/strong\u003e plant fibers from advertised bamboo pulp\u003cbr\u003e\n    \u003cstrong\u003eAvailable finishes:\u003c\/strong\u003e untreated Xuan, semi-treated Xuan, treated Xuan\u003cbr\u003e\n    \u003cstrong\u003eFormat:\u003c\/strong\u003e 34 × 46 cm\u003cbr\u003e\n    \u003cstrong\u003eQuantity:\u003c\/strong\u003e approximately 100 sheets\u003cbr\u003e\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCHOOSING YOUR XUAN PAPER\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For beginners or regular practice, semi-treated Xuan is often the easiest to get used to. It allows the ink to live in the fiber without losing line readability too quickly.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Untreated Xuan is more suitable for creators who are looking for freer diffusion, more open edges, and a very sensitive response to water.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Treated Xuan will be more suitable for clean strokes, precise lines, controlled edges, and gestures that require more restraint.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; STORAGE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Test a sheet before a final work, especially if you change ink, brush, or dilution. The same gesture can produce very different diffusion depending on the paper's finish.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To limit warping, work with a progressive water load and stabilize the sheet if necessary with a light weight or a clean support.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Allow to dry flat before moving, stacking, or storing the sheets. Still-wet ink can transfer to adjacent sheets.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Store the paper dry, away from humidity, dust, and direct light. Handle with clean hands to avoid marks on areas intended for ink.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare ink by hand, this paper can be paired with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-7-5-cm-initiation\"\u003e7.5 cm inkstone\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-naturelle\"\u003enatural inkstone with lid\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/baton-d-encre-solide\"\u003e16 cm solid ink stick\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To work on strokes, thick and thin lines, you can pair it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-traditionnel-de-calligraphie\"\u003ebamboo calligraphy brush\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-de-calligraphie-poils-naturels\"\u003etraditional rabbit hair brush\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-5-pinceaux-calligraphie\"\u003eset of 5 Chinese calligraphy brushes\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To rest brushes between passes and keep the workspace clean, you can complete with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique\"\u003ejade effect ceramic brush rest\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique-1\"\u003eblue dragon ceramic brush rest\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/support-pour-pinceaux-noir\"\u003eblack workshop brush holder\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    For long practice without the constraint of pre-cut sheets, you can also consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/rouleau-d-atelier-papier-vegetal-semi-traite\"\u003esemi-treated vegetable paper roll\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/calligraphie\"\u003eCalligraphy\u003c\/a\u003e selection.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Start with semi-treated Xuan to observe the ink's reaction without losing control of the stroke too quickly. Then move on to untreated Xuan to explore diffusion, or treated Xuan to seek a sharper line.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"untreated","offer_id":56518281232716,"sku":"CJJT153524502BY","price":30.0,"currency_code":"EUR","in_stock":true},{"title":"semi-processed Xuan","offer_id":56518281199948,"sku":"CJJT153524501AZ","price":32.0,"currency_code":"EUR","in_stock":true},{"title":"treaty","offer_id":56518281167180,"sku":"CJJT153524503CX","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Papier_calligraphie_bab236f8-25b8-4089-b7ed-243719b3ec07.png?v=1773445867"},{"product_id":"set-d-outils-de-modelage-9-pieces","title":"Set of 9 Sculpting Tools – Clay, Pottery","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eSet of 9 Modeling Tools – Clay, Ceramics, and Sculpture\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis set of 9 modeling tools supports the main stages of working with clay: forming a volume, hollowing out an area, smoothing a surface, incising a detail, or removing material with more precision.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIt is suitable for modeling, shaping ceramics, small sculptures, and detailed rework. Each tool offers a different profile to adapt the gesture to the material.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe birch wood handles ensure a stable and direct grip. The active stainless steel parts allow for hollowing, scraping, smoothing, or cleaning contours with better control.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    This set is useful for constructing a piece in several stages: defining the general volume, refining hollow areas, smoothing transitions, then detailing before drying or firing.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The different profiles allow for varied techniques without completely changing tools: hollowing, scraping, incising, pushing material, cleaning an edge, or refining an existing shape.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    It is suitable for beginners who want to understand basic techniques, as well as artists and creators looking for a compact set for touch-ups and finishing.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eContent:\u003c\/strong\u003e 9 tools\u003cbr\u003e\n    \u003cstrong\u003eHandles:\u003c\/strong\u003e Birch wood\u003cbr\u003e\n    \u003cstrong\u003eActive parts:\u003c\/strong\u003e Stainless steel\u003cbr\u003e\n    \u003cstrong\u003eTechniques:\u003c\/strong\u003e Incise, smooth, hollow, remove, refine, clean contours\u003cbr\u003e\n    \u003cstrong\u003eCompatibility:\u003c\/strong\u003e Clay, modeling clay, ceramics during shaping, small sculptures\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Preferably work on clay that is still soft or slightly firm. Clay that is too wet sticks to the tools; clay that is too dry requires more pressure and can break details.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Start with the widest tools to establish or correct the volume, then move to finer profiles for details, hollows, edges, and localized finishing.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Clean the tools after use before the clay completely dries on the metal parts. Rinse if necessary, then carefully dry the stainless steel and wooden handles.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Store the tools in a dry place, separated from blades or sharp accessories, to preserve the working profiles.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eTO PAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To remove more material, hollow out rounded volumes, or refine more pronounced shapes, this set can be complemented by the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/outil-courbe-de-sculpture\"\u003ecurved clay sculpting tool\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/outil-creux-de-sculpture-pour-argile-et-ceramique\"\u003eset of 4 hollow tools for clay and ceramics\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For finishing, deburring, and sharper edges, you can combine it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/outil-de-finition-pour-argile-en-acier-inoxydable\"\u003estainless steel clay finishing tool\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To compress, strengthen, or shape a piece built using coils or slabs, it can be accompanied by the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/batte-de-potier-en-bois-pour-modelage-et-poterie\"\u003ewooden potter's paddle\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To measure proportions, control diameters, or prepare a regular shape, you can supplement it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/compas-de-mesure-et-de-tracage-pour-ceramique\"\u003emeasuring and marking compass for ceramics\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To add marks, ribs, or surface effects, you can also check out the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/outil-de-texture-pour-modelage\"\u003emodeling texture tool\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane workshop tip\u003c\/strong\u003e\u003cbr\u003e\n  Before working on a final piece, test each tool on a scrap of clay. You'll quickly understand which profile carves, which smoothes, which marks, and what pressure leaves a clean trace without damaging the volume.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56518394118476,"sku":"CJJT159477101AZ","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Pack_outils_sculpture_poterie.png?v=1778179200"},{"product_id":"encens-disques-de-bois-de-santal-96-pieces","title":"Sandalwood incense discs","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eSandalwood Incense Discs – 96 pieces for preparation and calm space\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThese sandalwood incense discs accompany moments of preparation, reading, writing, concentration, or creation in a calm indoor space.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe disc format allows for slow and steady burning, with a gradual release of smoke. It is suitable for times when a gentle olfactory presence is desired, without using multiple sticks or holders.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nSandalwood offers a woody, dry, and enveloping note. Each disc should be used in small quantities, on a stable, heat-resistant support suitable for incense burning.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    This incense comes in sandalwood discs, designed for slow and continuous diffusion. The circular shape allows for a calmer burn than a thin stick, with a more extended smoke time.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    It can be used before a writing, drawing, tea ceremony, reading, or manual work session, to establish a calmer rhythm and mark the beginning of a practice session.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Diffusion depends on the support used, room ventilation, ambient humidity, and how the disc is lit.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCHARACTERISTICS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eMaterial:\u003c\/strong\u003e Sandalwood\u003cbr\u003e\n    \u003cstrong\u003eType:\u003c\/strong\u003e Natural incense, no synthetic fragrance stated\u003cbr\u003e\n    \u003cstrong\u003ePackaging:\u003c\/strong\u003e 96 discs\u003cbr\u003e\n    \u003cstrong\u003eBurn:\u003c\/strong\u003e Slow and steady\u003cbr\u003e\n    \u003cstrong\u003eSupport needed:\u003c\/strong\u003e Burner or heat-resistant support, suitable for incense\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; SAFETY\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Place a single disc on a stable, non-flammable, and heat-resistant support. Light one end, let it catch for a few moments, then gently blow out the flame to let the ember burn.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Do not move the support while burning. The disc, ashes, and burner may remain hot even when the smoke appears light.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Never leave burning incense unattended. Keep away from papers, fabrics, curtains, dry plants, or flammable objects. Keep out of reach of children and pets.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Ventilate the room after use, especially in an enclosed space or if multiple discs are used on the same day.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Wait for complete cooling before removing ashes or cleaning the support.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Empty residues into a non-flammable container. Avoid discarding still-warm ashes into a bin containing paper or fabric.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Store the discs in a dry place, away from humidity and strong odors, to preserve their burn and fragrance.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For a more contained burn, these discs can be paired with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/bruleur-d-encens-en-argile-cuite-avec-couvercle\"\u003ebaked clay incense burner with lid\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/bruleur-d-encens-ceramique\"\u003eceramic incense burner\u003c\/a\u003e, \n    provided a stable and heat-resistant support is always used.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To create a preparation space with tea, incense, and a stable surface, you can pair it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/plateau-de-the-compact-en-bambou\"\u003ecompact bamboo tea tray\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/plateau-de-preparation-en-bois\"\u003ewooden preparation tray\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To find items related to incense, tea, and preparation rituals, you can consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/preparer\"\u003ePrepare\u003c\/a\u003e selection.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane workshop tip\u003c\/strong\u003e\u003cbr\u003e\n  Light a single disc and let it burn completely on a suitable support. Start writing, reading, or preparing your space before the smoke disappears: the disc primarily serves to mark the entry into the practice time.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Thé vert","offer_id":56523771478348,"sku":"CJJJJTJT15910-Green tea","price":28.0,"currency_code":"EUR","in_stock":true},{"title":"Qi Nan","offer_id":56523771511116,"sku":"CJJJJTJT15910-Qi Nan","price":28.0,"currency_code":"EUR","in_stock":true},{"title":"Pink","offer_id":56523771543884,"sku":"CJJJJTJT15910-Rose","price":28.0,"currency_code":"EUR","in_stock":true},{"title":"Sandalwood","offer_id":56523771576652,"sku":"CJJJJTJT15910-Sandalwood","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/rouleau_d_encens_traditionnel_green_tea.jpg?v=1778219386"},{"product_id":"peinture-aquarelle-en-godets-boite-metal","title":"Watercolor pans metal box","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003ePan watercolors – metal tin for illustration, washes and sketchbooks\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis solid pan watercolor palette allows for working with color through dilution, transparency, layering, and gradual mixing.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe pans reactivate with water using a brush. The metal tin format protects the colors between sessions and is suitable for studio work, sketchbooks, or light outdoor use.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIt supports learning about mixing, color studies, simple washes, illustrations, and more complex compositions on suitable watercolor paper.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Pan watercolors allow you to take only the necessary amount of color. By adding more or less water, you can achieve a light wash, a more intense color, or a smoother transition.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Unlike opaque paint, watercolor relies on the transparency of the pigment and the brightness of the paper. The white of the support remains important: it is used to preserve light areas and breathing spaces in the drawing.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The result depends on the paper, the amount of water, the brush used, the drying time, and the number of superimposed layers.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eType:\u003c\/strong\u003e Solid pan watercolor\u003cbr\u003e\n    \u003cstrong\u003ePackaging:\u003c\/strong\u003e Metal tin\u003cbr\u003e\n    \u003cstrong\u003eFunction:\u003c\/strong\u003e Reactivate color with water, dilute, layer, and build transparencies\u003cbr\u003e\n    \u003cstrong\u003eRecommended supports:\u003c\/strong\u003e Watercolor paper, thick paper, or sketchbook suitable for wet techniques\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Lightly moisten the pan with a clean brush, then gradually pick up the color. Starting with less water allows for better control of pigment intensity.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For a light wash, dilute further on a palette or mixing area. For a denser color, reduce water and apply multiple passes only after drying.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Allow the pans to dry before closing the metal tin to prevent trapped moisture.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Clean brushes with clear water after use, then wipe the tin if water or pigment remains on the edges.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eTO PAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To work on paper suitable for wet techniques, this palette can be paired with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/carnet-aquarelle-de-poche-300g\"\u003e300g pocket watercolor sketchbook\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For washes, flat areas, backgrounds, and transitions, you can combine it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-pinceaux-plats-en-bambou-lavis-aplats-et-fonds-aquarelles\"\u003eset of bamboo flat brushes\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-pochette-de-pinceaux-aquarelle-artsecret\"\u003eArtSecret watercolor brush set\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For clearer mixes, you can supplement with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/palette-en-ceramique-compartimentee\"\u003ecompartmented ceramic palette\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    For a compact setup with pans, inclined support, and mixing area, you can also check out the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/planche-d-aquarelle-pliante-en-bois\"\u003efolding wooden watercolor board\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/dessin\"\u003eDrawing\u003c\/a\u003e \nselection.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane workshop tip\u003c\/strong\u003e\u003cbr\u003e\n  Use little water initially, then adjust gradually. Building color in thin layers, allowing each layer to dry between applications, preserves the transparency and depth of the shades.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56524046860620,"sku":"CJJJJTJT18447-12 colors","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Aquarelle_solide.jpg?v=1778219264"},{"product_id":"rouleau-d-atelier-papier-vegetal-semi-traite","title":"Semi-processed plant paper roll – hemp or Xuan","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eSemi-treated vegetable paper roll – hemp or Xuan for ink and calligraphy\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis semi-treated vegetable paper roll allows you to practice ink painting, calligraphy, wash painting, and brush drawing on a long, continuous, and format-free surface.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nWith its 40 cm width and 100 meters length, it supports stroke repetitions, pressure tests, dilution research, and compositions that require more space than a pre-cut sheet.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIts semi-treated nature offers a balance between absorption and control: the ink enters the fiber without spreading too quickly, allowing for a legible line while observing the effects of water, brush, and gesture.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The roll format allows you to unroll only the necessary length, then cut or keep the strip depending on its use. It is suitable for long practice sessions, series of gestures, horizontal compositions, or repeated tests.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Two semi-treated variants are offered. Semi-treated hemp offers a denser and more resistant surface, suitable for firm strokes, long repetitions, and tracing tests.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Semi-treated Xuan offers a more flexible surface, with smoother diffusion, designed for ink nuances, washes, load variations, and more airy strokes.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eDimensions:\u003c\/strong\u003e 40 cm × 100 m\u003cbr\u003e\n    \u003cstrong\u003eFormat:\u003c\/strong\u003e roll\u003cbr\u003e\n    \u003cstrong\u003eAbsorption:\u003c\/strong\u003e intermediate, with more controlled diffusion than untreated paper\u003cbr\u003e\n    \u003cstrong\u003eFunction:\u003c\/strong\u003e repeat, test, unroll, cut, and adapt the length to the work in progress\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; STORAGE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Unroll only the necessary length, then stabilize the ends with a light weight, a gentle clip, or a clean support to prevent the paper from re-rolling during work.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Test the paper's reaction with your ink before final work. Very diluted ink, a heavily loaded brush, or a slow stroke will produce more pronounced diffusion than a quick, less wet stroke.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Choose semi-treated hemp for a more resistant support and semi-treated Xuan for a more fluid, nuanced, and sensitive practice to water variations.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Store the roll in a dry place, away from humidity, dust, and direct light. Handle with clean hands to avoid marks on areas intended for ink.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCOMPOSE YOUR INK SPACE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare ink by hand, this roll can be combined with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-7-5-cm-initiation\"\u003e7.5 cm ink stone\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-naturelle\"\u003enatural ink stone with lid\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/baton-d-encre-solide\"\u003e16 cm solid ink stick\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For line work, it can accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-traditionnel-de-calligraphie\"\u003ebamboo calligraphy brush\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-de-calligraphie-poils-naturels\"\u003etraditional rabbit hair brush\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-5-pinceaux-calligraphie\"\u003eset of 5 Chinese calligraphy brushes\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To rest brushes between passes and keep the space clean, you can complement with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique\"\u003ejade effect ceramic brush rest\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceau-en-ceramique-1\"\u003eblue Dragon ceramic brush rest\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/support-pour-pinceaux-noir\"\u003eblack studio brush holder\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    For practice on pre-cut sheets, you can also consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-semi-mur\"\u003esemi-ripe Xuan paper\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Studio Tip\u003c\/strong\u003e\u003cbr\u003e\n  Unroll only the necessary length, then stabilize the ends before preparing the ink. Semi-treated hemp better supports firm strokes; semi-treated Xuan allows for more nuanced breathing.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Semi-treated hemp","offer_id":56524708086092,"sku":"CJYD2708355121QJ","price":76.0,"currency_code":"EUR","in_stock":true},{"title":"semi-processed Xuan","offer_id":56524708118860,"sku":"CJYD270835509IR","price":66.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Rouleau_papier_chanvre.jpg?v=1778219202"},{"product_id":"bruleur-d-encens-ceramique","title":"Clay incense burner with lid","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eTerracotta Incense Burner – perforated lid for cones and resins\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis terracotta incense burner allows for indoor incense diffusion with contained combustion, thanks to a compact base and a perforated lid.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe lid allows smoke to pass through while partially protecting the burning material. It is suitable for incense cones and resins used with a heat-resistant holder.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nHand-crafted, each burner may exhibit slight variations in shade, enamel, texture, or surface. These differences are inherent to the item and do not affect its use.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    This burner is designed for small quantities of incense preparations. Its base holds the material, while the perforated lid allows for a more contained diffusion of smoke than a fully open holder.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For incense cones, it provides simple and centered combustion. For resins, use only an appropriate method, with charcoal, sand, ash, or an insulating support according to the type of resin and product instructions.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Terracotta can retain heat after use. The burner must always cool completely before being moved, cleaned, or stored.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eMaterial:\u003c\/strong\u003e Terracotta\u003cbr\u003e\n    \u003cstrong\u003eFinish:\u003c\/strong\u003e Enameled or raw depending on model\u003cbr\u003e\n    \u003cstrong\u003eDimensions:\u003c\/strong\u003e approximately Ø 11.5 cm × height 7.7 cm\u003cbr\u003e\n    \u003cstrong\u003eFunction:\u003c\/strong\u003e to contain combustion, allow smoke to circulate, and limit the dispersion of residues\u003cbr\u003e\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; SAFETY\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Place the burner on a stable, flat, and heat-resistant surface. Place a small amount of incense or a suitable cone in the base, then carefully replace the lid.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For resins, do not place the material directly on a fragile surface. Use appropriate charcoal, a layer of sand or ash, or an insulating support designed for this type of combustion.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Never move the burner during combustion. The lid, base, and residues can become hot. Wait for complete cooling before any handling.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Never leave burning incense unattended. Keep away from papers, fabrics, curtains, dry plants, or flammable objects. Keep out of reach of children and pets. Ventilate the room after use.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Wait until the burner and ashes are completely cool before emptying residues or cleaning the base.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Remove incense traces with a soft cloth, a small brush, or light cleaning depending on the finish. Avoid abrasive products, which can mark the enamel or the clay surface.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Allow to dry completely before storing, especially if the burner has been cleaned with clear water.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To work with powdered incense before burning, this burner can accompany \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/poudre-d-encens\"\u003esandalwood incense powder\u003c\/a\u003e, \n    to be used in small quantities and on a suitable holder.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To form cones or small shapes from powdered incense, you can combine it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-moulage-d-encens-inverse-cuivre\"\u003ecopper inverted incense molding set\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For another approach to smoke and materials to heat, you can also consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/receptacle-de-fumee-en-coquille-naturelle\"\u003enatural shell smoke receptacle\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/mini-bruleur-d-encens-carre-alliage-grave\"\u003emini square incense burner\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To create a space around incense, tea, reading, or writing, you can find the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/preparer\"\u003ePrepare\u003c\/a\u003e selection.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane workshop tip\u003c\/strong\u003e\u003cbr\u003e\n  Use a small amount of incense and let the lid regulate the diffusion. Do not move the burner during combustion: wait for complete cooling before cleaning or storing the item.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56557591069004,"sku":"CJYD193971801AZ","price":44.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Br_leur_d_encens_c_ramique_fa_on_bois.jpg?v=1778219145"},{"product_id":"bruleur-d-encens-en-argile-cuite-avec-couvercle","title":"Clay incense burner with lid","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eTerracotta Incense Burner – perforated lid for cones and resins\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis terracotta incense burner allows for indoor incense diffusion with contained combustion, thanks to a compact base and a perforated lid.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe lid allows smoke to pass through while partially protecting the burning material. It is suitable for incense cones and resins used with a heat-appropriate holder.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nHand-shaped, each burner may exhibit slight variations in shade, glaze, relief, or surface. These differences are part of the object and do not alter its use.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    This burner is designed for small quantities of incense preparations. Its base holds the material, while the perforated lid allows for more contained smoke diffusion than a fully open holder.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For incense cones, it allows for simple, centered combustion. For resins, use only an appropriate method, with charcoal, sand, ash, or an insulating holder depending on the type of resin and product instructions.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Terracotta can retain heat after use. The burner must always cool completely before being moved, cleaned, or stored.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eMaterial:\u003c\/strong\u003e terracotta\u003cbr\u003e\n    \u003cstrong\u003eFinish:\u003c\/strong\u003e enameled or raw depending on model\u003cbr\u003e\n    \u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. Ø 11.5 cm × height 7.7 cm\u003cbr\u003e\n    \u003cstrong\u003eFunction:\u003c\/strong\u003e contain combustion, allow smoke to circulate, and limit residue dispersion\u003cbr\u003e\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; SAFETY\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Place the burner on a stable, flat, heat-resistant surface. Place a small amount of incense or a suitable cone in the base, then carefully replace the lid.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For resins, do not place the material directly on a fragile surface. Use suitable charcoal, a layer of sand or ash, or an insulating holder designed for this type of combustion.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Never move the burner during combustion. The lid, base, and residues can become hot. Wait for complete cooling before any handling.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Never leave burning incense unattended. Keep away from papers, fabrics, curtains, dry plants, or flammable objects. Keep out of reach of children and pets. Ventilate the room after use.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eMAINTENANCE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Wait until the burner and ashes are completely cool before emptying residues or cleaning the base.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Remove incense traces with a soft cloth, a small brush, or light cleaning depending on the finish. Avoid abrasive products, which can mark the enamel or the clay surface.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Allow to dry completely before storing, especially if the burner has been cleaned with clear water.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eTO PAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To work with powdered incense before burning, this burner can accompany \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/poudre-d-encens\"\u003esandalwood incense powder\u003c\/a\u003e, \n    to be used in small quantities and on an appropriate holder.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To form cones or small shapes from powdered incense, you can pair it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-moulage-d-encens-inverse-cuivre\"\u003ecopper inverted incense molding set\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For another approach to smoke and materials to heat, you can also consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/receptacle-de-fumee-en-coquille-naturelle\"\u003enatural shell smoke receptacle\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/mini-bruleur-d-encens-carre-alliage-grave\"\u003esquare mini incense burner\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To create a space around incense, tea, reading, or writing, you can find the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/preparer\"\u003ePrepare\u003c\/a\u003e selection.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane workshop tip\u003c\/strong\u003e\u003cbr\u003e\n  Use a small amount of incense and let the lid regulate diffusion. Do not move the burner during combustion: wait for complete cooling before cleaning or storing the object.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56559140340044,"sku":"CJYD180438706FU","price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/objet_encens_minimal.jpg?v=1778219023"},{"product_id":"batte-de-potier-en-bois-pour-modelage-et-poterie","title":"Wooden potter's mallet for modeling and pottery","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eWooden potter's paddle – compressing, beating, and shaping clay\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis wooden potter's paddle allows you to compress, strengthen, and shape clay during modeling, coil building, or slab construction.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nUsed with controlled percussion, it helps to densify the material, correct a volume, thin a wall, or stabilize a shape without direct finger intervention.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe natural, untreated, and polished wood offers a stable grip. Depending on the model chosen, the striking surface can be smooth or toothed, to assist with different stages of shaping.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The potter's paddle is used to work clay with light, repeated taps. It allows you to compress the material, strengthen a structure, and adjust volumes without crushing the entire form.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    It is particularly useful for coil-built pieces, slab-built forms, hollow volumes, or surfaces that require progressive consolidation.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The result depends on the clay's moisture, the force of percussion, the type of surface used, and the timing of intervention during drying.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCHARACTERISTICS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eMaterial:\u003c\/strong\u003e untreated natural wood\u003cbr\u003e\n    \u003cstrong\u003eFinish:\u003c\/strong\u003e polished wood\u003cbr\u003e\n    \u003cstrong\u003eCompatibility:\u003c\/strong\u003e clay, pottery, modeling, coil building, slab building, hand sculpting\u003cbr\u003e\n    \u003cstrong\u003eFunction:\u003c\/strong\u003e densify material, refine volumes, and strengthen walls\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Use on clay that is still damp but structured enough to withstand light percussion. Start with gentle taps, then gradually adjust according to the material's resistance.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The smooth version is suitable for final compressions, surfaces you wish to keep even, and revisions that should not mark the clay.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The toothed version is used more at the beginning of the work, when you want to grip, structure, or prepare a surface before adding more material.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    After use, remove clay residue with a damp cloth, then allow to dry completely. Avoid prolonged soaking to preserve the wood.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To shape, smooth, mark, and refine volumes, this paddle can accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-d-outils-de-modelage-9-pieces\"\u003e9-piece modeling tool set\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To clean edges, refine contours, and refine details after shaping, you can pair it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/outil-de-finition-pour-argile-en-acier-inoxydable\"\u003estainless steel clay finishing tool\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To hollow out, remove more material, or work more pronounced volumes, it can complement the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/outil-courbe-de-sculpture\"\u003ecurved sculpting tool for clay\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/outil-creux-de-sculpture-pour-argile-et-ceramique\"\u003eset of 4 hollow tools for clay and ceramics\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To measure proportions, check diameters, or prepare a regular shape before compression, you can also consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/compas-de-mesure-et-de-tracage-pour-ceramique\"\u003emeasuring and tracing compass for ceramics\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Use the smooth version to compress without marking, and the toothed version at the beginning of the work to grip or structure the material. It's better to repeat light taps than to try to correct the volume with a single press.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Smooth Face","offer_id":56559556854092,"sku":"CJJT167388302BY","price":24.0,"currency_code":"EUR","in_stock":true},{"title":"Toothed Face","offer_id":56559556821324,"sku":"CJJT167388305EV","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/bate_de_poterie_artisanal.jpg?v=1778218994"},{"product_id":"set-d-outils-de-sculpture-31-pieces","title":"31-piece wood carving tool set","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eSet of 31 wood carving tools – tool steel for details and volumes\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis set of 31 wood carving tools brings together different blade profiles for incising, removing material, hollowing, refining details, and reshaping volumes.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe straight, curved, fine, or wider blades allow you to adapt your technique according to the area being worked: contour, relief, hollow, texture, or gradual material removal.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe tool steel blades are designed to maintain a sharp edge suitable for woodworking. The handles offer a stable grip, useful for slow progress, controlling the cut, and avoiding forced movements.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    This set is suitable for woodworking, compatible soft materials, and practices that require various cutting shapes. A straight tool does not produce the same motion as a curved gouge, a fine blade, or a wider profile.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The variety of profiles allows you to switch from material removal to more precise work: tracing a contour, removing excess, hollowing a relief, cleaning an edge, or marking a texture.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The result depends on the type of wood, its grain, its moisture content, the sharpness of the blades, and the pressure applied during cutting.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eNumber of tools:\u003c\/strong\u003e 31 pieces\u003cbr\u003e\n    \u003cstrong\u003eBlade material:\u003c\/strong\u003e tool steel\u003cbr\u003e\n    \u003cstrong\u003eTotal length:\u003c\/strong\u003e 245 mm\u003cbr\u003e\n    \u003cstrong\u003eHandle diameter:\u003c\/strong\u003e 12 mm\u003cbr\u003e\n    \u003cstrong\u003eProfiles:\u003c\/strong\u003e straight, curved, fine, and wide blades depending on the pieces in the set\u003cbr\u003e\n    \u003cstrong\u003eFunction:\u003c\/strong\u003e incise, hollow, refine, clean, and structure material\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; SAFETY\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Work on a well-secured piece, on a stable surface. Remove small amounts of material at a time rather than applying strong pressure, especially in thin areas or near an edge.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Follow the wood grain direction as much as possible. Cutting against the grain can snag, tear the fiber, or require more effort, which reduces control of the movement.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The tools are sharp: always keep fingers away from the cutting path, work slowly, and put blades away after use. Keep out of reach of children.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Sharpen regularly with a suitable tool to maintain a clean cut. A dull blade requires more force and becomes less precise.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eMAINTENANCE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Remove dust and wood residue after use with a dry cloth or a small soft brush.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Keep blades clean and dry. Avoid prolonged moisture, impacts between blades, and bulk storage, which can damage the cutting edge.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Store tools in their box or a suitable holder, protecting the cutting parts before transport.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eTO PAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare lines, angles, and marks before carving, this set can be used with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/equerre-d-angle-ajustable-9\"\u003e9-inch adjustable angle square\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/regle-de-tracage-en-t-en-aluminium-lignes-paralleles-et-reperes-reguliers\"\u003ealuminum T-marking ruler\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For a more compact set, you can compare it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-de-sculpture-sur-bois-10-outils-essentiels\"\u003e10 essential wood carving tools set\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-de-6-ciseaux-de-sculpture-sur-bois\"\u003eset of 6 wood carving chisels\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/12-outils-de-sculpture-sur-bois-format-atelier-d-etude\"\u003eset of 12 wood carving and engraving tools\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For hollowing curves, following rounded shapes, or refining certain volumes, you can pair it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/outil-courbe-de-sculpture-sur-bois\"\u003ecurved wood carving tool\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To mark numbers, letters, or durable marks on wood according to the project, you can also consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/jeu-de-poincons-lettres-et-chiffres-marquage-metal\"\u003eletter and number punch set\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Always work with the grain of the wood and remove little material with each pass. A well-sharpened tool requires less force, gives a cleaner cut, and respects the fiber better.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56559592472908,"sku":"CJJJJTJT22949-Photo Color-2016 XG310","price":67.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Lot_d_outils_pour_la_sculpture.png?v=1778179232"},{"product_id":"outil-de-finition-pour-argile-en-acier-inoxydable","title":"Clay finishing tool","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eStainless steel finishing tool for clay – deburring, edges, and detail touch-ups\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis stainless steel finishing tool is used to refine edges, clean contours, and remove small excess material on clay, pottery, or hand-built sculptures.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIt is primarily used after shaping, when the volume begins to firm up. The thin and rigid metal part helps work with greater precision, without deforming the entire piece.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nCompact and easy to handle, it is suitable for progressive finishing: smoothing a joint, refining an edge, correcting a burr, or detailing before complete drying.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    In modeling and pottery, finishing often takes place after the initial shaping. This tool allows you to work on areas that require more neatness: piece edges, joints, excess clay, contours, or small irregularities.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Unlike a flexible tool or a wide spatula, its steel part offers more direct contact with the material. It allows you to scrape, smooth, or remove material gradually, without taking off too much clay at once.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The result depends on the clay's moisture level, the pressure applied, and the timing of the intervention. Clay that is too soft risks deforming; clay that is too dry will be harder to clean up neatly.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eMaterial:\u003c\/strong\u003e Stainless steel\u003cbr\u003e\n    \u003cstrong\u003eCompatibility:\u003c\/strong\u003e Clay, pottery, modeling, hand-building\u003cbr\u003e\n    \u003cstrong\u003eFunction:\u003c\/strong\u003e Remove excess material, smooth an area, define an edge or correct an irregularity\u003cbr\u003e\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSAGE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Intervene when the clay is no longer soft, but still slightly damp. This state allows for more controlled material removal, without crushing the volume.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Work with progressive passes rather than strong pressure. For a sharp edge, remove small amounts of material with each pass, then regularly check the piece's profile.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Clean the tool after use with clear water, before the clay dries completely on the metal. Then wipe thoroughly to avoid moisture marks.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Store separately from more fragile or sharp tools to preserve the working surface and the tool's edges.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To create a complete modeling base, this tool can accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-d-outils-de-modelage-9-pieces\"\u003e9-piece modeling tool set\u003c\/a\u003e, \n    useful for shaping, marking, smoothing, and refining volumes.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To remove more material or carve more pronounced shapes, you can pair it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/outil-courbe-de-sculpture\"\u003ecurved clay sculpting tool\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/outil-creux-de-sculpture-pour-argile-et-ceramique\"\u003eset of 4 hollow tools for clay and ceramics\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For post-turning clean-up, pot feet, and more technical finishing, it can complement the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-8-outils-de-tournassage-pour-argile\"\u003eset of 8 trimming tools for clay\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To add marks, textures, or measurements before finishing, you can also consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/outil-de-texture-pour-modelage\"\u003emodeling texture tool\u003c\/a\u003e \n    and the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/compas-de-mesure-et-de-tracage-pour-ceramique\"\u003emeasuring and tracing caliper for ceramics\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Intervene when the surface is no longer soft but still slightly damp. Work with progressive passes rather than strong pressure to maintain the regularity of the volume.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56559630483788,"sku":"CJYD231597001AZ","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Outils_en_acier_pour_poterie.png?v=1778179236"},{"product_id":"carnet-en-cuir-retro-artisanale","title":"A6 distressed leather grimoire notebook","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003ePatinated leather grimoire notebook – writing notebook with lace and bookmark\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis patinated leather grimoire notebook is designed for handwritten use: journal, personal notes, quotes, text fragments, lists, or ideas to keep close at hand.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIts leather cover, visible stitching, and lace closure give it a more antique presence than a standard notebook, with a compact, easy-to-carry format.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIts use remains deliberately targeted: it is suitable for notes and daily writing, but it is not a notebook designed for heavy drawing, heavily loaded markers, or wet techniques.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The leather cover features antique-inspired stitching and a lace closure that keeps the notebook closed between uses. The whole makes for a compact, structured object that is pleasant to keep on a desk or in a bag.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The notebook comes with a water lily leaf-shaped bookmark, useful for finding a current page without dog-earing pages or slipping separate paper between them.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The leather may show natural variations in shade, grain, marking, or nuance. These differences are part of the product's normal appearance and make each item slightly different.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eCover:\u003c\/strong\u003e patinated leather\u003cbr\u003e\n    \u003cstrong\u003eStitching:\u003c\/strong\u003e antique style, visible\u003cbr\u003e\n    \u003cstrong\u003eClosure:\u003c\/strong\u003e tie lace\u003cbr\u003e\n    \u003cstrong\u003ePaper:\u003c\/strong\u003e 100 g\/m²\u003cbr\u003e\n    \u003cstrong\u003eAccessory:\u003c\/strong\u003e water lily leaf bookmark\u003cbr\u003e\n    \u003cstrong\u003eUse:\u003c\/strong\u003e handwritten, journal, personal notes, quotes, lists, short texts\u003cbr\u003e\n    \u003cstrong\u003ePrecaution:\u003c\/strong\u003e not suitable for washes, heavily loaded markers, or repeated water applications\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eWRITING ON 100 G\/M² PAPER\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    100 g\/m² paper is well-suited for daily notes, ballpoint pens, lightly loaded rollerball pens, or fountain pens with moderate ink flow. It allows for consistent writing without making the notebook too thick.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For journaling, quotes, text fragments, or brief ideas, this paper weight offers a good balance between writing comfort and notebook lightness.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    This notebook is not designed for heavy drawing, saturated markers, washes, or repeated water applications. For these uses, it is better to choose thicker paper or paper specifically designed for wet techniques.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Untie the lace without abruptly pulling on the fasteners. Close the notebook only when the ink is dry, especially with a fountain pen, rollerball pen, or more fluid ink.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Preferably use writing tools with low ink saturation. Test on the first page or a discreet area if using a fountain pen or ink with high flow.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Clean the cover with a soft, dry cloth. Avoid water, solvents, abrasive products, and prolonged sun exposure.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Leather evolves with use: it may change in shade, patinate, and show slight marks over time.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For daily writing, this notebook can be paired with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/stylo-bille-rotatif-en-laiton-et-bois\"\u003erotating brass and wood ballpoint pen\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/stylo-a-plume-laiton-et-bois?variant=55896802656588\"\u003ebrass and wood fountain pen\u003c\/a\u003e, \n    depending on the desired line type.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For slower writing, with a dip pen or liquid ink, you can also check out the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-plume-a-tremper?variant=57586636489036\"\u003edip pen set\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-d-ecriture-a-l-encre-plume-en-verre-et-porte-plume?variant=57506188034380\"\u003eink writing set with glass pen\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To carry it with a pen without a full pencil case, it can be combined with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/etui-de-carnet-et-stylos-rangement\"\u003enotebook and pen case\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To find notebooks, pens, and accessories related to handwritten writing, you can consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/ecriture\"\u003eWriting\u003c\/a\u003e selection.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Keep this notebook for a single function: journal, reading notes, quotes, or brief thoughts. A clearly defined use makes it more alive than a notebook left empty because it's supposed to contain everything.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56603975811404,"sku":"CJJJJTJT41983-4Style","price":69.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/carnet_artisanal_en_cuir.png?v=1781657058"},{"product_id":"mini-valise-a5-d-ecriture","title":"Portable artist's writing and drawing box","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eA5 Nomadic Artist Box – compact storage with tilting support for writing and drawing\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis nomadic artist box allows you to gather a compact notebook, a few pencils, a pen, and the essential small tools for a short session outside the studio.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe lid transforms into a tilting support to hold a notebook during a sketch, note-taking, or preparatory work. The 22 × 15 × 6 cm format remains intentionally compact.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIts use is specific: it is suitable for a light and organized kit, not for carrying a complete set of painting materials. Rings, elastic bands, and clips keep essential tools in place.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 10px;\"\u003e\n  \u003ca href=\"https:\/\/www.instagram.com\/p\/DW9empRMeSk\/\" target=\"_blank\" rel=\"noopener noreferrer\" style=\"color: #1A1B41; font-weight: 700; text-decoration: underline; text-decoration-thickness: 1px; text-underline-offset: 3px;\"\u003e\n    See the box in action\n  \u003c\/a\u003e\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    This box is used to keep essential tools together without carrying a separate pencil case, stand, and notebook. It is useful for short outings, quick sketches, field notes, or ideas to capture before they disappear.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Once opened, the lid can hold a compact notebook. The incline prevents working completely flat and improves paper visibility when the box is placed on a table, bench, or lap.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The adjustable and removable strap makes it easy to transport. It allows you to keep the box close to your body between drawing or writing stops.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eMaterial:\u003c\/strong\u003e resin with wood imitation finish\u003cbr\u003e\n    \u003cstrong\u003eDimensions:\u003c\/strong\u003e 22 × 15 × 6 cm\u003cbr\u003e\n    \u003cstrong\u003eInterior Fastening:\u003c\/strong\u003e 2 clips, 5 elastic rings, and 3 elastic bands\u003cbr\u003e\n    \u003cstrong\u003eLid:\u003c\/strong\u003e tilting support for compact notebook\u003cbr\u003e\n    \u003cstrong\u003eClosure:\u003c\/strong\u003e bronze finish latch\u003cbr\u003e\n    \u003cstrong\u003eTransport:\u003c\/strong\u003e adjustable and removable strap\u003cbr\u003e\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCREATE YOUR KIT\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For pencil sketching, plan for a compact notebook, an HB pencil, a softer pencil, an eraser, and a closed pencil sharpener. This basic set is sufficient for most short outings.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For writing and note-taking, choose a thin notebook, a main pen, and a second tool for annotations, markers, or line variations.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    For a mixed kit, limit the set to two pencils, a pen, an eraser, and a few sheets held by the clips. An overloaded kit reduces available space and makes tools less accessible.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Place the most used tools in the most accessible rings. Check that pencil tips and metal parts do not rub directly against the notebook.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Open the support on a stable surface before placing the notebook. Avoid overloading the lid with a notebook that is too heavy or too large.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    After use, remove graphite, carbon, or dry pastel dust if necessary, then wipe the box with a soft, slightly damp cloth.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Avoid still-wet tools, open inks, and containers likely to leak: this box is designed for dry, compact, and clean materials to transport.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For a dry sketching kit, this box can accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/carnet-de-croquis-noir-papier-beige\"\u003eblack sketchpad with beige paper\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-crayons-carbone-noir-3-variations-de-mine\"\u003eblack carbon pencil set\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/crayons-charbon-blanc\"\u003ewhite charcoal pencils\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For a writing-oriented box, it can be paired with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/stylo-bille-rotatif-en-laiton-et-bois\"\u003ebrass and wood rotating ballpoint pen\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/stylo-a-plume-laiton-et-bois?variant=55896802656588\"\u003ebrass and wood fountain pen\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/carnet-constellation-noir\"\u003eblack constellation notebook\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For a very light color kit, you can add a few pencils from the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/crayons-de-couleur-gras-48-couleurs\"\u003e48-color grease pencil box\u003c\/a\u003e, \n    without filling the entire box.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To find tools related to drawing and handwriting, you can consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/dessin\"\u003eDrawing\u003c\/a\u003e \n    and \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/ecriture\"\u003eWriting\u003c\/a\u003e selections.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane workshop tip\u003c\/strong\u003e\u003cbr\u003e\n  Assemble a fixed kit and keep it ready to go: a notebook, two pencils, an eraser, and a pen. The fewer choices there are when going out, the more the box truly fulfills its role as a portable studio.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56608496550220,"sku":"CJNS143412501AZ","price":44.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Planche_atelier_portatif.jpg?v=1781398050"},{"product_id":"crayons-carbone-fusain-doux","title":"Set of 8 charcoal pencils – soft charcoal","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eSet of 8 soft charcoal carbon pencils – matte blacks, shades and values\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis set of 8 carbon pencils allows you to create deep, matte, and versatile blacks, without the shine sometimes found with graphite.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nTheir soft texture is suitable for quick sketches, value studies, gradual shading, and more elaborate drawings. The black applies easily, can be layered, and blended depending on the pressure applied.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nEncased in wood, the pencils offer a more stable and cleaner grip than a bare charcoal stick. Used flat, they lay down masses and volumes. Used on the tip, they allow you to refine a contour, mark a line, or reinforce a specific area.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Carbon pencils allow for strong contrasts, deep shadows, and softer transitions through blending. They are suitable for sketchbooks as well as preparatory studies or observational drawings.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Their matte finish is useful for drawings that require dense blacks without metallic reflections. They can complement graphite when a deeper black is needed.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The result depends on the paper's grain, pressure, number of layers, blending, and the eventual use of a suitable fixative.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCHARACTERISTICS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eContent:\u003c\/strong\u003e 8 pencils\u003cbr\u003e\n    \u003cstrong\u003eType:\u003c\/strong\u003e carbon pencils \/ soft charcoal\u003cbr\u003e\n    \u003cstrong\u003eHardness:\u003c\/strong\u003e soft\u003cbr\u003e\n    \u003cstrong\u003eMaterials:\u003c\/strong\u003e natural charcoal and wood\u003cbr\u003e\n    \u003cstrong\u003eFinish:\u003c\/strong\u003e matte black, deep and blendable\u003cbr\u003e\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSAGE \u0026amp; MAINTENANCE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To construct a drawing, start by laying down large masses with the side of the pencil, then use the tip to define contours, tensions, and shadow areas.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The material can be blended with a finger, paper, or a tortillon depending on the desired effect. To maintain deep blacks, avoid blending all areas with the same intensity.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To limit unintentional smudges and preserve already laid layers, lightly fix the drawing if necessary with a fixative suitable for charcoal or carbon.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Sharpen with a suitable sharpener or a blade according to the desired point. Protect the pencils from impacts to limit internal lead breakage.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eTO BE PAIRED WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To add lights and highlights on toned paper, this set can be paired with \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/crayons-charbon-blanc\"\u003ewhite charcoal pencils\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For sketches, value studies, and research on beige paper, you can use it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/carnet-de-croquis-noir-papier-beige\"\u003eblack sketchbook with beige paper\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For mixing deep blacks, matte colors, and powdery transitions, it can complement the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pastels-secs-72-couleurs-boite-en-bois\"\u003ebox of 72 soft pastels in a wooden box\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    For more opaque graphic highlights on dark surfaces or fixed areas, you can also consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-stylos-opaques-20-pieces\"\u003eset of 20 opaque white pens\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/dessin\"\u003eDrawing\u003c\/a\u003e selection.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  First work on the shadows in broad masses, without seeking too much detail too early. Then use the tip to structure the drawing. Carbon reveals its full depth when layered calmly, layer after layer.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56609437581644,"sku":"CJJJJTJT19921-2style","price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Set_de_8_crayons_carbone_fusain.jpg?v=1778218755"},{"product_id":"crayons-de-couleur-gras-48-couleurs","title":"Soft oil-based colored pencils, 48 colors, for drawing and illustration","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003e48-color soft core colored pencils – set for drawing and illustration\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis set includes 48 colored pencils with soft, pigmented leads for artistic drawing, illustration, solid colors, gradients, and chromatic layering.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe color applies smoothly, with an intensity that can be modulated by pressure. Layers can be built gradually to achieve intermediate shades, colored shadows, or softer transitions.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe square shape improves grip and prevents rolling off the table. Each shade is identified by its name and code, making it easy to find, organize, and resume work in progress.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Soft core colored pencils allow for working in successive layers. Unlike a very hard dry pencil, the lead deposits more material, allowing for more saturated solid colors, softer blending, and optical mixing on paper.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    They are suitable for sketchbooks, illustrations, color studies, preparatory drawings, decorative details, colored sketches, and work on white, beige, or lightly tinted paper.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The result depends on the paper's grain, pressure, number of layers, and how colors are layered.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCHARACTERISTICS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eContent:\u003c\/strong\u003e 48 colors\u003cbr\u003e\n    \u003cstrong\u003eLead:\u003c\/strong\u003e soft, pigmented, and resistant\u003cbr\u003e\n    \u003cstrong\u003eWood:\u003c\/strong\u003e cedar\u003cbr\u003e\n    \u003cstrong\u003eShape:\u003c\/strong\u003e square\u003cbr\u003e\n    \u003cstrong\u003ePackaging:\u003c\/strong\u003e metal tin\u003cbr\u003e\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Start with light layers to place large areas of color, then gradually increase pressure to enhance saturation or mark certain areas.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For gradients, layer several passes rather than pressing too hard from the start. This method keeps the paper cleaner and allows more room for corrections or intermediate shades.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Sharpen with a sharpener suitable for colored pencils to preserve the lead. Avoid drops, which can weaken the lead inside the wood.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Store pencils in the metal tin after use to limit shocks, dust, and disorganized mixing of shades.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For sketches, color studies, and compositions on beige paper, this set can accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/carnet-de-croquis-noir-papier-beige\"\u003eblack sketchbook with beige paper\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To reinforce shadows, dark masses, and deep values, you can pair it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-crayons-carbone-noir-3-variations-de-mine\"\u003eblack carbon pencil set\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To add highlights on tinted paper or work on highlights after colored layers, it can be complemented by \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/crayons-charbon-blanc\"\u003ewhite charcoal pencils\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-stylos-opaques-20-pieces\"\u003eset of 20 opaque white pens\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To explore other dry media and color effects, you can also check out the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pastels-secs-72-couleurs-boite-en-bois\"\u003e72-color dry pastel set in a wooden box\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/dessin\"\u003eDrawing\u003c\/a\u003e selection.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Build color in light, successive layers. Stable pressure often yields more depth than pressing too hard, especially for gradients and subtle nuances.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56609958494540,"sku":"CJJT101249504DW","price":52.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Crayons_de_couleur_gras_48_couleurs.jpg?v=1778218664"},{"product_id":"crayons-charbon-blanc","title":"White charcoal pencils","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eWhite Charcoal Pencils – Set of 3 for Highlights, Lights and Dry Drawing\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis set of 3 white charcoal pencils allows you to add highlights, lights, and light contrasts to a dry drawing, complementing charcoal, graphite, pastel, or carbon pencil.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe white, matte, and dry lead is particularly effective on grey, brown, black, or tinted paper. It helps to bring out volumes, define reflections, and strengthen luminous areas of a study.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nUnlike a very opaque white pen, white charcoal is worked by pressure and layering. It allows for light touches, softer blends, and light integrated into the drawing material.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The white charcoal pencil is useful for working on light values in a drawing constructed on tinted paper. It allows you to add lights after the shadows, without completely covering the texture of the support.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    It is suitable for sketches, portraits, volume studies, still lifes, academic drawings, contrast research, and highlights on dark backgrounds.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The rendering depends on the paper's grain, the pressure applied, the number of layers, and the medium used underneath: charcoal, graphite, dry pastel, or carbon pencil.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eContent:\u003c\/strong\u003e 3 pencils\u003cbr\u003e\n    \u003cstrong\u003eLead:\u003c\/strong\u003e white, dry, and matte\u003cbr\u003e\n    \u003cstrong\u003eMaterials:\u003c\/strong\u003e white charcoal and wood\u003cbr\u003e\n    \u003cstrong\u003eRecommended surfaces:\u003c\/strong\u003e grey, brown, black, beige, or textured paper\u003cbr\u003e\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Preferably use at the end of the drawing, when shadows, mid-tones, and large masses are already established. White highlights should reinforce light, not replace the construction of volume.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Work with light touches, then gradually increase pressure if a stronger light is needed. On textured paper, several passes allow the white to build up without immediately saturating the grain.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Blend with caution: too much rubbing can dirty the light if the drawing already contains charcoal or carbon. To keep a clear bright spot, apply the white last.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Sharpen with an appropriate sharpener or blade, depending on the desired point. Protect the leads from shocks to limit breakage.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To work on blacks, shadows, and matte masses before highlights, these pencils can accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-crayons-carbone-noir-3-variations-de-mine\"\u003eset of black carbon pencils\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For value studies, sketches, and research on tinted paper, you can use them with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/carnet-de-croquis-noir-papier-beige\"\u003eblack sketchbook with beige paper\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To build colored backgrounds, blends, and transitions before adding lights, they can complement the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pastels-secs-72-couleurs-boite-en-bois\"\u003ebox of 72 dry pastels in a wooden box\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    For more opaque, graphic, or very sharp whites on dark surfaces, you can also consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-stylos-opaques-20-pieces\"\u003eset of 20 opaque white pens\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/dessin\"\u003eDrawing\u003c\/a\u003e selection.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Apply at the end of your work to add light points. Proceed with light touches to preserve the value structure and avoid dirtying the whites with already present dark layers.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56610066563404,"sku":"CJJT101238901AZ","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Crayons_charbon_blanc_mine.jpg?v=1778218604"},{"product_id":"pastels-secs-72-couleurs-boite-en-bois","title":"Dry pastels, 72 colors, set","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eDry Pastels 72 colors – wooden box for drawing, values and gradients\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis box contains 72 dry pastels for working on color drawing, value studies, blending, light transitions, and material overlays.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe powdery texture of dry pastels allows for laying down matte solids, blending with a finger or a tortillon, and then progressively building up shades through successive layers.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe wooden box helps organize colors and protect the sticks between sessions. This format is suitable for studio tests, sketchbooks, color studies, and more developed compositions.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Dry pastel works by depositing pigment onto paper. Unlike wet paint, it does not require water: the color is applied directly, then modulated by pressure, rubbing, blending, or layering.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Slightly textured paper holds the powder better and allows for building up more layers. On overly smooth paper, pastel can slide, saturate quickly, or lose depth.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The rendering depends on the paper's grain, the pressure applied, the blending, and the possible use of a suitable fixative between layers.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eContent:\u003c\/strong\u003e 72 colors\u003cbr\u003e\n    \u003cstrong\u003eStick length:\u003c\/strong\u003e approximately 6.6 cm\u003cbr\u003e\n    \u003cstrong\u003eComposition:\u003c\/strong\u003e announced powdered pigments\u003cbr\u003e\n    \u003cstrong\u003ePackaging:\u003c\/strong\u003e wooden box\u003cbr\u003e\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; MAINTENANCE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Work on paper with sufficient grain to hold the powder. Start with large colored masses, then refine values, shadows, and highlights through successive layers.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Blend with a finger, tortillon, or soft cloth depending on the desired effect. To maintain sharp contrasts, avoid over-mixing all layers.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Dry pastel produces dust. Avoid blowing on the drawing: gently tap the sheet or carefully remove excess. Work in a ventilated area and wash hands after use.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Store the sticks in the box after use to limit shocks, breakage, and excessive mixing of color dust.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eTO PAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For sketches, value studies, and color tests, this box can accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/carnet-de-croquis-noir-papier-beige\"\u003eblack sketchbook with beige paper\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare a drawing base, enhance shadows, or work with matte blacks, you can combine it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-crayons-carbone-noir-3-variations-de-mine\"\u003eblack carbon pencil set\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To add opaque highlights to certain areas, depending on the support and the level of pastel fixation, you can complement it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-stylos-opaques-20-pieces\"\u003eset of 20 opaque white pens\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To find tools related to drawing, values, lines, and graphic research, you can consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/dessin\"\u003eDrawing\u003c\/a\u003e selection.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Studio Tip\u003c\/strong\u003e\u003cbr\u003e\n  Use textured paper to hold the powder. Lightly fix between layers if necessary to preserve depth, contrasts, and already worked areas.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56610234728780,"sku":"CJJJJTJT51550-Photo Color","price":76.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Coffret_pastels_72_couleurs.jpg?v=1778218516"},{"product_id":"planche-d-aquarelle-pliante-en-bois","title":"Folding wooden watercolor board","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eFolding Wooden Watercolor Board – Palette, Stand, and Compact Storage\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis folding wooden watercolor board combines an inclined stand, a central palette, empty pans, and a mixing area in a compact format.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nOnce open, the lid can hold a small sheet, a watercolor card, or a compatible sketchbook. The 24 small pans remain in the center, the mixing surface is on the right flap, and the circular opening on the left flap can accommodate a small suitable container.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe box folds up after use to store the pans and transport a reduced selection of colors. As wood is natural, its shade, grain, and markings may vary from one piece to another.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 10px;\"\u003e\n  \u003ca href=\"https:\/\/www.instagram.com\/p\/DWpPgXHsJJk\/\" target=\"_blank\" rel=\"noopener noreferrer\" style=\"color: #1A1B41; font-weight: 700; text-decoration: underline; text-decoration-thickness: 1px; text-underline-offset: 3px;\"\u003e\n    See the board in action\n  \u003c\/a\u003e\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    This palette box is designed for watercolorists who want to work with a limited selection of colors, without setting up a large separate palette.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The raised lid serves as a support for a small sheet or a sketchbook compatible with its dimensions. It allows you to work with the paper slightly inclined rather than flat.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The 24 pans are empty: they can receive small quantities of watercolor, but are not intended to hold entire tubes. It is preferable to fill only the colors useful for the session.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The top groove is suitable for a short brush, a pencil, or a small tool. It is not suitable for long brushes.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eMaterial:\u003c\/strong\u003e wood\u003cbr\u003e\n    \u003cstrong\u003eFolded dimensions:\u003c\/strong\u003e approximately 27 × 17 × 6 cm\u003cbr\u003e\n    \u003cstrong\u003ePans:\u003c\/strong\u003e 24 small empty pans\u003cbr\u003e\n    \u003cstrong\u003eRight flap:\u003c\/strong\u003e integrated mixing surface\u003cbr\u003e\n    \u003cstrong\u003eLeft flap:\u003c\/strong\u003e circular opening for compatible small container\u003cbr\u003e\n    \u003cstrong\u003eTop groove:\u003c\/strong\u003e short brush, pencil, or small tool\u003cbr\u003e\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePREPARING THE BOX\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Fill only the pans needed for the session, then let the paint dry before closing the box. This prevents spills and color transfer to the wood.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Install a small sheet or a compatible sketchbook on the raised lid. Check that the support is stable before adding water or starting washes.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Place a small compatible container in the circular opening of the left flap, then check its stability before filling it.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Use the top groove only for a short brush, a pencil, or a small tool. Long brushes should be placed next to it or on a brush rest.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAPER \u0026amp; MAINTENANCE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For wet work, choose watercolor paper of approximately 300 gsm. It may still slightly buckle with a lot of water, but it resists better than lightweight paper.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    After the session, empty the container, wipe the mixing surface, and immediately remove any water remaining on the wood.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Leave the box open to dry. Do not fold it until the pans, palette, or wooden surfaces are still wet.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Avoid soaking, abrasive products, and prolonged moisture to preserve the wood.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eTO PAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For working on paper suitable for washes, this board can accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/carnet-aquarelle-de-poche-300g\"\u003e300g pocket watercolor sketchbook\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To fill the pans or prepare a reduced palette, you can pair it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/palette-aquarelle-12-couleurs\"\u003e12-color watercolor palette\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pigment-aquarelle-supervision\"\u003eSuper Vision 15ml tube watercolors\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For washes, flat colors, and backgrounds, it works with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-pinceaux-plats-en-bambou-lavis-aplats-et-fonds-aquarelles\"\u003ebamboo flat brush set\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-pochette-de-pinceaux-aquarelle-artsecret\"\u003eArtSecret watercolor brush set\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To rest brushes between strokes, you can complete the set with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique\"\u003ejade-effect ceramic brush rest\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/palette-en-ceramique-compartimentee\"\u003ecompartmented ceramic palette\u003c\/a\u003e \n    if you need an additional mixing surface.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Prepare a selection of six to eight colors instead of filling all 24 pans during the first session. You will more easily identify the mixtures that are truly useful for your practice.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56610363375948,"sku":"CJYD211602701AZ","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Planche_aquarelle.png?v=1781397945"},{"product_id":"stylo-bille-rotatif-en-laiton-et-bois","title":"Ballpoint pen made of brass and wood","description":"\u003cp\u003e\u003cstrong style=\"color: #1a1b41;\"\u003eBrass and Wood Rotary Ballpoint Pen – 0.5 mm Tip for Stable Writing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003eThis rotary ballpoint pen combines a brass and natural wood body with a fine 0.5 mm tip, for daily writing, notebooks, long notes, and signatures.\u003c\/p\u003e\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003eThe rotary mechanism allows the tip to extend silently. A simple flick of the fingers is enough, making the object quieter and smoother to use on a desk or in a notebook.\u003c\/p\u003e\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003eThe brass adds weight and stability in the hand, while the natural wood softens the touch. A simple pen, designed for more deliberate and consistent writing.\u003c\/p\u003e\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n\u003csummary style=\"font-size: 16px; font-weight: bold; text-transform: uppercase; cursor: pointer; color: #4480c7;\"\u003eINFORMATION\u003c\/summary\u003e\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eThis pen is designed for those who prefer a dense, quiet, and stable writing tool. Unlike a very light plastic pen, the brass provides more presence in the hand.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eThe 0.5 mm tip allows for fine writing, suitable for notebooks, annotations, journaling, letters, sketch notes, or documents to be signed.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003eNatural wood may show slight variations in shade, grain, and texture depending on the piece. Brass may evolve over time and develop a patina.\u003c\/p\u003e\n\n\u003c\/details\u003e\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\" open=\"\"\u003e\n\u003csummary style=\"font-size: 16px; font-weight: bold; text-transform: uppercase; cursor: pointer; color: #4480c7;\"\u003eFEATURES\u003c\/summary\u003e\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\u003cstrong\u003eMechanism:\u003c\/strong\u003e manual rotation\u003cbr\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e brass and natural wood\u003cbr\u003e\u003cstrong\u003eLength:\u003c\/strong\u003e approx. 13.7 cm\u003cbr\u003e\u003cstrong\u003eDiameter:\u003c\/strong\u003e approx. 1.15 cm\u003cbr\u003e\u003cstrong\u003eTip:\u003c\/strong\u003e 0.5 mm\u003cbr\u003e\u003cstrong\u003eInk:\u003c\/strong\u003e black, water-based\u003cbr\u003e\u003c\/p\u003e\n\n\u003c\/details\u003e\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\" open=\"\"\u003e\n\u003csummary style=\"font-size: 16px; font-weight: bold; text-transform: uppercase; cursor: pointer; color: #4480c7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eGently twist the mechanism to extend or retract the tip. Avoid forcing if the rotation resists, to preserve the internal system.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eRetract the tip after use to limit ink marks in a pencil case, pouch, or notebook. Test the pen on a scrap page before a signature or an important document.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003eWipe the body with a soft, dry cloth. Avoid water, abrasive products, and prolonged humidity to preserve the wood and brass surface.\u003c\/p\u003e\n\n\u003c\/details\u003e\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\" open=\"\"\u003e\n\u003csummary style=\"font-size: 16px; font-weight: bold; text-transform: uppercase; cursor: pointer; color: #4480c7;\"\u003eTO PAIR WITH\u003c\/summary\u003e\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eFor daily writing, this pen can accompany the \u003ca href=\"https:\/\/ikaneworld.com\/products\/carnet-relie-en-cuir\"\u003eleather bound notebook\u003c\/a\u003e, the \u003ca href=\"https:\/\/ikaneworld.com\/products\/carnet-constellation-noir\"\u003eblack constellation notebook\u003c\/a\u003e, or the \u003ca href=\"https:\/\/ikaneworld.com\/products\/carnet-de-croquis-noir-papier-beige\"\u003eblack sketchpad with beige paper\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eTo carry it with a notebook without multiple pencil cases, you can pair it with the \u003ca href=\"https:\/\/ikaneworld.com\/products\/etui-de-carnet-et-stylos-rangement\"\u003enotebook and pen case\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eTo vary your writing tools, you can also check out the \u003ca href=\"https:\/\/ikaneworld.com\/products\/stylo-a-plume-laiton-et-bois?variant=55896802656588\"\u003ebrass and wood fountain pen\u003c\/a\u003e, the \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-plume-a-tremper?variant=57586636489036\"\u003edip pen set\u003c\/a\u003e, or the \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-d-ecriture-a-l-encre-plume-en-verre-et-porte-plume?variant=57506188034380\"\u003eink writing set with glass nib\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003eTo find notebooks, instruments, and accessories related to handwriting, you can consult the \u003ca href=\"https:\/\/ikaneworld.com\/collections\/ecriture\"\u003eWriting\u003c\/a\u003e selection.\u003c\/p\u003e\n\n\u003c\/details\u003e\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\u003cstrong style=\"color: #1a1b41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003eLet the weight of the brass guide your hand rather than pressing down on the page. A dense pen often leads to more consistent writing when the gesture remains flexible.\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"African rosewood","offer_id":56611748577612,"sku":"CJJT152906301AZ","price":30.0,"currency_code":"EUR","in_stock":true},{"title":"Sandalwood","offer_id":56611748610380,"sku":"CJJT152906303CX","price":30.0,"currency_code":"EUR","in_stock":true},{"title":"Tiger veining","offer_id":56611748643148,"sku":"CJJT152906305EV","price":30.0,"currency_code":"EUR","in_stock":true},{"title":"Wenge","offer_id":56611748675916,"sku":"CJJT152906304DW","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Stylo_laiton_et_bois.png?v=1778179445"},{"product_id":"plateau-a-the-en-bambou","title":"Bamboo tea tray","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eChapan Bamboo Tea Tray – Gong Fu Cha Preparation Surface\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis bamboo tea tray, also known as a chapan, creates a dedicated space for preparing tea, rinsing pieces, and serving in small quantities.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIt accommodates a teapot, gaiwan, cups, or pitcher, while helping to protect the table when water flows during rinses, short infusions, and repeated gestures.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIts size of approximately 40 × 21 × 5 cm offers a stable surface without becoming too cumbersome. The bamboo provides a simple, light presence suitable for daily tea practices.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    In Gong Fu Cha practices, water is part of the ritual: rinsing cups, warming the gaiwan or teapot, performing several successive infusions. The tray helps contain these movements on a dedicated surface.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    This size is suitable for small service preparations: a teapot or gaiwan, a few cups, tongs, a spoon, or a small dosing accessory. It helps organize the table without multiplying objects.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The bamboo, wood shades, assemblies, and dimensions may vary slightly between pieces, especially if handmade.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCHARACTERISTICS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eMaterial:\u003c\/strong\u003e natural bamboo\u003cbr\u003e\n    \u003cstrong\u003eManufacture:\u003c\/strong\u003e handmade stated\u003cbr\u003e\n    \u003cstrong\u003eDimensions:\u003c\/strong\u003e approximately 40 × 21 × 5 cm\u003cbr\u003e\n    \u003cstrong\u003eFunction:\u003c\/strong\u003e to hold teapot, gaiwan, cups, and rinsing water during preparation\u003cbr\u003e\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Place the tray on a flat and stable surface. Set up the gaiwan, teapot, cups, and accessories before starting preparation to maintain a fluid motion.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Use the tray to collect rinse water, warm the pieces, and organize successive infusions. However, avoid leaving stagnant water on the bamboo for too long.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    After use, empty the water if the tray has collected any, then wipe with a soft cloth. Allow to dry completely before storing.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Avoid prolonged soaking, abrasive products, and direct heat sources to preserve the bamboo and finishes.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCOMPOSE YOUR TEA SPACE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For a complete Gong Fu Cha preparation, this tray can accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-gong-fu-cha-ensemble\"\u003e6-piece Gong Fu Cha set\u003c\/a\u003e, \n    with gaiwan, pitcher, and cups.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For a more compact preparation, it can be used with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/gaiwan-peint-a-la-main-bol-couvert-de-the\"\u003ehand-painted 150 ml gaiwan\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/bol-couvert-en-sable-pourpre-sancai-gaiwan\"\u003eZisha purple clay lidded bowl\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/theiere-en-ceramique-a-anse-laterale\"\u003eceramic side-handle teapot\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To measure leaves, guide material, and handle hot objects, you can pair it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/cuillere-a-the-en-bois-kung-fu\"\u003ewooden tea spoon\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/etui-en-bambou-accessoires-de-the\"\u003ebamboo duo with tea scoop and adjusting stick\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pince-a-the-en-bambou\"\u003ebamboo tea tongs\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To limit water marks between rinses, it can be complemented by the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/serviette-de-the-surface-absorbante\"\u003eabsorbent tea towel\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To compare with a narrower surface without water collection, you can consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/plateau-de-preparation-en-bois-d-ebene\"\u003edark wood narrow tea tray\u003c\/a\u003e \n    or find the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/preparer\"\u003ePrepare\u003c\/a\u003e selection.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane workshop tip\u003c\/strong\u003e\u003cbr\u003e\n  Before creating, prepare the tea. Repeat the gestures, let the water flow, then wipe the tray after use. A well-prepared space helps focus attention before moving on to the material.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56682997219660,"sku":"CJJT165287103CX","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Plateau_th_en_bambou_fonc.jpg?v=1778218215"},{"product_id":"plateau-de-preparation-en-bois-d-ebene","title":"Dark wood tea tray","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eDark Wood Narrow Tea Tray – minimalist format for Gong Fu Cha\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis narrow dark wood tea tray helps structure a minimalist preparation surface for Gong Fu Cha, tea service, or a simple incense space.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIts long and thin format, approximately 48 to 50 cm in length, allows for aligning a teapot, a gaiwan, a few cups, or small accessories without cluttering the table.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe deep black finish provides a clean visual base, ideal for arranging a few well-placed objects: tea, smoke, reading, writing, or a calm preparation before creation.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    This tray serves as a dedicated surface for organizing tea items or preparation accessories. It is not designed to multiply elements, but to create a clear line: a vessel, a cup, a tool, an empty space.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Unlike a tea tray with integrated water collection, this format primarily functions as a presentation and work surface. For abundant rinses, it is preferable to use an absorbent towel or a draining tray as an additional accessory.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The wood grain, the depth of the black finish, and the dimensions may vary slightly between pieces.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eMaterial:\u003c\/strong\u003e natural wood with black finish\u003cbr\u003e\n    \u003cstrong\u003eDimensions:\u003c\/strong\u003e approximately 48–50 × 9–11 × 2–4 cm\u003cbr\u003e\n    \u003cstrong\u003eFormat:\u003c\/strong\u003e long, narrow, and minimalist\u003cbr\u003e\n    \u003cstrong\u003eFunction:\u003c\/strong\u003e organize objects, structure the surface, and limit visual clutter\u003cbr\u003e\n    \u003cstrong\u003ePrecaution:\u003c\/strong\u003e do not use as a direct surface for a flame, ember, or charcoal\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Place the tray on a flat and stable surface, then arrange the items lengthwise: teapot or gaiwan, cup, spoon, tongs, or small accessory.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For tea, avoid excess stagnant water on the wood. Use an absorbent towel if the preparation involves repeated rinses or pours.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For incense, never place an ember, charcoal, flame, or hot support directly on the tray. Use an incense holder or a heat-resistant receptacle.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Wipe with a soft, dry cloth after use. Avoid soaking, abrasive products, and prolonged humidity to preserve the wood's finish.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCREATE YOUR TEA SPACE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For a compact Gong Fu Cha preparation, this tray can accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/gaiwan-peint-a-la-main-bol-couvert-de-the\"\u003ehand-painted gaiwan 150 ml\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/bol-couvert-en-sable-pourpre-sancai-gaiwan\"\u003eZisha purple clay covered bowl\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/theiere-en-ceramique-a-anse-laterale\"\u003eceramic teapot with side handle\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To measure leaves and handle hot accessories, you can combine it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/cuillere-a-the-en-bois-kung-fu\"\u003ewooden tea spoon\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/etui-en-bambou-accessoires-de-the\"\u003ebamboo duo with tea scoop and adjusting stick\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pince-a-the-en-bambou\"\u003ebamboo tea tongs\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To absorb water and further protect the surface, it can be complemented by the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/serviette-de-the-surface-absorbante\"\u003eabsorbent tea towel\u003c\/a\u003e. \n    For preparation with integrated water collection, you can also consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/plateau-de-the-compact-en-bambou\"\u003ecompact bamboo tea tray\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    For a space combining tea and incense, you can use it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/assiette-support-dencens\"\u003estainless steel incense holder plate\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/mini-bruleur-d-encens-carre-alliage-grave\"\u003emini square engraved alloy incense burner\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/preparer\"\u003ePrepare\u003c\/a\u003e selection.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane workshop tip\u003c\/strong\u003e\u003cbr\u003e\n  Use this tray as a preparation line: few objects, well-placed, with space between each element. A clear surface makes the gesture more precise and the moment more readable.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56683313332556,"sku":"CJHS165291302BY","price":56.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Plateau_a_th_large_en_bois.jpg?v=1778218155"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/collections\/0afcdabc99a63c2e6ee3937a6372a789.webp?v=1771593857","url":"https:\/\/b31fyk-vr.myshopify.com\/en\/collections\/nouveautes.oembed?page=2","provider":"IKANE PARIS","version":"1.0","type":"link"}