{"title":"Calligraphy","description":"\u003cp data-start=\"0\" data-end=\"116\" class=\"PDq2pG_selectionAnchorContainer\"\u003eInks, brushes, ink stones, Xuan papers and selected supports for Asian calligraphy, sumi-e and traditional ink work.\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"118\" data-end=\"271\"\u003eThis collection brings together tools designed to control the flow of ink, the variation of the line and the precision of the gesture on absorbent paper.\u003c\/p\u003e\n\u003cp data-start=\"273\" data-end=\"542\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eFrom grinding an ink stick on an ink stone to choosing the right brush or paper, each element directly influences the depth of black, the diffusion of water and the response of the line. A selection designed for calligraphy, gestural writing and ink painting practices.\u003c\/p\u003e","products":[{"product_id":"palette-a-compartiments-peinture-calligraphie","title":"Ceramic palette with 5 wells","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eCeramic Compartment Palette – 5 wells for inks, pigments and washes\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis compartment palette features five connected ceramic wells for preparing, separating, and adjusting multiple shades during an ink, calligraphy, watercolor, or detailed painting session.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nEach well can accommodate a different value: light wash, more concentrated ink, intermediate mix, diluted pigment, or retouching color.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe glazed ceramic offers a smooth, stable, and easy-to-rinse surface. The compact size allows you to keep your mixtures close at hand without cluttering your workspace.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    These wells are useful whenever your work requires multiple dilution levels. They allow you to prepare a progression of values before starting: from lightest to densest, or from a very diluted color to a more concentrated version.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The separation of the wells prevents shades from mixing too quickly. It allows for a clear reading of values during work, especially when the brush moves quickly from one tone to another.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    It is suitable for practices where nuance is as important as line: ink wash, calligraphy, watercolor, water painting, fine brush details, and pigment testing.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eShape:\u003c\/strong\u003e 5 connected wells\u003cbr\u003e\n    \u003cstrong\u003eMaterial:\u003c\/strong\u003e glazed ceramic\u003cbr\u003e\n    \u003cstrong\u003eFunction:\u003c\/strong\u003e separate dilutions, organize shades, and keep multiple values available during the session\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Prepare your mixtures before starting, reserving one well for clear water or the lightest dilution, then the others for more concentrated values.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For washes, organize values from lightest to densest. This method prevents overloading the brush and allows you to easily return to an already prepared shade.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Rinse the ceramic with clear water after use, before pigments or ink dry in a thick layer in the wells.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Dry with a soft cloth or let air dry. Avoid impacts: ceramic is a rigid and fragile material.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For solid ink practice, these wells can accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-batons-d-encre\"\u003eink stick set\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/baton-d-encre-traditionnelle-mosong\"\u003eMosong traditional ink stick\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-7-5-cm-initiation\"\u003e7.5 cm ink stone\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For line and wash work, they can be used with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/ensemble-de-3-pinceaux-de-calligraphie-chinoise-coffret-cadeau\"\u003eChinese calligraphy brush set\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-pinceaux-traditionnels-chinois-pour-calligraphie\"\u003etraditional Chinese brush set\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-pinceaux-de-calligraphie-fibres-rigides\"\u003estiff-fiber calligraphy brush set\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For color, this palette can complement the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-peintures-traditionnelles-chinoises-gouache-a-l-eau\"\u003etraditional Chinese paint set\u003c\/a\u003e, \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pigment-aquarelle-supervision\"\u003eSuper Vision watercolor pigments\u003c\/a\u003e \n    or pan watercolor practice.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To observe the reaction of dilutions, choose a suitable surface such as \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper\u003c\/a\u003e, \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-semi-mur\"\u003esemi-ripe Xuan paper\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/carnet-aquarelle-de-poche-300g\"\u003e300g pocket watercolor sketchbook\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Place mixtures from lightest to densest, from left to right. This progression allows for better reading of values, avoids overly concentrated mixtures, and keeps each shade available throughout the session.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Bamboo","offer_id":55869845832012,"sku":"CJJT135962003CX","price":35.0,"currency_code":"EUR","in_stock":true},{"title":"Lotus","offer_id":55869845864780,"sku":"CJJT135962002BY","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Coupelles_motif_lotus.png?v=1778179191"},{"product_id":"ensemble-de-3-pinceaux-de-calligraphie-chinoise-coffret-cadeau","title":"Set of 3 calligraphy brushes – mixed fibers","description":"\u003cp\u003e\u003cstrong style=\"color: #1a1b41;\"\u003eSet of 3 Chinese calligraphy brushes – mixed fibers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003eThis set of 3 Chinese calligraphy brushes is perfect for practicing lines, thick and thin strokes, sumi-e, washes, and ink painting.\u003c\/p\u003e\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003eThe three sizes allow you to go from precise lines to broader strokes: the small size emphasizes control, the medium size remains versatile, and the large size holds more water or ink.\u003c\/p\u003e\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003eThe mixed fibers offer a flexible tip with enough resilience to support changes in pressure, stroke starts, and tip returns.\u003c\/p\u003e\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\" open=\"\"\u003e\n\u003csummary style=\"font-size: 16px; font-weight: bold; text-transform: uppercase; cursor: pointer; color: #4480c7;\"\u003eINFORMATION\u003c\/summary\u003e\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eThis set is suitable for both learning and regular practice. It allows you to compare different ink capacities, line widths, and fiber responses on the same paper.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eThe longer and wider the fiber part, the more liquid the brush retains and the longer the stroke. The small brush is more suited for short strokes and details; the large one better supports broad gestures, solid areas, and washes.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003eThe stained wood handles remain light in hand. The box allows you to keep all three sizes together, provided the brushes are always stored perfectly dry.\u003c\/p\u003e\n\n\u003c\/details\u003e\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\" open=\"\"\u003e\n\u003csummary style=\"font-size: 16px; font-weight: bold; text-transform: uppercase; cursor: pointer; color: #4480c7;\"\u003eFEATURES\u003c\/summary\u003e\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e 3 brushes of different sizes\u003cbr\u003e\u003cstrong\u003eFibers:\u003c\/strong\u003e mixed fibers\u003cbr\u003e\u003cstrong\u003eHandles:\u003c\/strong\u003e stained wood\u003cbr\u003e\u003cstrong\u003eOverall length:\u003c\/strong\u003e approx. 22.7 cm per brush\u003cbr\u003e\u003cstrong\u003eFiber length:\u003c\/strong\u003e 3.7 cm · 4.3 cm · 5 cm\u003cbr\u003e\u003cstrong\u003eDiameters:\u003c\/strong\u003e 0.9 cm · 1.05 cm · 1.2 cm\u003cbr\u003e\u003cstrong\u003ePractices:\u003c\/strong\u003e Chinese calligraphy, sumi-e, ink painting, washes, line work\u003cbr\u003e\u003c\/p\u003e\n\n\u003c\/details\u003e\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\" open=\"\"\u003e\n\u003csummary style=\"font-size: 16px; font-weight: bold; text-transform: uppercase; cursor: pointer; color: #4480c7;\"\u003eCHOOSING THE RIGHT BRUSH\u003c\/summary\u003e\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\u003cstrong\u003eSmall size — 3.7 cm fibers:\u003c\/strong\u003e for small characters, details, short strokes, and exercises requiring little ink capacity.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\u003cstrong\u003eMedium size — 4.3 cm fibers:\u003c\/strong\u003e the most versatile for common exercises, changes of direction, and pressure variations.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\u003cstrong\u003eLarge size — 5 cm fibers:\u003c\/strong\u003e for large characters, broad strokes, solid areas, and washes requiring more water or ink.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003eOn Xuan paper, an untreated paper diffuses quickly and requires a decisive stroke. Semi-treated paper slows down the ink and facilitates learning pressure control.\u003c\/p\u003e\n\n\u003c\/details\u003e\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\" open=\"\"\u003e\n\u003csummary style=\"font-size: 16px; font-weight: bold; text-transform: uppercase; cursor: pointer; color: #4480c7;\"\u003ePREPARATION \u0026amp; MAINTENANCE\u003c\/summary\u003e\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eBefore first use, soften the fibers in cold or slightly warm water if they are still sized. Then remove excess water without twisting the tip.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eGradually load the ink or wash, then test the brush on a scrap of the same paper. This allows you to observe the reservoir, diffusion, and tip return before the final stroke.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eAfter use, rinse the fibers in clear water until the color disappears. Gently reshape the tip with your fingers, without pulling or pressing too hard.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003eLet dry flat or suspended, then replace the brushes in the box only when they are perfectly dry.\u003c\/p\u003e\n\n\u003c\/details\u003e\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\" open=\"\"\u003e\n\u003csummary style=\"font-size: 16px; font-weight: bold; text-transform: uppercase; cursor: pointer; color: #4480c7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eTo prepare traditional ink, this set can be paired with the \u003ca href=\"https:\/\/ikaneworld.com\/products\/baton-d-encre-traditionnelle-mosong\"\u003eMosong traditional ink stick\u003c\/a\u003e, the \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-batons-d-encre\"\u003eink stick set\u003c\/a\u003e or the \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-7-5-cm-initiation\"\u003e7.5 cm inkstone for beginners\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eTo organize several dilutions during your session, it can be combined with the \u003ca href=\"https:\/\/ikaneworld.com\/products\/palette-a-compartiments-peinture-calligraphie\"\u003eceramic compartment palette\u003c\/a\u003e or the \u003ca href=\"https:\/\/ikaneworld.com\/products\/palette-en-ceramique-compartimentee\"\u003ecompartmented ceramic palette\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eTo work on line diffusion, use it with \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper\u003c\/a\u003e, \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-semi-mur\"\u003esemi-ripe Xuan paper\u003c\/a\u003e or the \u003ca href=\"https:\/\/ikaneworld.com\/products\/rouleau-d-atelier-papier-vegetal-semi-traite\"\u003esemi-treated plant fiber workshop roll\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003eTo rest brushes between strokes or dry them properly, you can consult the \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique\"\u003ejade effect ceramic brush rest\u003c\/a\u003e or the \u003ca href=\"https:\/\/ikaneworld.com\/products\/porte-pinceaux-calligraphie-suspendu\"\u003ehanging calligraphy brush holder\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003c\/details\u003e\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\u003cstrong style=\"color: #1a1b41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003eDraw the same line with all three brushes, using ink of the same density. You will immediately see which one best retains its tip, which extends the stroke, and which gives you the desired control.\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":55896569676108,"sku":"CJJT170012001AZ","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Pinceaux_calligraphie_2.jpg?v=1784162485"},{"product_id":"pinceau-en-poils-de-martre-fine","title":"Fine calligraphy brush – soft and precise tip","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eFine Marten Hair Brush – Chinese Calligraphy, Xiaokai, Lishu, and Precise Strokes\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis fine marten hair brush is designed for precise writing, small characters, ink details, and slow calligraphy exercises.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIts fine, flexible, and responsive tip allows for light finishes, sharp angles, narrow lines, and subtle variations in thickness.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIt is particularly suitable for Xiaokai and Lishu styles, fine lines, detail touch-ups, and practices where hand pressure must remain very controlled.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    This brush is designed for precise movements: small characters, calligraphic details, short strokes, outlines, punctuation, touch-ups, and lines that require a well-controlled tip.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The fine fiber reacts quickly to changes in pressure and inclination. Light pressure produces a fine line; a firmer press widens the line without completely losing the tip.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The natural bamboo handle offers a light grip, suitable for long writing sessions, repetitive exercises, and strokes that require little tension in the fingers.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eTip diameter:\u003c\/strong\u003e approximately 8 mm\u003cbr\u003e\n    \u003cstrong\u003eTip length:\u003c\/strong\u003e approximately 20 mm\u003cbr\u003e\n    \u003cstrong\u003eHandle:\u003c\/strong\u003e natural bamboo\u003cbr\u003e\n    \u003cstrong\u003eCompatibility:\u003c\/strong\u003e ink prepared on stone, liquid ink, light wash, Xuan paper, or paper suitable for ink\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Before first use, gently moisten the fiber with clear water to soften the tip and remove any potential storage sizing.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Load the brush gradually, then remove excess on the edge of the inkstone, dish, or palette. For fine writing, an overloaded tip can thicken the stroke too quickly.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Work with minimal pressure. The slower the movement, the more visible the stroke variations become, especially on slightly absorbent paper.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    After use, rinse with clear water until the ink or pigment disappears. Gently reshape the tip with your fingers, without twisting the fiber, then let it air dry.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare ink by hand, this brush can accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/baton-d-encre-traditionnelle-mosong\"\u003eMosong traditional ink stick\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-batons-d-encre\"\u003eink stick set\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-7-5-cm-initiation\"\u003e7.5 cm inkstone for beginners\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To control ink bleeding, you can use it with \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-semi-mur\"\u003esemi-ripe Xuan paper\u003c\/a\u003e, \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/rouleau-d-atelier-papier-vegetal-semi-traite\"\u003esemi-treated vegetable paper roll\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To organize different ink or wash values, it can be combined with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/palette-a-compartiments-peinture-calligraphie\"\u003eceramic compartment palette\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To rest the brush between strokes and avoid flattening the tip, you can check out the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique\"\u003ejade effect ceramic brush rest\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique-1\"\u003eBlue Dragon brush rest\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  This brush works particularly well with minimal pressure. On slightly absorbent paper, slowing down the movement reveals fine, lively, almost vibrant outlines.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":55896623087948,"sku":"CJYD188954201AZ","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Pinceau_de_calligraphie_tres_fin.png?v=1778215487"},{"product_id":"assiette-pour-encre-et-pigments","title":"Celadon ceramic dish","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eCeladon ceramic dish – ink, pigments, washes and calligraphy\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis celadon ceramic dish is used to prepare a few drops of ink, water or pigment during a calligraphy, sumi-e, wash or brush painting session.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIts slightly hollow shape helps control small dilutions: denser black, intermediate value, light wash or pigment picked up with a little water.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe bamboo motif appears subtly under the celadon glaze. The shade changes depending on the light, the amount of liquid and the depth of the ink or pigment used.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    This dish is used to prepare small quantities rather than a large volume of mixture. It is suitable for precise movements: loading a brush, adjusting a dilution, testing a value or keeping a lighter ink next to a concentrated black.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    It can be used with ink prepared on stone, liquid inks, water-based pigments, light washes or colors used with a fine brush.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    It can also temporarily hold a brush between two strokes, provided that the tip rests gently and is not crushed against the edge.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eMaterial:\u003c\/strong\u003e glazed celadon ceramic\u003cbr\u003e\n    \u003cstrong\u003ePattern:\u003c\/strong\u003e bamboo\u003cbr\u003e\n    \u003cstrong\u003eDimensions:\u003c\/strong\u003e approximately 9.7 cm × H 2 cm\u003cbr\u003e\n    \u003cstrong\u003eFunction:\u003c\/strong\u003e prepare, dilute, separate a value, adjust the amount of water and control brush loading\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Pour a few drops of water or a small amount of ink into the dish. Gradually add water to obtain a lighter value, rather than diluting too much from the start.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For washes, prepare a more concentrated base, then lighten it in small touches. This method allows for better control of blacks, grays and transitions.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Rinse the dish with clear water after use, before the ink or pigments dry in a thick layer on the glaze.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Dry with a soft cloth or let air dry. Avoid impacts: ceramic remains a rigid and breakable material.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eTO PAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare traditional ink, this dish can accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/baton-d-encre-traditionnelle-mosong\"\u003eMosong traditional ink stick\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-batons-d-encre\"\u003eink stick set\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-7-5-cm-initiation\"\u003e7.5 cm inkstone\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To work on lines, details and small values, it can be used with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-en-poils-de-martre-fine\"\u003efine sable hair brush\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-traditionnel-de-calligraphie\"\u003ebamboo calligraphy brush\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/ensemble-de-3-pinceaux-de-calligraphie-chinoise-coffret-cadeau\"\u003eset of 3 Chinese calligraphy brushes\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare several dilutions at the same time, you can supplement with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/palette-a-compartiments-peinture-calligraphie\"\u003eceramic compartment palette\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/palette-en-ceramique-compartimentee\"\u003ecompartmented ceramic palette\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    For brush painting with color, it can also accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-peintures-traditionnelles-chinoises-gouache-a-l-eau\"\u003eset of traditional Chinese gouache paints\u003c\/a\u003e \n    or \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pigment-aquarelle-supervision\"\u003eSuper Vision watercolor pigments\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane workshop tip\u003c\/strong\u003e\u003cbr\u003e\n  Preparing several levels of dilution in the dish allows for more vibrant and less uniform blacks. A few drops are often enough to completely transform the depth of the line.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":55902055399756,"sku":"CJJT140361602BY","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/coupelle_pour_preparation_encre.png?v=1778215338"},{"product_id":"encre-fluorescente-reactive-a-la-lumiere-uv","title":"18ml UV Invisible Ink with Lamp","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003e18 ml UV Invisible Ink – Hidden Writing, Secret Drawing, and Mini Reveal Lamp\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis UV invisible ink allows you to write or draw a line that is almost imperceptible in normal light, then reveal it under ultraviolet light with the included mini lamp.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIt can be used to add a hidden message, a discreet marker, a secret annotation, or a second image on paper, visible only upon revelation.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe result depends on the surface: on some papers, the dry line may remain slightly visible. It is therefore preferable to do a test before working on a definitive composition.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    In normal light, the dry ink remains very discreet. Under ultraviolet light, the applied areas become fluorescent and reveal the drawing.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    It can be used alone or added to an existing drawing: hidden text, nocturnal details, signs, outlines, annotations, composition markers, or a second reading of an image.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    For a clearer revelation, let the ink dry completely, reduce ambient light, then briefly illuminate the drawing with the mini UV lamp.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eCapacity:\u003c\/strong\u003e 18 ml\u003cbr\u003e\n    \u003cstrong\u003eRevelation:\u003c\/strong\u003e under ultraviolet light\u003cbr\u003e\n    \u003cstrong\u003eAccessory included:\u003c\/strong\u003e mini UV lamp\u003cbr\u003e\n    \u003cstrong\u003eRecommended surfaces:\u003c\/strong\u003e smooth or slightly absorbent papers, after prior testing\u003cbr\u003e\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFIRST USE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Test the ink on a scrap of your chosen paper. Some surfaces absorb more liquid and may make the line more visible after drying.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Apply a thin layer to limit visible marks in normal light. Too thick an application can leave a trace, even before UV revelation.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Allow to dry completely without rubbing the surface. Revelation will be cleaner if the paper is dry and ambient light is reduced.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Briefly illuminate the drawing with the mini UV lamp. Add a second layer only if the fluorescence is too weak after the first test.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Do not pour this ink into a fountain pen with a reservoir. Instead, use a dip pen, a fine brush, or an easy-to-clean tool.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAPER, TOOLS \u0026amp; PRECAUTIONS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Smooth paper facilitates fine lines and clear drawings. Very absorbent paper can diffuse the ink, widen the line, and make the mark more visible in normal light.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Use a fine brush, a dip pen, or a tool compatible with fluid ink. Clean the tool quickly after use to avoid dry deposits.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Do not look directly at the UV source and do not point the mini lamp at your eyes. Keep the entire set out of reach of young children.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Close the bottle after use and store it away from heat, direct light, and dust.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To work with a dip pen, this ink can be accompanied by the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-plume-a-tremper?variant=57586636489036\"\u003edip pen set\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-d-ecriture-a-l-encre-plume-en-verre-et-porte-plume?variant=57506188034380\"\u003eink writing set with glass pen\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For effects visible in natural light and enhanced under UV, you can also check out the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/encre-fluorescente-18ml\"\u003e18 ml fluorescent ink\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To create contrasts on dark paper or add visible highlights, it can be combined with \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-stylos-opaques-20-pieces\"\u003eopaque white pens\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/carnet-de-croquis-noir-papier-beige\"\u003eblack sketchpad with beige paper\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To explore other light effects, you can consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/colorant-liquide-phosphorescent-pour-resine\"\u003ephosphorescent liquid dye for resin\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/fil-phosphorescent-matiere-textile-lumineuse\"\u003ephosphorescent textile thread\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  First draw the visible part of the image, then add a detail under UV that changes its interpretation: a phrase, a path, a constellation, or a second outline.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":55902086332748,"sku":"CJJJJTJT23235-18ml ultra violet light","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/ink_uv.jpg?v=1778223736"},{"product_id":"baton-d-encre-traditionnelle-mosong","title":"Sumi black ink stick","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eMosong Traditional Ink Stick – Sumi Solid Ink for Grinding on Stone\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis Mosong traditional ink stick allows you to prepare black ink by hand for calligraphy, sumi-e, wash painting, and ink drawing.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nA few drops of water on an ink stone are enough to gradually release the material. The longer the grinding, the denser, darker, and more concentrated the ink becomes.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nUnlike ready-to-use liquid ink, the intensity is adjusted during preparation: deep black for bold strokes, lighter dilution for washes, gradients, and pressure variations.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 10px;\"\u003e\n  To choose the stone, measure the water, understand grinding, and adapt the paper, you can consult the \n  \u003ca href=\"https:\/\/ikaneworld.com\/pages\/batons-et-pierres-a-encre-papiers-pinceaux-plumes-lavis\"\u003eIkane guide on ink sticks, stones, papers, brushes, and washes\u003c\/a\u003e.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The ink stick is prepared directly on a moistened ink stone. The action involves slowly rubbing the base of the stick on the stone's surface to produce ink usable with a brush.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The density depends on two elements: the amount of water applied and the grinding time. With little water, the ink becomes more concentrated; with more water, it becomes more fluid and lighter.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Its hexagonal shape offers a stable grip. It slightly slows down the movement and helps maintain more consistent grinding, especially during initial preparations.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eType:\u003c\/strong\u003e Sumi solid ink\u003cbr\u003e\n    \u003cstrong\u003eComposition:\u003c\/strong\u003e fine soot and natural binder\u003cbr\u003e\n    \u003cstrong\u003eDimensions:\u003c\/strong\u003e approximately 7.5 × 1.8 × 1 cm\u003cbr\u003e\n    \u003cstrong\u003eWeight:\u003c\/strong\u003e approximately 20 g\u003cbr\u003e\n    \u003cstrong\u003eRequired support:\u003c\/strong\u003e ink stone and clear water\u003cbr\u003e\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePREPARING THE INK\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Place a few drops of water on the flat part of the ink stone. Do not fill the entire cavity initially: a small amount of water makes it easier to obtain a concentrated base.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Hold the stick almost vertically, with its base flat on the stone. Rub slowly in circles or regular movements, without pressing hard.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    After a few minutes, test the blackness with a brush on a scrap piece of paper. If the ink appears too light, continue grinding. If it sticks or becomes too thick, add one or two drops of water.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    For washes, first prepare concentrated ink, then dilute it in a separate bowl. This method gives more control than starting with an overly watery preparation.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Wipe the wet side of the stick after each session. Do not leave it soaking in water and do not put it away when it is still wet.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Rinse the stone with clear water after use, without detergent. A layer of dried ink can hinder subsequent preparations and alter the grinding texture.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Allow the stick to air dry before returning it to its storage. Enclosed humidity can weaken the solid ink or mark the surface.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Store in a dry place, away from humidity and strong temperature variations.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eTO PAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare the ink, this stick can be paired with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-7-5-cm-initiation\"\u003e7.5 cm ink stone\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-naturelle\"\u003enatural ink stone with lid\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To work on lines, solids, and pressure variations, you can use it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-traditionnel-de-calligraphie\"\u003ebamboo calligraphy brush\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-de-calligraphie-poils-naturels\"\u003etraditional rabbit hair brush\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-pinceaux-de-calligraphie-fibres-rigides\"\u003eset of stiff fiber calligraphy brushes\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To observe the diffusion of black, choose a suitable support such as the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-semi-mur\"\u003esemi-ripe Xuan paper\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/rouleau-d-atelier-papier-vegetal-semi-traite\"\u003esemi-treated vegetable paper roll\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To start with an already organized set, you can also consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-baton-initiation\"\u003estarter ink stone and stick set\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/calligraphie\"\u003eCalligraphy\u003c\/a\u003e selection.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Start with very little water, then gradually increase the dilution. The quality of the black depends as much on the preparation time as on the gesture itself: it's better to build slowly than to drown the ink from the start.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":55902086889804,"sku":"CJJJJTJT15689-Photo Color-7.5x1.8x1cm","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/SUMI_INK.png?v=1778215160"},{"product_id":"flacon-d-encre-30ml","title":"Calligraphy dip pen ink 30ml","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003ePen holder ink 30 ml – writing, calligraphy and dip pen drawing\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis 30 ml liquid ink is designed for pen holder work: handwriting, calligraphic alphabets, ink drawing, and line study.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIts fluidity allows for a regular flow on the dip pen, with a clean, continuous, and controlled line depending on the pressure applied.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIt is suitable for slow practices, precise lines, thick and thin strokes, illustration details, and writing that requires a stable flow without overloading the pen.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    This ink is used with a dip pen or a traditional pen holder. Simply dip the tip slightly into the bottle, then remove the excess before writing or drawing.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The balanced viscosity facilitates pressure variations: fine lines, heavier lines, slowdowns, restarts, and precise details. The black remains legible, even in lighter passages.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    This ink is designed for dip pens. Do not use it in a fountain pen with a reservoir unless the pen manufacturer confirms compatibility.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eCapacity:\u003c\/strong\u003e 30 ml\u003cbr\u003e\n    \u003cstrong\u003eType:\u003c\/strong\u003e ink for pen holder and dip pen\u003cbr\u003e\n    \u003cstrong\u003eBottle:\u003c\/strong\u003e rigid plastic with metal cap\u003cbr\u003e\n    \u003cstrong\u003eCompatibility:\u003c\/strong\u003e dip pens and traditional pen holders\u003cbr\u003e\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Dip only the tip of the nib. An overloaded nib can deposit too much ink at once, create a smudge, or make the line less regular.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Remove excess on the edge of the bottle or on a scrap piece of paper before starting. This step helps stabilize the flow and avoid heavy initial drops.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Clean the nib with clear water after use, before the ink dries in the slit or around the tip. Then wipe with a soft cloth.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Close the bottle after each session and store it away from heat, direct light, and dust.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To write with a traditional nib, this ink can accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-plume-a-tremper?variant=57586636489036\"\u003edip pen set\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-d-ecriture-a-l-encre-plume-en-verre-et-porte-plume?variant=57506188034380\"\u003eink writing set with glass pen\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For titles, broader thick and thin strokes, you can also check out the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-7-stylos-de-calligraphie-a-plume-plate\"\u003eset of 7 flat-nib calligraphy pens\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For a writing support suitable for notes, fragments, and dry sketches, it can be used with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/carnet-decriture-artisanal-en-cuir\"\u003ehandmade leather writing notebook\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/carnet-constellation-noir\"\u003eblack constellation notebook\u003c\/a\u003e, always testing the ink on a discreet page.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To find nibs, notebooks, and accessories related to handwriting, you can consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/ecriture\"\u003eWriting\u003c\/a\u003e selection.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane workshop tip\u003c\/strong\u003e\u003cbr\u003e\n  Dip only the tip of the nib to maintain a stable flow. Cleaning quickly after use prevents dry ink buildup and preserves the fineness of the line.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Black","offer_id":55902292934988,"sku":"CJJJJTJT12761-Black-30ml","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"Brown","offer_id":55902292967756,"sku":"CJJJJTJT12761-Brown-30ml","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"Green","offer_id":55902293000524,"sku":"CJJJJTJT12761-Green-30ml","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"Blue Lake","offer_id":55902293033292,"sku":"CJJJJTJT12761-Lake blue-30ml","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"Orange","offer_id":55902293066060,"sku":"CJJJJTJT12761-Orange-30ml","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"Pink","offer_id":55902293098828,"sku":"CJJJJTJT12761-Pink-30ml","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"Purple","offer_id":55902293131596,"sku":"CJJJJTJT12761-Purple-30ml","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"Red","offer_id":55902293164364,"sku":"CJJJJTJT12761-Red-30ml","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"Royal blue","offer_id":55902293197132,"sku":"CJJJJTJT12761-Royal Blue-30ml","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"Bordeaux","offer_id":55902293229900,"sku":"CJJJJTJT12761-Wine Red-30ml","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Encre_karkos.png?v=1773442269"},{"product_id":"tapis-de-calligraphie-rouleau-d-entrainement","title":"Reusable water calligraphy mat","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eReusable Calligraphy Mat – Water Practice, No Paper or Consumables Needed\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis reusable calligraphy mat allows you to practice brush strokes with clear water, without paper, pigment, or consumables to replace.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe wet brush temporarily reveals the stroke on the surface, then the writing gradually disappears as it dries. The mat allows you to write, observe, correct, and start again.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIts long format of 140 × 42 cm facilitates successive repetitions, rhythm exercises, warm-ups, and character learning before practicing on a definitive medium.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    This mat is designed for calligraphy training: character structure, movement regularity, pressure control, brush placement, and stroke repetition.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The goal is not to preserve the trace, but to repeat. The gradual disappearance of the stroke helps to identify hesitations, breaks in speed, and differences in pressure.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    It is suitable for beginners learning the basics as well as more advanced individuals who wish to warm up, work on a character, or correct a movement before transferring to paper.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eFunctionality:\u003c\/strong\u003e water-revealed writing, then gradual disappearance upon drying\u003cbr\u003e\n    \u003cstrong\u003eMaterial:\u003c\/strong\u003e thickened Oxford canvas with treated surface\u003cbr\u003e\n    \u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 140 × 42 cm\u003cbr\u003e\n    \u003cstrong\u003eUsage:\u003c\/strong\u003e calligraphy training, stroke repetition, warm-up, character learning\u003cbr\u003e\n    \u003cstrong\u003eCompatibility:\u003c\/strong\u003e calligraphy brushes used with clear water\u003cbr\u003e\n    \u003cstrong\u003eConsumables needed:\u003c\/strong\u003e none\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSAGE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Fill a small dish with clear water, wet the brush, then remove excess water before drawing. An overly loaded brush can leave too wide a mark or slow down drying.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Repeat the same character several times along the entire length of the mat. Observe differences in pressure, axis stability, and movement continuity.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Allow to dry naturally before rolling or storing the mat. Avoid folding it sharply to preserve the working surface.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Use only clear water. Pigments, colored liquids, markers, or tinted products can stain the surface and prevent its intended use.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For water practice, this mat can be used with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-traditionnel-de-calligraphie\"\u003ebamboo calligraphy brush\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-de-calligraphie-poils-naturels\"\u003etraditional rabbit hair brush\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-pinceaux-de-calligraphie-fibres-rigides\"\u003eset of stiff fiber calligraphy brushes\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To rest the brush between repetitions, you can complement with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique\"\u003ejade-effect ceramic brush rest\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique-1\"\u003eBlue Dragon brush rest\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To store or dry brushes after rinsing, you can also consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/porte-pinceaux-calligraphie-suspendu\"\u003ehanging calligraphy brush holder\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To find tools related to brush learning, you can consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/calligraphie\"\u003eCalligraphy\u003c\/a\u003e selection.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Repeat the same character several times along the entire length of the mat. The gradual disappearance of the stroke helps to better observe the actual rhythm of the gesture, without focusing too quickly on the final result.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":55975054278988,"sku":"CJYD197503602BY","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Tapis_de_calligraphie_a_l_eau.png?v=1778215100"},{"product_id":"set-de-pinceaux-de-calligraphie-fibres-rigides","title":"Set of 3 calligraphy brushes","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eSet of 3 Calligraphy Brushes – Stiff Fibers for Strong Strokes, Sumi-e, and Ink\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis set of 3 calligraphy brushes is designed for traditional calligraphy, sumi-e, ink drawing, and practices where brush pressure shapes the stroke.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe firm natural fibers react quickly to pressure. They allow for creating clean lines, strong fills, and precise variations in thickness.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe three sizes allow you to adapt your movements for large characters, intermediate strokes, or more contained details, with a long handle that supports arm movement.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    These brushes are suitable for slow, firm, and structured strokes. Their firm tip retains its shape better during the stroke, which helps maintain a legible line, even when pressure varies.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Unlike a very soft brush, which absorbs movements more and produces more fluid transitions, this set offers more resistance under the hand. It is better suited for constructed characters, long lines, and strong contrasts.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The result depends on the ink load, the paper used, the fiber's moisture, and the arm's movement. On highly absorbent Xuan paper, the stroke will spread faster; on semi-treated paper, it will remain more controlled.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eContent:\u003c\/strong\u003e 3 brushes\u003cbr\u003e\n    \u003cstrong\u003eHandle:\u003c\/strong\u003e lacquered wood\u003cbr\u003e\n    \u003cstrong\u003eFibers:\u003c\/strong\u003e firm natural fibers\u003cbr\u003e\n    \u003cstrong\u003eCompatibility:\u003c\/strong\u003e Chinese ink, Sumi ink stick, ink wash\u003cbr\u003e\n    \u003cstrong\u003eFunction:\u003c\/strong\u003e drawing, loading ink, varying pressure, creating fills, fine lines, and strong lines\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eSIZES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    \u003cstrong\u003eLarge:\u003c\/strong\u003e tip 6 cm · diameter 1.5 cm · handle 24 cm\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    \u003cstrong\u003eMedium:\u003c\/strong\u003e tip 5.5 cm · diameter 1.4 cm · handle 24 cm\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eSmall:\u003c\/strong\u003e tip 5 cm · diameter 1.3 cm · handle 24 cm\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Before first use, fully moisten the fibers with clear water to soften them and remove any storage stiffness.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Load the brush gradually. For a clean stroke, remove excess water or ink on the edge of the ink stone, dish, or palette before drawing.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Work with the weight of your arm rather than finger pressure. Stroke stability often comes from overall body movement, especially for long lines and large characters.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    After use, rinse the fibers with clear water until the ink disappears. Do not twist the tip. Gently reshape it with your fingers, then let it air dry, ideally upside down.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare ink by hand, this set can be paired with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-batons-d-encre\"\u003eink stick set\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/baton-d-encre-solide\"\u003esolid ink stick\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-7-5-cm-initiation\"\u003e7.5 cm ink stone\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To work on stroke diffusion, you can use it with \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper\u003c\/a\u003e, \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-semi-mur\"\u003esemi-ripe Xuan paper\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/rouleau-d-atelier-papier-vegetal-semi-traite\"\u003esemi-treated vegetable paper roll\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To rest brushes between strokes, you can add the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique\"\u003ejade effect ceramic brush rest\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique-1\"\u003eblue Dragon brush rest\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To dry brushes upside down after rinsing, you can also check out the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/porte-pinceaux-calligraphie-suspendu\"\u003ehanging calligraphy brush holder\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Fully moisten the fibers before first use. For strong strokes, don't just press with your fingers: engage your arm, slow your movement, and let the tip regain its shape between strokes.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":55975121551692,"sku":"CJJT169284101AZ","price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Set_de_pinceaux_pour_calligraphie.png?v=1778215066"},{"product_id":"un-petit-coffret-d-initiation-quatre-tresors-du-lettre","title":"Textile box set “Four Treasures of the Scholar”","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eTextile Box \"Four Treasures of the Scholar\" – Introduction to Chinese Calligraphy and Solid Ink\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis introductory textile box contains the essential tools for discovering Chinese calligraphy, sumi-e, ink wash painting, and solid ink preparation.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIt includes four brushes, an inkstone, a Sumi ink stick, a dish, a brush rest, and an uncarved practice seal, all stored in an embroidered textile box.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nPaper is not included: please use Xuan paper or a medium compatible with ink techniques to test ink bleed, black density, and brush pressure.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 10px;\"\u003e\n  To understand the role of the brush, ink, paper, and inkstone, you can consult the \n  \u003ca href=\"https:\/\/ikaneworld.com\/pages\/quatre-tresors-du-lettre-pinceau-encre-papier-pierre\"\u003eIkane guide on the Four Treasures of the Scholar\u003c\/a\u003e.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The Four Treasures of the Scholar traditionally refer to the brush, ink, paper, and inkstone. This box gathers the preparation and drawing tools; paper is chosen separately according to the desired diffusion speed.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The ink is not ready to use. The stick must be rubbed with a little water on the flat part of the inkstone. You first obtain a concentrated base, then you can lighten it drop by drop.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The four brushes allow comparison of various line widths and ink capacities. The stone seal is provided uncarved: it cannot be used to sign a work without prior engraving and seal paste.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eBOX CONTENTS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eBrushes:\u003c\/strong\u003e 4 calligraphy brushes of different sizes\u003cbr\u003e\n    \u003cstrong\u003eInkstone:\u003c\/strong\u003e round stone for grinding and diluting ink\u003cbr\u003e\n    \u003cstrong\u003eInk:\u003c\/strong\u003e 1 solid Sumi ink stick\u003cbr\u003e\n    \u003cstrong\u003ePorcelain:\u003c\/strong\u003e 1 brush rest and 1 dish\u003cbr\u003e\n    \u003cstrong\u003eSeal:\u003c\/strong\u003e 1 uncarved stone practice seal\u003cbr\u003e\n    \u003cstrong\u003eBox:\u003c\/strong\u003e embroidered textile box\u003cbr\u003e\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePREPARING INK FOR THE FIRST TIME\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For a small quantity, allow about 5 minutes of grinding. This time serves as a guide, not an absolute rule: stop when the ink no longer appears watery and a test stroke yields an even black.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Place only a few drops of water on the flat part of the inkstone. Do not fill the entire cavity initially: a concentrated base is easier to correct than an overly diluted preparation.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Hold the stick almost vertically, with its base flat against the stone. Rub slowly in small circles or regular movements, without applying strong pressure.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    After 3 minutes, observe the ink. If it remains grey and very liquid, continue for another 1 to 2 minutes. Then test a stroke on a scrap of the same paper.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    If the black is too pale, rub for another 30 to 60 seconds. If the ink is too thick or catches on the paper, add one or two drops of water, mix, then test again.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Moisten the brush before loading it, then remove excess water without twisting the fibers. Start with the medium brush: it is generally simpler for testing basic strokes and pressure changes.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The brush rest prevents loaded fibers from touching the table. The dish can hold clear water or a second ink dilution to work with multiple shades of black.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    After use, rinse brushes and the inkstone with clear water. Wipe the damp side of the ink stick and allow each item to dry before storage.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Do not store any still-wet items in the textile box. Retained moisture can mark the fabric, damage brushes, or deform fibers.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To start with an easier-to-control medium, this box can be paired with \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper\u003c\/a\u003e \n    in a semi-treated finish, which facilitates initial diffusion tests.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To repeat strokes, work on a continuous length, or practice without paper limitations, you can also check out the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/rouleau-d-atelier-papier-vegetal-semi-traite\"\u003esemi-treated vegetable paper studio roll\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-rouleau\"\u003eXuan paper roll for calligraphy\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To hang brushes upside down to dry after rinsing, you can pair it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/porte-pinceaux-calligraphie-suspendu\"\u003ehanging calligraphy brush holder\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For a more structured version in a wooden box, you can compare it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-de-calligraphie-quatre-tresors-deluxe\"\u003edeluxe Four Treasures calligraphy box\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To find papers, brushes, inkstones, and inks related to this practice, you can consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/calligraphie\"\u003eCalligraphy\u003c\/a\u003e \n    selection.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Studio Tip\u003c\/strong\u003e\u003cbr\u003e\n  First prepare a rich black, then place a small amount into the dish with a few drops of water. This gives you two ink densities without having to restart the entire grinding process.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":55975227785548,"sku":"CJJT112825301AZ","price":47.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Coffret4lettre_3.png?v=1773516532"},{"product_id":"set-de-pinceaux-traditionnels-chinois-pour-calligraphie","title":"Traditional calligraphy brush set","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eTraditional Chinese brush set – calligraphy, wash, and ink painting\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis set of traditional Chinese brushes is designed for calligraphy, ink painting, wash techniques, and regular practice of brushstrokes.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe various brushes offer different responses in hand: soft bristles, firmer bristles, or mixed bristles depending on the model, allowing for exploration of thick lines, fine lines, long lines, and pressure variations.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe set includes a brush roll, useful for storing tools, transporting them, and allowing them to dry more properly after rinsing.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    This set allows you to compare several stroke sensations on absorbent paper: water load, pigment retention, tip flexibility, fiber return, and line stability.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Softer brushes are ideal for washes, broad gestures, and fluid variations. Firmer brushes provide more control for structured characters, crisp lines, and strong strokes.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The result depends on the paper, dilution, the amount of water in the fiber, and the pressure applied. On highly absorbent Xuan paper, the stroke spreads quickly; on semi-treated paper, it remains more legible and controlled.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCHARACTERISTICS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eHandles:\u003c\/strong\u003e wood\u003cbr\u003e\n    \u003cstrong\u003eBristles:\u003c\/strong\u003e soft, firm, and mixed depending on the brush\u003cbr\u003e\n    \u003cstrong\u003eDimensions:\u003c\/strong\u003e approximately 300 × 120 × 40 mm\u003cbr\u003e\n    \u003cstrong\u003eCompatibility:\u003c\/strong\u003e ink prepared on stone, liquid ink, watercolor washes, water-based pigments\u003cbr\u003e\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Before first use, gently dampen the bristles with clean water to soften the fiber and prepare the tip.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Load the brush gradually. For a sharper line, remove excess water or color on the edge of the inkstone, dish, or palette before drawing.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    After use, rinse the bristles thoroughly with clean water until all color is gone. Do not twist the tip: gently reshape it with your fingers.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Allow brushes to air dry before storing them in the brush roll. Storing them too quickly while the bristles are still damp can deform the fiber or trap moisture.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eTO PAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare ink by hand, this set can be paired with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/baton-d-encre-solide\"\u003esolid ink stick\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/baton-d-encre-traditionnelle-mosong\"\u003etraditional Mosong ink stick\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-7-5-cm-initiation\"\u003e7.5 cm inkstone\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To observe stroke diffusion, you can use it with \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper\u003c\/a\u003e, \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-semi-mur\"\u003esemi-ripe Xuan paper\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/rouleau-d-atelier-papier-vegetal-semi-traite\"\u003esemi-treated vegetable paper roll\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To work with color using brushes, it can complement the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-peintures-traditionnelles-chinoises-gouache-a-l-eau\"\u003etraditional Chinese watercolor paint set\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/palette-en-ceramique-compartimentee\"\u003ecompartmented ceramic palette\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To rest your brushes during a session, you can check out the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique\"\u003ejade-effect ceramic brush rest\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique-1\"\u003eBlue Dragon brush rest\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Rinse thoroughly after use, then let the brushes dry before closing them in the brush roll. To better feel the differences between the tips, test each brush with the same dilution on the same paper.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56248014831948,"sku":"CJJT153529102BY","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Pour_calligraphie.png?v=1778179267"},{"product_id":"papier-xuan-rouleau","title":"Xuan paper roll","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eXuan Paper Roll – Calligraphy, Ink Writing, and Long Compositions\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis Xuan paper roll is ideal for practicing calligraphy, traditional writing, and ink painting on a continuous format of 240 × 2000 mm.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe roll format supports long compositions, character series, repeated exercises, and strokes that require more space than a pre-cut sheet.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nDepending on the chosen finish, the fibers react differently to water and ink: more moderate absorption to maintain control of the stroke, or a smoother surface for a sharper rendering.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The roll of Xuan paper allows for uninterrupted work: unroll the necessary length, prepare the composition, repeat a character, or create a longer line of writing.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    It is suitable for ink practices: calligraphy, brush writing, Chinese painting, washes, dilution tests, and vertical or horizontal compositions.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The rendering depends on the finish, the amount of water, the brush load, the speed of the stroke, and the density of the prepared ink.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eFormat:\u003c\/strong\u003e roll\u003cbr\u003e\n    \u003cstrong\u003eDimensions:\u003c\/strong\u003e 240 × 2000 mm\u003cbr\u003e\n    \u003cstrong\u003eAvailable finishes:\u003c\/strong\u003e semi-processed or mica-treated\u003cbr\u003e\n    \u003cstrong\u003eFunction:\u003c\/strong\u003e work on a continuous length, test absorption, compose and repeat strokes\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCHOOSING THE FINISH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The semi-processed finish offers moderate absorption. It allows for better control of the stroke while still allowing the ink to penetrate the fibers.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    It is suitable for regular exercises, first attempts on a roll, repeated characters, and strokes that require a balance between diffusion and legibility.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The mica-treated finish offers a smoother surface, with a sharper and slightly luminous rendering. It further limits diffusion and is better suited for structured lines.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    For a very free and diffuse stroke, choose a more absorbent paper. For more stable writing, the treated finish will be easier to control.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; STORAGE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Unroll only the necessary length, then stabilize the ends with a light weight or a soft clip to prevent the paper from re-rolling during work.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Test absorption on a scrap piece before starting a long composition. Adjust the ink dilution according to the chosen finish and the desired level of diffusion.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Allow to dry completely before rolling, cutting, or moving the paper. Wet ink can transfer, mark, or stick to adjacent areas.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Store the roll in a dry place, away from humidity, dust, and direct light. Handle with clean hands to avoid marks on the surface.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare ink by hand, this roll can be paired with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-batons-d-encre\"\u003eink stick set\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-7-5-cm-initiation\"\u003e7.5 cm ink stone for beginners\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-naturelle\"\u003enatural ink stone with lid\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To work on thick, thin lines and charge variations, you can use it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-traditionnel-de-calligraphie\"\u003ebamboo calligraphy brush\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-de-calligraphie-poils-naturels\"\u003etraditional rabbit hair brush\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-5-pinceaux-calligraphie\"\u003eset of 5 Chinese calligraphy brushes\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For practice on pre-cut sheets, you can also consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-semi-mur\"\u003esemi-ripe Xuan paper\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To understand how to combine paper, brush, stone, and solid ink, you can consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/pages\/batons-et-pierres-a-encre-papiers-pinceaux-plumes-lavis\"\u003eIkane guide on ink sticks, stones, papers, brushes, and washes\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Test absorption on a scrap piece before starting a long composition. Ink that is too diluted will spread faster; denser ink will produce a darker, sharper, and more legible stroke.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"semi-treated","offer_id":56248364728652,"sku":"CJYD188166701AZ","price":26.0,"currency_code":"EUR","in_stock":true},{"title":"treated with mica","offer_id":56248364761420,"sku":"CJYD188166702BY","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Rouleau_papier.png?v=1778179262"},{"product_id":"set-de-7-stylos-de-calligraphie-a-plume-plate","title":"Set of 7 flat nib calligraphy pens – for lettering and structured lines","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eSet of 7 flat-nib calligraphy pens – lettering, titles, and Latin letters\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis set of 7 flat-nib pens is ideal for practicing Latin calligraphy, lettering, handwritten titles, and varying stroke widths in letter construction.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe seven widths allow you to transition from a fine letter to a large-format title without changing tools. The flat nib produces broad or narrow strokes depending on its orientation on the paper.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe variation does not come from applying more pressure: it primarily relies on the pen's holding angle, the direction of the stroke, and the chosen nib width.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    A flat nib has a straight writing edge. When held at a stable angle, it naturally creates an alternation between broad and finer strokes.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Smaller widths are suitable for compact alphabets, preparatory exercises, calligraphic annotations, and details. Wider nibs allow for the construction of titles, initials, and compositions where the form of each letter remains clearly visible.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To maintain a clean line, use relatively smooth and low-absorbency paper. Paper that is too fibrous or very porous can cause ink to spread and reduce the sharpness of angles.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eContent:\u003c\/strong\u003e 7 pens\u003cbr\u003e\n    \u003cstrong\u003eNib shape:\u003c\/strong\u003e flat\u003cbr\u003e\n    \u003cstrong\u003eWidths:\u003c\/strong\u003e 2 mm, 3 mm, 4 mm, 5 mm, 7 mm, 9 mm, and 11 mm\u003cbr\u003e\n    \u003cstrong\u003eNib material:\u003c\/strong\u003e stainless steel\u003cbr\u003e\n    \u003cstrong\u003eBody:\u003c\/strong\u003e plastic and metal\u003cbr\u003e\n    \u003cstrong\u003eFunction:\u003c\/strong\u003e to produce thicks, thins, and width variations by the nib's angle\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCHOOSING NIB WIDTH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    2 and 3 mm nibs are suitable for small alphabets, regularity exercises, calligraphic annotations, and details.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    4 and 5 mm nibs provide a good starting point for understanding nib orientation. They make contrasts visible without requiring a very large medium.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    7, 9, and 11 mm nibs produce wider strokes, suitable for titles, initials, handwritten posters, and large-format composition exercises.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSAGE \u0026amp; MAINTENANCE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Choose a nib width, then maintain the same angle throughout the line. The stability of the angle creates the regularity of thick and thin strokes.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Start with straight strokes, simple curves, and series of lines before forming complete letters. This helps to understand how the nib reacts depending on the direction of the stroke.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Avoid pressing hard: excessive pressure can disrupt ink flow, catch the paper, or prematurely wear out the tip. The stroke width comes from the nib, not from force.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Close the pens after use to limit ink drying. Gently clean the nib if a deposit appears on the writing edge.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eTO PAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For sharper outlines, this set can be tested on \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003eartisanal Xuan paper\u003c\/a\u003e \n    with a treated finish, which is less absorbent than untreated versions.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For working on a long format, repeating alphabets, or composing wider titles, you can also consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/rouleau-d-atelier-papier-vegetal-semi-traite\"\u003eroll of semi-treated vegetable paper\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To alternate between pen calligraphy and dip pen writing, it can accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-plume-a-tremper?variant=57586636489036\"\u003edip pen set\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-d-ecriture-a-l-encre-plume-en-verre-et-porte-plume?variant=57506188034380\"\u003eink writing set with glass pen\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To find tools related to handwriting, pens, and lettering, you can consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/ecriture\"\u003eWriting\u003c\/a\u003e \n    selection.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Choose a single width and fill a page only with straight strokes before forming letters. When the angle becomes regular, thicks and thins appear naturally, without increasing pressure.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56322298609996,"sku":"CJJSBGBG00785-A","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/stylo_de_calligraphie.png?v=1781657204"},{"product_id":"coffret-batons-d-encre","title":"Inkstick grinding set — calligraphy and ink wash painting","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eInkstick set for grinding – calligraphy, wash painting, and ink painting\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis inkstick set allows you to hand-prepare the ink used in calligraphy, wash painting, and ink painting.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nEach inkstick is prepared with a few drops of water on an inkstone. Grinding gradually releases the material, allowing you to prepare only the quantity needed for the session.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe density is adjusted directly during preparation: prolonged grinding produces a more concentrated ink, while gradual dilution allows for transparent passages and various wash intensities.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 10px;\"\u003e\n  \u003ca href=\"https:\/\/ikaneworld.com\/pages\/batons-et-pierres-a-encre-papiers-pinceaux-plumes-lavis\" style=\"color: #1A1B41; font-weight: 700; text-decoration: underline; text-decoration-thickness: 1px; text-underline-offset: 3px;\"\u003e\n    Read the Ikane guide on inksticks, inkstones, papers, brushes, and washes\n  \u003c\/a\u003e\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Inksticks are slowly rubbed on the moistened surface of an inkstone. The friction gradually releases the pigments and forms a liquid preparation usable with a brush.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The amount of water, grinding time, and pressure applied determine the ink's behavior. A dense preparation is suitable for strong lines and dark areas. A more diluted preparation allows for building nuances through successive washes.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The decorations on the inksticks do not affect grinding or the ink's behavior on paper. The result primarily depends on the preparation, brush, and support used.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCHARACTERISTICS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eType:\u003c\/strong\u003e Solid ink to grind\u003cbr\u003e\n    \u003cstrong\u003ePractices:\u003c\/strong\u003e Calligraphy, wash painting, ink painting, brush drawing\u003cbr\u003e\n    \u003cstrong\u003eTools needed:\u003c\/strong\u003e Inkstone, water, brush, and suitable paper\u003cbr\u003e\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePREPARATION \u0026amp; MAINTENANCE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Place a few drops of water on the inkstone, then slowly rub the stick without pressing hard. The movement should remain steady to gradually release the material.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Test the ink on a scrap of the same paper before starting to draw. If the black is too pale, continue grinding in short increments. If the ink clogs or becomes too thick, add one or two drops of water, mix, then test again.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To work with multiple values, first prepare a dense ink, then take a small amount into a separate cup to gradually dilute it.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    After the session, wipe the wet side of the inkstick and let it dry before storing. Rinse the inkstone with clear water, without detergent, then dry it with a clean cloth.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eTO BE PAIRED WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To learn grinding, this set can be used with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-7-5-cm-initiation\"\u003e7.5 cm inkstone\u003c\/a\u003e, \n    compact and suitable for short preparations.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare a larger quantity or keep ink available during the session, you can pair it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-naturelle\"\u003enatural inkstone with lid\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To draw, vary pressure, and work with thick and thin strokes, it can be used with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/ensemble-de-3-pinceaux-de-calligraphie-chinoise-coffret-cadeau\"\u003eset of 3 Chinese calligraphy brushes\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-traditionnel-de-calligraphie\"\u003ebamboo calligraphy brush\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-5-pinceaux-calligraphie\"\u003eset of 5 Chinese calligraphy brushes\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To observe ink diffusion, you can pair it with \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper\u003c\/a\u003e, \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-semi-mur\"\u003esemi-ripe Xuan paper\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/rouleau-d-atelier-papier-vegetal-semi-traite\"\u003esemi-processed vegetal paper roll\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To understand how to combine inkstick, inkstone, brush, paper, and dilution, you can consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/pages\/batons-et-pierres-a-encre-papiers-pinceaux-plumes-lavis\"\u003eIkane guide on inksticks, inkstones, papers, brushes, and washes\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane workshop tip\u003c\/strong\u003e\u003cbr\u003e\n  Start with very little water and first prepare a dense ink. Then take a small amount into a separate cup to gradually build up the nuances, without diluting the entire preparation.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"5 Colors","offer_id":56323233415500,"sku":"CJJT134234401AZ","price":29.0,"currency_code":"EUR","in_stock":true},{"title":"Flowers and birds","offer_id":56323233448268,"sku":"CJJT134234403CX","price":29.0,"currency_code":"EUR","in_stock":true},{"title":"Goldfish","offer_id":56323233481036,"sku":"CJJT134234402BY","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Batons_d_encre.png?v=1781657118"},{"product_id":"porte-pinceaux-calligraphie-suspendu","title":"Calligraphy brush holder","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eHanging Calligraphy Brush Holder – upside-down drying and workshop storage\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis hanging brush holder allows calligraphy brushes to dry upside down after rinsing, letting water drain naturally from the fibers.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nAfter an ink session, a brush should not be left damp on a table. Water can stagnate in the bristles, rise towards the base, and gradually deform the tip.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nWith its black vertical structure, this stand can hang up to 6 brushes, keeping them accessible and helping to organize a calligraphy, ink, or wash space.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Calligraphy brushes should be rinsed with clear water after use until the ink disappears from the fibers. Once clean, hanging them to dry helps preserve the shape of the tip.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Hanging the brush upside down allows water to flow naturally downwards instead of remaining near the ferrule or the base of the bristles. This action limits stagnant moisture and helps the fibers regain their alignment.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    This type of stand is suitable for calligraphy, sumi-e, Chinese ink, wash, and soft brush painting brushes, provided they have a loop or tie for hanging.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eMaterial:\u003c\/strong\u003e molded resin\u003cbr\u003e\n    \u003cstrong\u003eColor:\u003c\/strong\u003e black\u003cbr\u003e\n    \u003cstrong\u003eDimensions:\u003c\/strong\u003e approximately 34 × 37 × 25 cm\u003cbr\u003e\n    \u003cstrong\u003eFunction:\u003c\/strong\u003e hang brushes upside down to facilitate water drainage after rinsing\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Rinse the brush with clear water until the ink disappears. Gently squeeze the bristles between your fingers or in a clean cloth to remove excess water, without twisting the tip.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Then hang the brush upside down, leaving the fibers free and uncompressed. Avoid the tips touching the tray, wall, or another tool during drying.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Place the brush holder on a stable, dry surface. Do not overload the structure beyond its stated capacity.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Clean the stand with a soft, slightly damp cloth if necessary, then dry before replacing the brushes.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To create a calligraphy space, this brush holder can accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-traditionnel-de-calligraphie\"\u003ebamboo calligraphy brush\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-de-calligraphie-poils-naturels\"\u003etraditional rabbit hair brush\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-5-pinceaux-calligraphie\"\u003eset of 5 Chinese calligraphy brushes\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare ink by hand, you can pair it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-7-5-cm-initiation\"\u003e7.5 cm ink stone for beginners\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-naturelle\"\u003enatural ink stone with lid\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/baton-d-encre-solide\"\u003e16 cm solid ink stick\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To work on a suitable surface, it can complement the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper made of vegetable fibers\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-semi-mur\"\u003esemi-ripe Xuan paper\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/rouleau-d-atelier-papier-vegetal-semi-traite\"\u003eroll of semi-treated vegetable paper\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To rest a brush between strokes, without waiting for it to dry completely, you can also check out the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique\"\u003ejade-effect ceramic brush rest\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique-1\"\u003eBlue Dragon ceramic brush rest\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Rinse the brush until the water is clear, remove excess without twisting the bristles, then hang it upside down. This simple drying method helps the tip maintain its shape and extends the life of the brush.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56323374154060,"sku":"CJJT168656401AZ","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Porte-pinceaux_de_Calligraphie_Ikane_2.png?v=1773439182"},{"product_id":"papier-xuan-artisanal-en-fibres-vegetales","title":"Handmade Xuan paper made from plant fibers","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eHandmade Xuan Paper – untreated, semi-treated or treated for ink and calligraphy\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis handmade Xuan paper is designed for calligraphy, ink painting, wash painting, and brush drawing.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nMade from plant fibers derived from advertised bamboo pulp, it reacts directly to the amount of water, ink load, and brush pressure.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nDepending on the chosen finish, the ink can diffuse quickly into the fiber, remain more stable on the surface, or find a balance between absorption and line readability.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Xuan paper is a medium very sensitive to water, ink, and brush rhythm. It allows for immediate observation of variations in pressure, speed, dilution, and load.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Untreated Xuan is very absorbent: the ink quickly enters the fiber, with vivid diffusion and more open edges. It is suitable for expressive gestures, free washes, and diffusion effects.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Semi-treated Xuan offers moderate absorption. It maintains a balance between diffusion and precision, useful for learning, regular exercises, and strokes that require flexibility and readability.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Treated Xuan is less absorbent: the ink remains more on the surface, allowing for a sharper line, more direct control, and more controlled edges.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eMaterial:\u003c\/strong\u003e plant fibers from advertised bamboo pulp\u003cbr\u003e\n    \u003cstrong\u003eAvailable finishes:\u003c\/strong\u003e untreated Xuan, semi-treated Xuan, treated Xuan\u003cbr\u003e\n    \u003cstrong\u003eFormat:\u003c\/strong\u003e 34 × 46 cm\u003cbr\u003e\n    \u003cstrong\u003eQuantity:\u003c\/strong\u003e approximately 100 sheets\u003cbr\u003e\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCHOOSING YOUR XUAN PAPER\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For beginners or regular practice, semi-treated Xuan is often the easiest to get used to. It allows the ink to live in the fiber without losing line readability too quickly.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Untreated Xuan is more suitable for creators who are looking for freer diffusion, more open edges, and a very sensitive response to water.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Treated Xuan will be more suitable for clean strokes, precise lines, controlled edges, and gestures that require more restraint.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; STORAGE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Test a sheet before a final work, especially if you change ink, brush, or dilution. The same gesture can produce very different diffusion depending on the paper's finish.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To limit warping, work with a progressive water load and stabilize the sheet if necessary with a light weight or a clean support.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Allow to dry flat before moving, stacking, or storing the sheets. Still-wet ink can transfer to adjacent sheets.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Store the paper dry, away from humidity, dust, and direct light. Handle with clean hands to avoid marks on areas intended for ink.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare ink by hand, this paper can be paired with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-7-5-cm-initiation\"\u003e7.5 cm inkstone\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-naturelle\"\u003enatural inkstone with lid\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/baton-d-encre-solide\"\u003e16 cm solid ink stick\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To work on strokes, thick and thin lines, you can pair it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-traditionnel-de-calligraphie\"\u003ebamboo calligraphy brush\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-de-calligraphie-poils-naturels\"\u003etraditional rabbit hair brush\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-5-pinceaux-calligraphie\"\u003eset of 5 Chinese calligraphy brushes\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To rest brushes between passes and keep the workspace clean, you can complete with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique\"\u003ejade effect ceramic brush rest\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique-1\"\u003eblue dragon ceramic brush rest\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/support-pour-pinceaux-noir\"\u003eblack workshop brush holder\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    For long practice without the constraint of pre-cut sheets, you can also consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/rouleau-d-atelier-papier-vegetal-semi-traite\"\u003esemi-treated vegetable paper roll\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/calligraphie\"\u003eCalligraphy\u003c\/a\u003e selection.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Start with semi-treated Xuan to observe the ink's reaction without losing control of the stroke too quickly. Then move on to untreated Xuan to explore diffusion, or treated Xuan to seek a sharper line.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"untreated","offer_id":56518281232716,"sku":"CJJT153524502BY","price":30.0,"currency_code":"EUR","in_stock":true},{"title":"semi-processed Xuan","offer_id":56518281199948,"sku":"CJJT153524501AZ","price":32.0,"currency_code":"EUR","in_stock":true},{"title":"treaty","offer_id":56518281167180,"sku":"CJJT153524503CX","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Papier_calligraphie_bab236f8-25b8-4089-b7ed-243719b3ec07.png?v=1773445867"},{"product_id":"rouleau-d-atelier-papier-vegetal-semi-traite","title":"Semi-processed plant paper roll – hemp or Xuan","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eSemi-treated vegetable paper roll – hemp or Xuan for ink and calligraphy\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis semi-treated vegetable paper roll allows you to practice ink painting, calligraphy, wash painting, and brush drawing on a long, continuous, and format-free surface.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nWith its 40 cm width and 100 meters length, it supports stroke repetitions, pressure tests, dilution research, and compositions that require more space than a pre-cut sheet.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIts semi-treated nature offers a balance between absorption and control: the ink enters the fiber without spreading too quickly, allowing for a legible line while observing the effects of water, brush, and gesture.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The roll format allows you to unroll only the necessary length, then cut or keep the strip depending on its use. It is suitable for long practice sessions, series of gestures, horizontal compositions, or repeated tests.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Two semi-treated variants are offered. Semi-treated hemp offers a denser and more resistant surface, suitable for firm strokes, long repetitions, and tracing tests.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Semi-treated Xuan offers a more flexible surface, with smoother diffusion, designed for ink nuances, washes, load variations, and more airy strokes.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eDimensions:\u003c\/strong\u003e 40 cm × 100 m\u003cbr\u003e\n    \u003cstrong\u003eFormat:\u003c\/strong\u003e roll\u003cbr\u003e\n    \u003cstrong\u003eAbsorption:\u003c\/strong\u003e intermediate, with more controlled diffusion than untreated paper\u003cbr\u003e\n    \u003cstrong\u003eFunction:\u003c\/strong\u003e repeat, test, unroll, cut, and adapt the length to the work in progress\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; STORAGE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Unroll only the necessary length, then stabilize the ends with a light weight, a gentle clip, or a clean support to prevent the paper from re-rolling during work.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Test the paper's reaction with your ink before final work. Very diluted ink, a heavily loaded brush, or a slow stroke will produce more pronounced diffusion than a quick, less wet stroke.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Choose semi-treated hemp for a more resistant support and semi-treated Xuan for a more fluid, nuanced, and sensitive practice to water variations.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Store the roll in a dry place, away from humidity, dust, and direct light. Handle with clean hands to avoid marks on areas intended for ink.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCOMPOSE YOUR INK SPACE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare ink by hand, this roll can be combined with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-7-5-cm-initiation\"\u003e7.5 cm ink stone\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-naturelle\"\u003enatural ink stone with lid\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/baton-d-encre-solide\"\u003e16 cm solid ink stick\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For line work, it can accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-traditionnel-de-calligraphie\"\u003ebamboo calligraphy brush\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-de-calligraphie-poils-naturels\"\u003etraditional rabbit hair brush\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-5-pinceaux-calligraphie\"\u003eset of 5 Chinese calligraphy brushes\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To rest brushes between passes and keep the space clean, you can complement with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique\"\u003ejade effect ceramic brush rest\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceau-en-ceramique-1\"\u003eblue Dragon ceramic brush rest\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/support-pour-pinceaux-noir\"\u003eblack studio brush holder\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    For practice on pre-cut sheets, you can also consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-semi-mur\"\u003esemi-ripe Xuan paper\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Studio Tip\u003c\/strong\u003e\u003cbr\u003e\n  Unroll only the necessary length, then stabilize the ends before preparing the ink. Semi-treated hemp better supports firm strokes; semi-treated Xuan allows for more nuanced breathing.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Semi-treated hemp","offer_id":56524708086092,"sku":"CJYD2708355121QJ","price":76.0,"currency_code":"EUR","in_stock":true},{"title":"semi-processed Xuan","offer_id":56524708118860,"sku":"CJYD270835509IR","price":66.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Rouleau_papier_chanvre.jpg?v=1778219202"},{"product_id":"pierre-a-encre-7-5-cm-initiation","title":"Inkstone 7.5 cm — Beginner","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003e7.5 cm Inkstone – Grinding Surface for Calligraphy and Sumi-e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis 7.5 cm round inkstone allows you to grind an ink stick with a few drops of water, to prepare liquid ink for calligraphy, sumi-e, or brush drawing.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIts compact size is suitable for beginners, small workshop tables, and regular practices that do not require a large grinding surface.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe ink concentration is adjusted manually: the longer the grinding, the denser the black becomes. With more water or a shorter grinding time, the ink remains lighter, useful for washes.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The inkstone is used to produce ink from a solid stick. It does not contain ink itself; it provides the grinding surface needed to gradually mix water and the pigmented material.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    This 3-inch size is suitable for beginners, density tests, calligraphy exercises, and small quantities of ink prepared on demand.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The final result depends on the ink stick, the amount of water, the grinding time, the brush, and the paper used.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCHARACTERISTICS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eDiameter:\u003c\/strong\u003e 7.5 cm, or 3 inches\u003cbr\u003e\n    \u003cstrong\u003eMaterial:\u003c\/strong\u003e Natural stone\u003cbr\u003e\n    \u003cstrong\u003eLevel:\u003c\/strong\u003e Beginner and regular practice\u003cbr\u003e\n    \u003cstrong\u003eUse:\u003c\/strong\u003e Grinding ink stick, calligraphy, sumi-e, washes, ink drawing\u003cbr\u003e\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Place a few drops of clear water on the stone, then rub the ink stick in regular circular motions. There's no need to press hard: the grinding should remain slow and controlled.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For lighter ink, add a little more water or reduce the grinding time. For a deeper black, prolong the motion until a denser ink is obtained.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    After use, rinse the stone with clear water, without aggressive products, then let it dry naturally before storing.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCOMPOSE YOUR INK KIT\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare ink, this stone can be paired with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/baton-d-encre-solide\"\u003e16 cm solid ink stick\u003c\/a\u003e, \n    suitable for manual grinding and varying ink concentrations.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For line work, it can accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-traditionnel-de-calligraphie\"\u003ebamboo calligraphy brush\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-de-calligraphie-poils-naturels\"\u003etraditional rabbit hair brush\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-5-pinceaux-calligraphie\"\u003eset of 5 Chinese calligraphy brushes\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For balanced ink diffusion, you can use it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-semi-mur\"\u003esemi-ripe Xuan paper\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    For a larger surface or a pre-composed set, you can also check out the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-naturelle\"\u003enatural inkstone with lid\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-baton-initiation\"\u003einkstone and beginner's stick set\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane workshop tip\u003c\/strong\u003e\u003cbr\u003e\n  Do not force it. Let the weight of the stick do the work and maintain a regular circular motion. The quality of the black depends on time, water, and the consistency of the movement.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56736912900428,"sku":"CJJT134595001AZ","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Pierreaencre_cec4627e-be59-4ac6-a96c-cbd044f79d8b.png?v=1778603786"},{"product_id":"repose-pinceaux-en-ceramique","title":"Ceramic brush rest","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eJade Effect Ceramic Brush Rest – 6 Ridges for Calligraphy and Watercolor\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis glazed ceramic brush rest allows you to place several brushes horizontally between uses, preventing them from rolling off your studio table.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIts six-ridge design keeps tools slightly elevated. This helps preserve brush tips, limit ink or water stains, and keep your workspace cleaner.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe jade effect finish provides a soft, mineral presence, suitable for calligraphy, sumi-e, watercolor, ink, or wash practices.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The brush rest is used to lay down a brush loaded with water, ink, or color without crushing the tip or directly soiling the table. It allows for better handling of the tool between strokes.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The six ridges allow for separating several brushes: a wash brush, a fine brush, an ink brush, or a brush that has already been rinsed. This separation prevents direct contact between wet tips.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Glazed ceramic is easily cleaned with clear water. The nuances of the jade effect finish, reflections, and surface details may vary slightly from piece to piece.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCHARACTERISTICS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eShape:\u003c\/strong\u003e 6 ridges\u003cbr\u003e\n    \u003cstrong\u003eMaterial:\u003c\/strong\u003e glazed ceramic\u003cbr\u003e\n    \u003cstrong\u003eFinish:\u003c\/strong\u003e jade effect\u003cbr\u003e\n    \u003cstrong\u003eFunction:\u003c\/strong\u003e to hold several brushes horizontally, separate tips, and protect the table\u003cbr\u003e\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Place brushes horizontally, resting each handle or tip on a separate ridge. Avoid letting the tips touch when loaded with water, ink, or pigment.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Do not leave a brush soaking tip-down: this can deform the bristles and weaken the ferrule. After rinsing, place the brush horizontally before drying.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Clean the brush rest with clear water after use, especially after dark ink or pigments. Dry thoroughly before storing.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For calligraphy and ink, this brush rest can accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-traditionnel-de-calligraphie\"\u003ebamboo calligraphy brush\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-de-calligraphie-poils-naturels\"\u003etraditional rabbit hair brush\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-5-pinceaux-calligraphie\"\u003eset of 5 Chinese calligraphy brushes\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare traditional ink, you can pair it with \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-batons-d-encre\"\u003eink sticks\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-naturelle\"\u003enatural ink stone\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-baton-initiation\"\u003ebeginner's ink stone and stick set\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For watercolor and washes, it can be used with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-pochette-de-pinceaux-aquarelle-artsecret\"\u003eArtSecret watercolor brush set\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-pinceaux-plats-en-bambou-lavis-aplats-et-fonds-aquarelles\"\u003ebamboo flat brush set\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/palette-en-ceramique-compartimentee\"\u003ecompartmented ceramic palette\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To compare with other studio supports, you can also check out the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique-1\"\u003eBlue Dragon ceramic brush rest\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/support-pour-pinceaux-noir\"\u003eblack studio brush holder\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Studio Tip\u003c\/strong\u003e\u003cbr\u003e\n  Always lay brushes horizontally between uses. This protects the tip, keeps the table cleaner, and prevents water or ink from accumulating in the ferrule.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56737241956684,"sku":"CJJJJTJT51464-Qizhibishan","price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Porte_pinceaux_en_celadon.png?v=1778147371"},{"product_id":"pierre-a-encre-baton-initiation","title":"Inkstone and Inkstick — Introduction","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eInkstone and Inkstick – Starter Set for Calligraphy and Sumi-e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis starter set brings together a natural black inkstone and a matching inkstick for traditional ink preparation through manual grinding.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe slightly concave surface of the stone allows for smooth circular motion. By adding a few drops of water and then rubbing the stick against the stone, the ink gradually forms.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIts compact size is suitable for initial practices in calligraphy, sumi-e, ink drawing, or washes. It allows you to prepare a small amount of ink on demand, without setting up bulky equipment.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    This set is designed for beginners to start under good conditions or to establish a regular ink practice. The stone is used to grind the stick, while water allows you to adjust the resulting density.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The longer the grinding, the denser, blacker, and deeper the ink becomes. Shorter grinding, with more water, produces lighter ink, suitable for washes or dilution exercises.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The compact size is suitable for practice at home, on a desk, or in a studio. The nuances of the stone, surface details, and finishes may vary slightly between pieces.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCHARACTERISTICS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eStone:\u003c\/strong\u003e natural black stone\u003cbr\u003e\n    \u003cstrong\u003eStone dimensions:\u003c\/strong\u003e approx. 6.5 × 12 × 1.6 cm\u003cbr\u003e\n    \u003cstrong\u003eInkstick included:\u003c\/strong\u003e approx. 2.3 × 9.3 × 1 cm\u003cbr\u003e\n    \u003cstrong\u003eContents:\u003c\/strong\u003e 1 inkstone + 1 inkstick\u003cbr\u003e\n    \u003cstrong\u003eCare:\u003c\/strong\u003e rinse with clear water and air dry\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Place a few drops of clear water on the stone, then rub the inkstick in slow, steady movements. Add water gradually to better control the concentration.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For light ink, reduce grinding time or dilute further. For a deeper black, extend grinding until a denser ink is obtained.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    After use, rinse the stone with clear water, without aggressive products, then let it dry naturally. Wipe the stick if it is wet before storing it in a dry place.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eBUILD YOUR INK KIT\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To work on strokes, this set can be combined with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-traditionnel-de-calligraphie\"\u003ebamboo calligraphy brush\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-de-calligraphie-poils-naturels\"\u003etraditional rabbit hair brush\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-5-pinceaux-calligraphie\"\u003eset of 5 Chinese calligraphy brushes\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To receive ink with balanced diffusion, you can use it with \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-semi-mur\"\u003esemi-ripe Xuan paper\u003c\/a\u003e \n    or \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To rest the brush between strokes and keep the area clean, it can accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique-1\"\u003eblue Dragon ceramic brush rest\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/support-pour-pinceaux-noir\"\u003eblack studio brush holder\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    For a larger inkstone with an engraved lid, you can also check out the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-naturelle\"\u003enatural inkstone\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Studio Tip\u003c\/strong\u003e\u003cbr\u003e\n  Place only a few drops of water on the stone, then grind without excessive pressure. The quality of the black mainly depends on the time spent on the gesture, the amount of water, and the regularity of the movement.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56863179276620,"sku":"\u003cnone\u003e","price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Baton_encre.png?v=1778179356"},{"product_id":"baton-d-encre-solide","title":"Solid ink stick — 16 cm \/ 120 g","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003e16 cm Solid Ink Stick – Calligraphy, Sumi-e and Ink Drawing\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis solid ink stick is used to prepare liquid ink on a wet stone, for calligraphy, sumi-e, wash painting, and brush drawing.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIts 16 cm size offers a comfortable grip during grinding. The pigment is gradually released upon contact with water and the stone, allowing you to adjust the ink's density according to the preparation time.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nWeighing around 120 g, this dense format is suitable for regular practice. It allows you to prepare ink on demand, in small quantities for exercises or a deeper black for strong lines.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The ink stick is used with an ink stone and a few drops of clear water. Unlike already liquid ink, it allows you to prepare only the necessary quantity and control the depth of the black.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Lightly ground ink is suitable for washes, light strokes, and dilution exercises. Ink prepared for a longer time results in a denser black, useful for bold characters, deep lines, and stronger contrasts.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The result depends on the stone used, the amount of water, the paper, the brush, and the time spent grinding.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCHARACTERISTICS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eLength:\u003c\/strong\u003e 16 cm\u003cbr\u003e\n    \u003cstrong\u003eWidth:\u003c\/strong\u003e 3.5 cm\u003cbr\u003e\n    \u003cstrong\u003eThickness:\u003c\/strong\u003e 1.7 cm\u003cbr\u003e\n    \u003cstrong\u003eWeight:\u003c\/strong\u003e approx. 120 g\u003cbr\u003e\n    \u003cstrong\u003eUsage:\u003c\/strong\u003e calligraphy, sumi-e, wash painting, ink drawing, brush painting\u003cbr\u003e\n    \u003cstrong\u003ePreparation:\u003c\/strong\u003e grinding on a wet ink stone\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; MAINTENANCE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Place a few drops of clear water on the ink stone, then rub the stick slowly in circular or regular movements. Add water gradually rather than over-diluting from the start.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For a lighter ink, reduce grinding time or add a little water. For a deeper black, extend preparation until you get a denser, more opaque ink.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    After use, wipe the stick if it is damp, then let it dry before storing. Avoid storing it in a humid place to preserve its surface.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eASSEMBLE YOUR INK KIT\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare ink, this stick can be paired with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-naturelle\"\u003enatural ink stone with lid\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-baton-initiation\"\u003ebeginner's ink stone and stick set\u003c\/a\u003e, \n    depending on the desired working format.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For line work, it can accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-traditionnel-de-calligraphie\"\u003ebamboo calligraphy brush\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-de-calligraphie-poils-naturels\"\u003etraditional natural rabbit hair brush\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-5-pinceaux-calligraphie\"\u003eset of 5 Chinese calligraphy brushes\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To receive ink with balanced diffusion, you can use it with \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-semi-mur\"\u003esemi-ripe Xuan paper\u003c\/a\u003e \n    or \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To rest brushes between strokes and keep the table clean, you can complete the set with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique-1\"\u003eBlue Dragon ceramic brush rest\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/support-pour-pinceaux-noir\"\u003eblack studio brush holder\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Add only a few drops of water at first, then grind slowly. The longer the grinding time, the denser the black becomes. For washes, prepare a lighter ink, then adjust gradually.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56863235735884,"sku":"\u003cnone\u003e","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/grand_baton_encre.png?v=1778179270"},{"product_id":"pierre-a-encre-naturelle","title":"Inkstone with lid","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eNatural inkstone with lid for calligraphy and traditional ink\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis natural inkstone allows you to prepare liquid ink from a solid ink stick for calligraphy, sumi-e, wash painting, and brush drawing.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nA few drops of water are placed on the surface, then the ink stick is slowly rubbed against the stone. The pigment is gradually released, until an ink of varying density is obtained depending on the grinding time.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe natural stone offers a slightly textured surface to facilitate grinding. The reservoir allows the ink to be kept during the session, while the engraved lid protects the stone between uses.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The inkstone is one of the essential tools of traditional calligraphy. It is used to transform a dry ink stick into fresh ink, prepared according to the desired amount of water and density.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The longer the grinding, the more concentrated, dark, and deep the ink becomes. Shorter grinding produces lighter ink, useful for washes, line exercises, or diluted shades.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The lid engraved with a bamboo motif protects the stone surface from dust between sessions. The nuances of the stone, the engraving, and the finish may vary slightly from piece to piece.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eMaterial:\u003c\/strong\u003e natural stone\u003cbr\u003e\n    \u003cstrong\u003eLid:\u003c\/strong\u003e engraved\u003cbr\u003e\n    \u003cstrong\u003eSurface:\u003c\/strong\u003e slightly textured grinding area\u003cbr\u003e\n    \u003cstrong\u003eDimensions:\u003c\/strong\u003e approximately 13.5 × 7.5 × 2.5 cm\u003cbr\u003e\n    \u003cstrong\u003eCompatibility:\u003c\/strong\u003e traditional ink sticks, calligraphy brushes, papers suitable for ink techniques\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Place a few drops of water on the grinding surface, then rub the ink stick in slow, steady movements. Adding very little water initially allows for better control of the ink's density.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For light ink, stop grinding earlier or add a little water. For blacker, denser ink, continue grinding until a more concentrated texture is obtained.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    After use, gently rinse the stone with clean water, without harsh products. Wipe with a soft cloth and let it dry completely before replacing the lid.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCOMPOSE YOUR INK KIT\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare ink directly on the stone, you can combine it with \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-batons-d-encre\"\u003etraditional ink sticks\u003c\/a\u003e, \n    to be ground with a few drops of water according to the desired density.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For working on lines, calligraphy, and sumi-e, it can accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-traditionnel-de-calligraphie\"\u003ebamboo calligraphy brush\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-de-calligraphie-poils-naturels\"\u003etraditional rabbit hair brush\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-5-pinceaux-calligraphie\"\u003eset of 5 Chinese calligraphy brushes\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To receive ink with controlled diffusion, you can use \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-semi-mur\"\u003esemi-ripe Xuan paper\u003c\/a\u003e \n    or \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To rest brushes between strokes and keep the table clean, you can complete the set with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique-1\"\u003eBlue Dragon ceramic brush rest\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/support-pour-pinceaux-noir\"\u003eblack workshop brush holder\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Add only a few drops of water, then slowly grind the ink stick. The longer the motion, the denser, deeper, and more suitable the ink becomes for distinct lines.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56972284363084,"sku":"14:175#Big size","price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Pierre_encre_naturelle_avec_couvercle.png?v=1773446336"},{"product_id":"coffret-5-pinceaux-calligraphie","title":"Calligraphy brush set","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eSet of 5 Chinese Calligraphy Brushes – Weasel Hair and Wooden Box\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis set includes 5 brushes of different sizes for practicing Chinese calligraphy, ink drawing, sumi-e, and washes.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nWeasel hairs offer a balance between flexibility and firmness. They hold ink, regain their point more easily, and allow for better control of line variations.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nEach size is suitable for a different use: fine lines, larger characters, washes, details, or more expressive strokes. The wooden box protects the brushes between sessions and makes storage easier in the studio.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    This set allows you to work with various stroke widths without using a single brush for all situations. A small size helps to define details; a larger brush allows for more ink loading and wider strokes.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Weasel hairs are prized in calligraphy for their responsiveness: they maintain some flexibility while offering a firmer point return than very soft hair.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    This product contains natural animal hair. It is not suitable for those seeking a vegan or entirely synthetic alternative.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCHARACTERISTICS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eContents:\u003c\/strong\u003e 5 brushes of different sizes\u003cbr\u003e\n    \u003cstrong\u003eHair:\u003c\/strong\u003e weasel\u003cbr\u003e\n    \u003cstrong\u003eStorage:\u003c\/strong\u003e wooden box\u003cbr\u003e\n    \u003cstrong\u003eBox dimensions:\u003c\/strong\u003e approximately 37 × 14 cm\u003cbr\u003e\n    \u003cstrong\u003eCompatibility:\u003c\/strong\u003e liquid ink, ink sticks, Xuan paper and media suitable for ink techniques\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Before first use, gently moisten the tip with clear water to soften the bristles and dissolve the protective gum used during transport.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Choose the brush according to the size of the character, the desired amount of ink, and the amplitude of the stroke. A brush that is too small will saturate quickly; a brush that is too large can make details harder to control.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    After use, rinse with clear water until the water is clean, gently reshape the tip with your fingers, then let dry suspended, head down or flat. Avoid letting ink dry in the bristles.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eASSEMBLE YOUR INK KIT\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare traditional ink, this set can be combined with \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-batons-d-encre\"\u003eink sticks\u003c\/a\u003e \n    and the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-7-5-cm-initiation\"\u003e7.5 cm inkstone\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For calligraphy, washes, and sumi-e, it can be used with \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-semi-mur\"\u003esemi-ripe Xuan paper\u003c\/a\u003e \n    or \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To rest brushes between strokes and protect wet tips, you can use the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique-1\"\u003eblue dragon ceramic brush rest\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/support-pour-pinceaux-noir\"\u003eblack studio brush holder\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To compare with other brush tip behaviors, you can also discover the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-traditionnel-de-calligraphie\"\u003ebamboo calligraphy brush\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-de-calligraphie-poils-naturels\"\u003etraditional rabbit hair brush\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Studio Tip\u003c\/strong\u003e\u003cbr\u003e\n  Using a different brush depending on the size of the characters or the desired amount of ink helps to maintain a beautiful point for longer. The stroke gains precision when the tool is not forced beyond its natural size.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":56972426838348,"sku":"\u003cnone\u003e","price":61.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Coffret_pinceaux_de_calligraphie.png?v=1778179148"},{"product_id":"papier-xuan-semi-mur","title":"Semi-ripe Xuan paper - 10 sheets","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eSemi-Sized Xuan Paper – 10 sheets for calligraphy, ink, and wash painting\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis semi-sized Xuan paper is designed for calligraphy, ink painting, wash painting, and stroke practice on a surface more sensitive than standard paper.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe semi-sized version offers a balance between absorption and control: ink diffuses into the fibers, but the stroke remains more legible than on highly absorbent Xuan paper.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe pack includes 10 sheets, to be used whole or cut to the desired size. It is suitable for regular practice as well as more elaborate compositions, when you want to observe the density, \"breath,\" and variations of the ink.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Xuan paper is valued in ink practices for its ability to receive the stroke without completely fixing it. It reveals variations in pressure, dilution, and brush speed.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Semi-sized paper is more controllable than very raw or very absorbent paper. It allows for some diffusion while limiting overly fast bleeds, especially for calligraphy, outlines, and moderate washes.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The result depends on the amount of water, the ink used, the brush, and the contact time with the paper. It is advisable to do some tests before a final composition.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eQuantity:\u003c\/strong\u003e 10 sheets\u003cbr\u003e\n    \u003cstrong\u003eUsage:\u003c\/strong\u003e calligraphy, ink painting, washes, sumi-e, stroke exercises\u003cbr\u003e\n    \u003cstrong\u003eProperty:\u003c\/strong\u003e balanced absorption, controlled ink diffusion\u003cbr\u003e\n    \u003cstrong\u003eCut:\u003c\/strong\u003e sheets can be recut as needed\u003cbr\u003e\n    \u003cstrong\u003eColor:\u003c\/strong\u003e natural tone, varies by paper\u003cbr\u003e\n    \u003cstrong\u003eCompatibility:\u003c\/strong\u003e calligraphy brushes, liquid ink, ink sticks, colored washes\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Start with a light water and ink load to observe the paper's reaction. Then gradually increase the dilution to test washes, gradients, and more diffuse areas.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For calligraphy, use a lightly saturated brush at first to maintain a legible stroke. For washes, work in thin layers and allow the paper to absorb before overlaying a new area.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Store sheets flat, away from moisture and creases. Handle with clean hands to avoid greasy marks, which can alter ink absorption.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCOMPOSE YOUR INK KIT\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For stroke work, this paper can be paired with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-traditionnel-de-calligraphie\"\u003ebamboo calligraphy brush\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-de-calligraphie-poils-naturels\"\u003etraditional rabbit hair brush\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare traditional ink, it can accompany \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-batons-d-encre\"\u003eink sticks\u003c\/a\u003e \n    and the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-7-5-cm-initiation\"\u003e7.5 cm inkstone for beginners\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To rest brushes between passes and keep your table clean, you can also use the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique-1\"\u003eBlue Dragon ceramic brush rest\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/support-pour-pinceaux-noir\"\u003eblack workshop brush holder\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To find papers, brushes, inks, and accessories related to stroke work, you can consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/calligraphie\"\u003eInk \u0026amp; Calligraphy\u003c\/a\u003e \n    collection.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Semi-sized paper is a good starting point for understanding how ink reacts without completely losing control of the stroke. Starting with little water, then gradually increasing the brush load, helps to understand how the paper spreads or retains the material.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"34x69cm","offer_id":56972595102028,"sku":"14:365462#34x69cm","price":24.0,"currency_code":"EUR","in_stock":true},{"title":"34x138cm","offer_id":56972595134796,"sku":"14:200025551#34x138cm","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/plusieurs_feuilles_de_Papier_Xuan_semi_mur.jpg?v=1778216654"},{"product_id":"pinceau-traditionnel-de-calligraphie","title":"Chinese bamboo calligraphy brush","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eBamboo Calligraphy Brush – Fine Tip for Ink, Sumi-e, and Line Work\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis bamboo calligraphy brush is designed for fine lines, thickness variations, ink writing, and practices that require a flexible yet precise tip.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIts lightweight handle naturally guides the hand, while the tapered tip allows for detail work, slow lines, pressure changes, and fluid movements.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIt is suitable for traditional calligraphy, sumi-e, ink drawing, line exercises, and meditative painting practices, using either liquid ink or ink prepared from an ink stick.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    This brush is useful for achieving line precision without losing the flexibility inherent in calligraphy brushes. The tip reacts to pressure, wrist angle, and the amount of ink loaded.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    It allows you to transition from a fine line to a slightly wider line, depending on the pressure applied. This variation makes it suitable for characters, outlines, botanical details, ink lines, and control exercises.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The result depends on the paper used: a very absorbent paper will spread the ink more, while a less absorbent paper will maintain a sharper, more controlled line.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eHandle:\u003c\/strong\u003e bamboo\u003cbr\u003e\n    \u003cstrong\u003eTip:\u003c\/strong\u003e fine and flexible\u003cbr\u003e\n    \u003cstrong\u003eCompatibility:\u003c\/strong\u003e liquid ink and ink prepared from ink sticks\u003cbr\u003e\n    \u003cstrong\u003eFunction:\u003c\/strong\u003e drawing, writing, varying thickness, working on details and flexible lines\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Before first use, gently dampen the tip with clean water to soften it. Then load the brush with ink, without pressing the tip against the bottom of the container or inkstone.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To vary the line, work with angle, pressure, and speed. Light pressure allows for fine lines; more deliberate pressure opens the tip further, creating a wider stroke.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    After use, rinse with clean water until the water runs clear, gently reshape the tip with your fingers, then let it dry flat or hanging. Avoid letting ink dry in the tip.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCREATE YOUR OWN INK KIT\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For calligraphy, sumi-e, and washes, this brush can be paired with \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper\u003c\/a\u003e, \n    suitable for ink practices and variations in absorption.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To prepare traditional ink, it can accompany \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-batons-d-encre\"\u003eink sticks\u003c\/a\u003e \n    and the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-7-5-cm-initiation\"\u003e7.5 cm inkstone\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To work with multiple tip behaviors, you can also complement it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-de-calligraphie-poils-naturels\"\u003etraditional rabbit hair brush\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/ensemble-de-3-pinceaux-de-calligraphie-chinoise-coffret-cadeau\"\u003eChinese calligraphy brush set\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To rest the brush between strokes and protect the wet tip, you can pair it with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/repose-pinceaux-en-ceramique-1\"\u003eBlue Dragon ceramic brush rest\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/support-pour-pinceaux-noir\"\u003eblack workshop brush holder\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  A good brush does not seek to completely control the gesture. It accommodates hesitations, accelerations, and slower breaths. It is often in these variations that the line becomes alive.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":57476935582028,"sku":"CJJT100663301AZ","price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Pinceau_traditionnel_de_calligraphie.png?v=1778179048"},{"product_id":"plateau-de-preparation-en-bois","title":"Solid wood rectangular tea tray","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eSolid wood rectangular tea tray – Gong Fu Cha preparation and tea service\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis solid wood rectangular tea tray is designed for Gong Fu Cha preparations, tea service, and organizing practice items on a dedicated surface.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIts compact size allows for a gaiwan, a few cups, a pitcher, or tea accessories to be arranged without cluttering the space. The slightly hollowed surface helps retain small amounts of water during handling.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nWood provides a more stable and warmer presence than a plastic or metal support, while remaining discreet on a desk, coffee table, reading nook, or minimalist preparation area.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    This tray allows for defining a simple tea preparation space: a few accessories, a teapot or gaiwan, two cups, and a clear surface for pouring, rinsing, or serving.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Unlike a large draining tray, this model remains more compact and visually light. It is suitable for simple preparations, small spaces, and tea moments that do not require a complete setup.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The wood may show slight variations in shade, grain, and finish depending on manufacturing batches. These differences are part of the natural rendering of the material.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCHARACTERISTICS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eMaterial:\u003c\/strong\u003e Solid wood\u003cbr\u003e\n    \u003cstrong\u003eFormat:\u003c\/strong\u003e Rectangular\u003cbr\u003e\n    \u003cstrong\u003eDimensions:\u003c\/strong\u003e 25 × 12 × 1.8 cm\u003cbr\u003e\n    \u003cstrong\u003eUsage:\u003c\/strong\u003e Gong Fu Cha, tea service, support for practice items, reading nook, desk, coffee table\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Place the tray on a flat, stable surface. Place only essential items: gaiwan, cup, pitcher, utensil, or small accessory, to maintain a clear space during preparation.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Quickly wipe up small amounts of water after use. The tray can hold a few drops, but it is not designed as a large drainage system with a reservoir.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Clean with a soft, slightly damp cloth, then dry. Avoid prolonged soaking, abrasive sponges, and direct exposure to a strong heat source to preserve the wood.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCOMPOSE YOUR TEA SPACE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For a simple Gong Fu Cha preparation, this tray can be combined with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/gaiwan-en-gres-deux-tasses\"\u003estoneware gaiwan with two cups\u003c\/a\u003e, \n    suitable for short infusions and small-format service.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To handle leaves, organize movements, and complete a simple tea table, it can accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-d-ustensiles-a-the-en-bambou-grave\"\u003eengraved bamboo tea preparation accessories\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    If you are looking for a tray with integrated water collection, you can also consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/plateau-de-the-compact-en-bambou\"\u003ecompact bamboo tea tray\u003c\/a\u003e, \n    more suitable for repeated rinses.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To compose a space around tea, incense, reading, or writing, you can find the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/preparer\"\u003ePrepare\u003c\/a\u003e selection.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane workshop tip\u003c\/strong\u003e\u003cbr\u003e\n  Combine this tray with a simple preparation: a teapot or gaiwan, two cups, and only a few objects. A visually lightened space helps maintain more stable attention during the action.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":57488739565900,"sku":"CJJJCFCJ01644-Walnut-25x12cm","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/plateaudepreparationenboismassif.png?v=1778280499"},{"product_id":"repose-pinceaux-en-ceramique-1","title":"Ceramic brush rest","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eBlue Dragon Ceramic Brush Rest – Calligraphy, Sumi-e, and Ink Painting\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis ceramic brush rest allows you to set down a brush between strokes, without staining the paper, dirtying the table, or crushing the tip.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIt supports ink practices, calligraphy, sumi-e, watercolor, and brush drawing. Placed near an inkstone, palette, or paint pot, it keeps the tool accessible during your session.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIts Blue Dragon shape provides a more distinctive presence than a simple straight holder, while remaining useful: the brush rests above the surface, the tip doesn't touch the table, and the workspace remains cleaner.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    A brush rest is useful during sessions where you alternate between drawing, diluting, pausing, and resuming. It prevents you from placing the brush directly on the paper or on a wet surface.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    It is particularly suitable for ink brushes, calligraphy brushes, soft brushes, fine brushes, or tools used with liquid pigments.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Its ceramic material is easy to clean after use. It remains stable on the table and helps to create a cleaner ink space around the paper, inkstone, and brushes.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eMaterial:\u003c\/strong\u003e ceramic\u003cbr\u003e\n    \u003cstrong\u003eDimensions:\u003c\/strong\u003e 17.5 × 3.7 × 5.7 cm\u003cbr\u003e\n    \u003cstrong\u003eWeight:\u003c\/strong\u003e approximately 260 g\u003cbr\u003e\n    \u003cstrong\u003eUsage:\u003c\/strong\u003e calligraphy, sumi-e, ink painting, watercolor, brush drawing\u003cbr\u003e\n    \u003cstrong\u003eFunction:\u003c\/strong\u003e to rest, separate, and protect brushes during a session\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Place the brush rest next to the inkstone, palette, or paint pot, slightly set back from the paper. The brush remains accessible without risking ink getting on the work surface.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    After use, rinse or wipe the ceramic if ink, watercolor, or gouache has settled on the surface. Use a soft sponge or a damp cloth, without harsh abrasives.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Allow to dry completely before storage. Avoid impact with heavy or metallic objects to preserve the ceramic and the details of the relief.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCOMPLEMENTARY TOOLS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For a complete ink practice, this brush rest can be combined with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-7-5-cm-initiation\"\u003e7.5 cm inkstone\u003c\/a\u003e \n    and \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-batons-d-encre\"\u003eink sticks\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For working on lines, washes, or calligraphy, it can accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pinceau-de-calligraphie-poils-naturels\"\u003etraditional rabbit hair calligraphy brush\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/ensemble-de-3-pinceaux-de-calligraphie-chinoise-coffret-cadeau\"\u003eset of 3 Chinese calligraphy brushes\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Place it next to the inkstone or palette, slightly set back from the paper. The brush remains accessible, the tip does not touch the table, and the session can resume without interruption.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":57525572895052,"sku":"CJJT120672301AZ","price":21.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/repose_pinceau_et_pinceaux.png?v=1783366942"},{"product_id":"support-pour-pinceaux-noir","title":"Black stand for workshop brushes","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eBlack workshop brush holder – storage, separation, and drying\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis black holder allows brushes to be stored, separated, and dried after use, without letting them roll on the table or touch each other.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe openings keep each brush in place during work, rinsing, or drying. The tips remain better protected, the handles remain visible, and the creative space gains order without adding unnecessary decorative objects.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nIts discreet format easily integrates into an ink, watercolor, gouache, or painting workshop. It is also suitable for liners, fine brushes, and light tools used regularly.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    This holder is useful for keeping brushes separated between two applications, after rinsing, or during a work session. It prevents wet tips from resting directly on the table or deforming from contact with other tools.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    It also helps to better visualize the available brushes: ink brush, flat brush, round brush, liner, or fine tool. Each item remains accessible without disorganizing the workspace.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    It can be used to distinguish clean brushes, brushes in use, and those that have just been rinsed. This simple separation limits crushed tips, stuck bristles, and unwanted pigment mixtures.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFEATURES\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eMaterial:\u003c\/strong\u003e rigid plastic\u003cbr\u003e\n    \u003cstrong\u003eUse:\u003c\/strong\u003e brush storage, separation, and drying\u003cbr\u003e\n    \u003cstrong\u003eCompatibility:\u003c\/strong\u003e ink brushes, watercolor, gouache, paint, drawing, liners, and fine tools\u003cbr\u003e\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Place brushes in the holder's openings during a session to prevent them from rolling, mixing, or resting directly on a wet or pigmented surface.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    After rinsing, remove excess water with a cloth, gently reshape the tip, then place the brushes on the holder, ensuring they are well separated from each other.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Clean the holder with a damp cloth if traces of pigment, ink, or gouache accumulate. Allow to dry before storing or replacing clean tools.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCOMPLEMENTARY TOOLS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For ink practice, this holder can accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/ensemble-de-3-pinceaux-de-calligraphie-chinoise-coffret-cadeau\"\u003eset of 3 Chinese calligraphy brushes\u003c\/a\u003e, \n    the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/coffret-batons-d-encre\"\u003eink sticks\u003c\/a\u003e \n    and the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/pierre-a-encre-7-5-cm-initiation\"\u003e7.5 cm ink stone\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For washes, backgrounds, and flat colors, it can also be used with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-de-pinceaux-plats-en-bambou-lavis-aplats-et-fonds-aquarelles\"\u003eset of flat bamboo brushes\u003c\/a\u003e \n    or the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/set-pochette-de-pinceaux-aquarelle-artsecret\"\u003eArtSecret watercolor brush set\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To prepare colors and maintain a clearer workspace, it can be combined with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/palette-en-ceramique-compartimentee\"\u003ecompartmented ceramic palette\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  After rinsing, separate the brushes on the holder before letting them dry. This simple habit limits crushed tips, prevents bristles from sticking together, and extends the life of your tools.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"And then","offer_id":57527078125900,"sku":"CJBJHZHZ00170-Black","price":12.0,"currency_code":"EUR","in_stock":true},{"title":"Round","offer_id":57527078158668,"sku":"CJBJHZHZ00170-Black round","price":14.0,"currency_code":"EUR","in_stock":true},{"title":"Square","offer_id":57527078191436,"sku":"CJBJHZHZ00170-Square","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/support_pinceaux_vertical.png?v=1783366938"},{"product_id":"pinceau-de-calligraphie-poils-naturels","title":"Traditional calligraphy \u0026 ink painting brush","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eTraditional natural hair brush – calligraphy, sumi-e, and ink painting\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis traditional brush is designed for Chinese calligraphy, sumi-e, ink wash painting, and line drawing practices where the flexibility of the tip plays an essential role.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThe natural rabbit hair offers good ink absorption and a flexible tip, capable of producing fine lines, wider strokes, and organic variations depending on pressure, angle, and speed of movement.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nEach size alters the brush's behavior: the small size is suitable for details and small characters, the medium size offers more versatile use, while the large size supports broad gestures, expressive characters, and washes.\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    This brush can be used with liquid ink, diluted ink, or ink prepared from an ink stick on a stone. It is suitable for continuous strokes, pressure variations, washes, and calligraphy exercises.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Unlike a more springy synthetic brush, rabbit hair offers a more flexible response. It accommodates changes in pressure and allows transitioning from a fine line to a wider trace without an overly abrupt break.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    This product contains natural animal hair. It is not suitable for those seeking a vegan or entirely synthetic alternative.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCHARACTERISTICS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    \u003cstrong\u003eType:\u003c\/strong\u003e Traditional calligraphy brush\u003cbr\u003e\n    \u003cstrong\u003eHair:\u003c\/strong\u003e Genuine rabbit hair, flexible\u003cbr\u003e\n    \u003cstrong\u003eHandle:\u003c\/strong\u003e Decorated black wood\u003cbr\u003e\n    \u003cstrong\u003eOverall length:\u003c\/strong\u003e Approximately 24 cm\u003cbr\u003e\n    \u003cstrong\u003eUse:\u003c\/strong\u003e Calligraphy, sumi-e, ink painting, washes, line practice\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    \u003cstrong\u003eSmall size:\u003c\/strong\u003e\u003cbr\u003e\n    Hair length: 4.5 cm\u003cbr\u003e\n    Diameter: 1.0 cm\u003cbr\u003e\n    Recommended use: details, small characters, precise lines\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    \u003cstrong\u003eMedium size:\u003c\/strong\u003e\u003cbr\u003e\n    Hair length: 5.0 cm\u003cbr\u003e\n    Diameter: 1.1 cm\u003cbr\u003e\n    Recommended use: daily practice, varied strokes, versatile calligraphy\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eLarge size:\u003c\/strong\u003e\u003cbr\u003e\n    Hair length: 5.6 cm\u003cbr\u003e\n    Diameter: 1.2 cm\u003cbr\u003e\n    Recommended use: broad movements, expressive characters, washes and large strokes\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Before first use, gently moisten the bristles with clean water to soften the tip. Then load the brush with ink, without crushing the bristles at the bottom of the container.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To achieve stroke variations, work with angle, pressure, and speed. Light pressure allows for fine lines; more deliberate pressure opens the tip more and creates a broader trace.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    After use, rinse with clean water until the water runs clear, reshape the tip with your fingers, then let dry head down or flat. Avoid letting ink dry in the bristles.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eSUPPORTS \u0026amp; COMPLEMENTARY TOOLS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For calligraphy, sumi-e, and washes, this brush can be paired with \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper\u003c\/a\u003e, \n    to be chosen according to the desired absorption level.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For long sessions, repetitive strokes, or wash exercises, it can also accompany the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/rouleau-d-atelier-papier-vegetal-semi-traite\"\u003esemi-treated plant fiber paper roll\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To compose an ink practice set, you can also consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/calligraphie\"\u003eInk \u0026amp; Calligraphy\u003c\/a\u003e collection, \n    with suitable papers, ink stones, ink sticks, and accessories.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane workshop tip\u003c\/strong\u003e\u003cbr\u003e\n  A flexible brush requires less forced control than a stiff brush. It follows the hand pressure, wrist angle, and ink quantity more closely. Slowing down often results in a more precise and lively stroke.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Large","offer_id":57529710248268,"sku":"CJJT167705003CX","price":22.0,"currency_code":"EUR","in_stock":true},{"title":"Medium","offer_id":57529710281036,"sku":"CJJT167705002BY","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"Small","offer_id":57529710313804,"sku":"CJJT167705001AZ","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Pinceaux_de_calligraphie_en_bois_noir.png?v=1783366928"},{"product_id":"coffret-plume-a-tremper","title":"Dip pen set","description":"\u003cp\u003e\u003cstrong style=\"color: #1a1b41;\"\u003eDip Pen Set – Pen Holder, Interchangeable Nibs, and Ink\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003eThis set includes a wooden pen holder, a bottle of ink, and several interchangeable metal nibs for writing, tracing, composing letters, or drawing with ink.\u003c\/p\u003e\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003eUnlike a fountain pen, a dip pen does not have a permanent reservoir. The nib holds a small amount of ink, enough for a few words or lines, and then must be refilled as you work.\u003c\/p\u003e\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003eEach nib reacts differently depending on its shape, flexibility, holding angle, and the paper used. Some favor line thinness, others hold more ink or offer more variation when pressure changes.\u003c\/p\u003e\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n\u003csummary style=\"font-size: 16px; font-weight: bold; text-transform: uppercase; cursor: pointer; color: #4480c7;\"\u003eINFORMATION\u003c\/summary\u003e\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eThis set allows you to discover pen writing, calligraphy, correspondence, and ink drawing with a single pen holder.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eThe line width and behavior depend on the chosen nib. Not all nibs are flexible: if a nib resists, do not increase pressure significantly.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003eThe set keeps the pen holder, ink, and nibs together after use. It is available in dark wood or light wood finish.\u003c\/p\u003e\n\n\u003c\/details\u003e\n\u003cdetails open=\"\" style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n\u003csummary style=\"font-size: 16px; font-weight: bold; text-transform: uppercase; cursor: pointer; color: #4480c7;\"\u003eFEATURES\u003c\/summary\u003e\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e 1 wooden pen holder, several interchangeable metal nibs, 1 bottle of ink\u003cbr\u003e\u003cstrong\u003ePen holder length:\u003c\/strong\u003e approximately 17.3 cm\u003cbr\u003e\u003cstrong\u003eBox dimensions:\u003c\/strong\u003e approximately 22 × 10 × 4 cm\u003cbr\u003e\u003cstrong\u003eTool type:\u003c\/strong\u003e Dip pen with interchangeable nibs\u003c\/p\u003e\n\n\u003c\/details\u003e\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n\u003csummary style=\"font-size: 16px; font-weight: bold; text-transform: uppercase; cursor: pointer; color: #4480c7;\"\u003eFIRST USE\u003c\/summary\u003e\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eSome new metal nibs may have a slight protective film. If the ink beads up instead of adhering, clean the nib with a little warm water and mild soap, then rinse and dry it completely.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eInsert the nib into the pen holder until it is stable, without forcing or deforming it. Dip only the metal part that holds the ink, without submerging the pen holder.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003eBefore writing on the final page, test a few lines on a scrap piece of the same paper. This allows you to check the flow, line width, drying time, and ink behavior.\u003c\/p\u003e\n\n\u003c\/details\u003e\n\u003cdetails open=\"\" style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n\u003csummary style=\"font-size: 16px; font-weight: bold; text-transform: uppercase; cursor: pointer; color: #4480c7;\"\u003eCHOOSING THE NIB AND PAPER\u003c\/summary\u003e\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eTo write finely, choose a narrow nib, hold the pen holder with light pressure, and refill as soon as the line becomes dry or irregular.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eFor a more expressive line, try a wider or more flexible nib. Pressure should remain progressive: the tines should be able to spread without remaining deformed.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003eTo prevent ink from bleeding, choose smooth, less absorbent paper. Basis weight alone is not enough: thick but poorly sized paper can cause the ink to spread.\u003c\/p\u003e\n\n\u003c\/details\u003e\n\u003cdetails open=\"\" style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n\u003csummary style=\"font-size: 16px; font-weight: bold; text-transform: uppercase; cursor: pointer; color: #4480c7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eLightly touch the inner edge of the bottle after dipping to remove any drop that might fall onto the paper. Start with an angle close to 45°, then adjust it according to the nib and desired width.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eAfter use, remove the nib from the pen holder, rinse it quickly with clear water before the ink dries, then wipe it with a lint-free cloth.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003eThe nib must be completely dry before being replaced in the box. Do not leave a nib soaking in the bottle: the ink can dry on the metal or settle in the pen holder's joint.\u003c\/p\u003e\n\n\u003c\/details\u003e\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n\u003csummary style=\"font-size: 16px; font-weight: bold; text-transform: uppercase; cursor: pointer; color: #4480c7;\"\u003eADDITIONAL TOOLS\u003c\/summary\u003e\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eFor letters, notebooks, and handwritten annotations, this set can join the \u003ca href=\"https:\/\/ikaneworld.com\/collections\/ecriture\"\u003eWriting\u003c\/a\u003e collection.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003eTo keep nib tests, alphabets, titles, or preparatory sketches, it can be used with the \u003ca href=\"https:\/\/ikaneworld.com\/products\/carnet-de-croquis-noir-papier-beige\"\u003eblack sketchpad with beige paper\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003c\/details\u003e\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\u003cstrong style=\"color: #1a1b41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003eDraw a series of lines with each nib, noting its position in the set. You will quickly have a clear memory of the resulting strokes and know which nib to use for a letter, title, or drawing.\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Dark wood","offer_id":57586636489036,"sku":"CJZW107924201AZ","price":32.0,"currency_code":"EUR","in_stock":true},{"title":"Light wood","offer_id":57586636521804,"sku":"CJZW107924202BY","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/coffret_bois_fonce.png?v=1783366901"},{"product_id":"set-de-pinceaux-plats-en-bambou-lavis-aplats-et-fonds-aquarelles","title":"Set of 4 flat bamboo brushes – washes, flat tints, and backgrounds","description":"\u003cp\u003e\u003cstrong style=\"color: #1a1b41;\"\u003eSet of 4 bamboo flat brushes – washes, flat tints and backgrounds\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003eThis set includes four flat brushes of progressive sizes, designed for applying washes, moistening a sheet of paper, creating a background, or working on even flat tints with watercolor, diluted ink, or light gouache.\u003c\/p\u003e\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003eThe wide head allows for loading water or color, then applying it in broad strokes on the paper. Unlike a round brush, which is designed for detail or lines, a flat brush is used to establish a surface: a wet background, a gradient, a colored band, a smooth passage, or a transition between two areas.\u003c\/p\u003e\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003eThe semi-carbonized bamboo handles offer a light and stable grip. The blend of natural bristles advertised by the supplier provides a flexible fiber, suitable for covering gestures, progressive washes, and backgrounds worked without multiple retakes.\u003c\/p\u003e\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n\u003csummary style=\"font-size: 16px; font-weight: bold; text-transform: uppercase; cursor: pointer; color: #4480c7;\"\u003eINFORMATION\u003c\/summary\u003e\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eThe set contains four brush widths: 20, 30, 40, and 50 mm. Each size allows the gesture to be adapted to the format of the support: small card, notebook, watercolor paper, or larger composition.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eFlat brushes are particularly useful for preparing a surface before painting, applying a uniform background, creating a sky, a body of water, a soft shadow area, or a regular colored passage.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003eThey can be used with watercolor, diluted ink, light gouache, or any water-based technique on suitable paper.\u003c\/p\u003e\n\n\u003c\/details\u003e\n\u003cdetails open=\"\" style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n\u003csummary style=\"font-size: 16px; font-weight: bold; text-transform: uppercase; cursor: pointer; color: #4480c7;\"\u003eCHARACTERISTICS\u003c\/summary\u003e\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\u003cstrong\u003eSizes:\u003c\/strong\u003e 20, 30, 40 and 50 mm\u003cbr\u003e\u003cstrong\u003eUsage:\u003c\/strong\u003e watercolor, diluted ink, washes, backgrounds, flat tints, gradients, moistening paper\u003cbr\u003e\u003cstrong\u003eHandle:\u003c\/strong\u003e semi-carbonized bamboo\u003cbr\u003e\u003cstrong\u003eFibers:\u003c\/strong\u003e blend of natural bristles\u003cbr\u003e\u003cstrong\u003eSupplier model:\u003c\/strong\u003e Art Secret 2050F\u003c\/p\u003e\n\n\u003c\/details\u003e\n\u003cdetails open=\"\" style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n\u003csummary style=\"font-size: 16px; font-weight: bold; text-transform: uppercase; cursor: pointer; color: #4480c7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eBefore a large wash, lightly moisten the paper, then load the brush without crushing the fiber. Work in continuous strokes, from one edge to the other, to limit retouching marks.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003eAfter use, rinse with clean water, remove excess water without twisting the bristles, reshape the head with your finger, and let dry flat or head down.\u003c\/p\u003e\n\n\u003c\/details\u003e\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n\u003csummary style=\"font-size: 16px; font-weight: bold; text-transform: uppercase; cursor: pointer; color: #4480c7;\"\u003eCOMPATIBLE SURFACES\u003c\/summary\u003e\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003eFor ink washes, these brushes can be paired with \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper\u003c\/a\u003e, depending on the desired absorption level.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003eFor long sessions, background experiments, or repetitive gestures, they can also be used with the \u003ca href=\"https:\/\/ikaneworld.com\/products\/rouleau-d-atelier-papier-vegetal-semi-traite\"\u003eroll of semi-treated vegetable paper\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003c\/details\u003e\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\u003cstrong style=\"color: #1a1b41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003eFor a smooth background, choose a brush size large enough to cover the area without making too many passes. The more water the brush holds, the slower, more continuous, and lighter the stroke should be.\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":57586779193676,"sku":"CJJJJTJT53826-4 sets","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/set_de_pinceaux_plats_en_Bambou_1.png?v=1783366875"},{"product_id":"coffret-de-calligraphie-quatre-tresors-deluxe","title":"\"Four Treasures\" Deluxe Box Set","description":"\u003cp\u003e\u003cstrong style=\"color: #1A1B41;\"\u003eFour Treasures of the Study Calligraphy Set – models to choose for ink and calligraphy\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nThis calligraphy set brings together the essential tools for preparing ink by hand and for practicing Chinese calligraphy, sumi-e, wash painting, and ink painting.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nDepending on the chosen model, the set includes several brushes, an inkstone, a solid ink stick, and useful accessories for preparing, diluting, applying, or organizing the ink during a session.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\nPaper is not included: you will need to provide Xuan paper or a medium compatible with ink, depending on the desired absorption and diffusion level.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 14px;\"\u003e\n  To understand the role of the brush, ink, paper, and inkstone before you begin, consult the Ikane guide dedicated to the Four Treasures of the Study.\n\u003c\/p\u003e\n\n\u003cp style=\"margin: 0 0 14px;\"\u003e\n  \u003ca href=\"https:\/\/ikaneworld.com\/pages\/quatre-tresors-du-lettre-pinceau-encre-papier-pierre\" style=\"display: inline-flex; align-items: center; justify-content: center; min-height: 40px; padding: 9px 14px; background: #1A1B41; color: #FFFFFF; text-decoration: none; font-family: inherit; font-weight: 700; line-height: 1.3;\"\u003e\n    Read the Four Treasures Guide\n  \u003c\/a\u003e\n\u003c\/p\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eINFORMATION\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The Four Treasures of the Study traditionally refer to the brush, ink, paper, and inkstone. This set brings together the tools necessary for preparing ink and drawing, but the paper must be chosen separately.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The brushes provided, depending on the model, allow for working with various line widths. The inkstone holds water and is used for grinding the ink stick. The included accessories can help support the brush, organize the ink, or maintain a distinct dilution during the session.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    The set is suitable for a complete introduction, for workshop storage, or as a gift for someone who wishes to begin calligraphy with an organized set.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eCONTENTS ACCORDING TO MODEL\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The exact content depends on the selected model. Always check the chosen variant before adding to your cart.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    \u003cstrong\u003eUsage:\u003c\/strong\u003e Chinese calligraphy, sumi-e, wash painting, ink painting, manual ink preparation\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eWHAT DISTINGUISHES THE MODELS\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The models may differ in their presentation, number of accessories, or how they store tools. Some prioritize a more rigid and compartmentalized presentation; others may be simpler or easier to transport.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    The Deluxe Wood model emphasizes a more structured presentation, with a visual arrangement of elements and a stronger presence as a workshop set or gift.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    In all cases, the purpose of the set remains the same: to bring together basic tools to understand the link between ink grinding, brush loading, dilution, and paper reaction.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eFIRST USE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For a short session, start with only a few drops of water. If your model includes an inkstone and a solid ink stick, rub the stick on the flat part of the stone for about 3 to 5 minutes, then test the ink on a scrap of the same paper.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Hold the stick almost vertically and keep its base flat on the stone. Make regular movements, without pressing hard, to gradually release the material.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    If the line remains gray and very liquid, continue grinding in 30-second sequences. If the ink becomes too thick, add one or two drops of water, then mix again.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    If your model includes an inkwell or a small bowl, transfer a portion of the prepared ink to get a second dilution or to keep a lighter value next to the concentrated black.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    After the session, rinse the brushes and inkstone with clear water. Wipe the wet side of the stick and let each item dry completely before closing or storing the set.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Prepare the ink just before the session, gradually adjusting the density. More concentrated ink gives deep blacks; more diluted ink allows for working with washes and intermediate values.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Rinse brushes with clear water until no ink remains in the fibers. Remove excess water without twisting the tip, then let air dry.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Rinse the inkstone without detergent, then wipe it with a clean cloth. Do not let ink dry in a thick layer on the grinding surface.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    Store items only when dry. Closing a set with damp brushes can retain moisture and deform the fibers.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n  \u003csummary style=\"font-size: 16px; font-weight: 700; text-transform: uppercase; cursor: pointer; color: #4480C7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    Paper determines the ink diffusion speed. For beginners, \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\"\u003ehandmade Xuan paper\u003c\/a\u003e \n    with a semi-treated finish facilitates initial attempts, while untreated Xuan paper requires a more direct stroke.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    For long, repetitive, or free-form practice, you can supplement with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/rouleau-d-atelier-papier-vegetal-semi-traite\"\u003esemi-treated vegetable paper roll\u003c\/a\u003e, \n    which allows you to unroll only the necessary length.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0;\"\u003e\n    To dry brushes properly after use, this set can be paired with the \n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/porte-pinceaux-calligraphie-suspendu\"\u003ehanging calligraphy brush holder\u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size: 17.5px; line-height: 1.55; margin: 8px 0 0;\"\u003e\n    To find papers, brushes, inkstones, and inks related to this practice, you can consult the \n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/calligraphie\"\u003eCalligraphy\u003c\/a\u003e \n    selection.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"margin: 10px 0 0;\"\u003e\n    \u003ca href=\"https:\/\/ikaneworld.com\/products\/papier-xuan-artisanal-en-fibres-vegetales\" style=\"display: inline-flex; align-items: center; justify-content: center; min-height: 40px; padding: 9px 14px; margin: 0 8px 8px 0; background: #1A1B41; color: #FFFFFF; text-decoration: none; font-family: inherit; font-weight: 700; line-height: 1.3;\"\u003e\n      See Xuan Paper\n    \u003c\/a\u003e\n\n    \u003ca href=\"https:\/\/ikaneworld.com\/collections\/calligraphie\" style=\"display: inline-flex; align-items: center; justify-content: center; min-height: 40px; padding: 9px 14px; margin: 0 8px 8px 0; background: #1A1B41; color: #FFFFFF; text-decoration: none; font-family: inherit; font-weight: 700; line-height: 1.3;\"\u003e\n      See Calligraphy Selection\n    \u003c\/a\u003e\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.4); margin: 10px 0;\"\u003e\n\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\n  \u003cstrong style=\"color: #1A1B41;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\u003cbr\u003e\n  Prepare a strong black on the inkstone, then transfer a small amount into an inkwell or a small bowl with a few drops of water. You will obtain two shades of black and can switch between them without interrupting the session.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Deluxe Wood","offer_id":58076895641932,"sku":"CJJT137903303CX","price":69.0,"currency_code":"EUR","in_stock":true},{"title":"Deluxe Textile","offer_id":58076895674700,"sku":"CJJT137903302BY","price":66.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/4_tresors.webp?v=1783975395"},{"product_id":"pinceau-lavis-aquarelle-imitation-petit-gris","title":"Watercolor wash brush","description":"\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003e\u003cstrong\u003eSquirrel-effect watercolor wash brush — no. 4, 6 or 8\u003cbr\u003e(BRUSH ONLY)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003eThis squirrel-effect synthetic fiber wash brush allows you to hold a significant amount of water and color to create washes, gradients, backgrounds, and smooth transitions in watercolor.\u003c\/p\u003e\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003eIts flexible brush head allows for fluid strokes without the stiffness of a classic round brush. It is primarily suited for transparent and diluted techniques: watercolor, water-based ink, light gouache, or pigments prepared as washes.\u003c\/p\u003e\n\u003cp style=\"font-size: 18px; line-height: 1.6;\"\u003eIkane offers three complementary sizes: no. 4 for controlled washes and small formats, no. 6 for versatile use, and no. 8 for backgrounds, flat washes, and larger surfaces.\u003c\/p\u003e\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.3); margin: 14px 0;\"\u003e\n\u003cdetails style=\"padding: 8px 0;\"\u003e\n\u003csummary style=\"font-size: 18px; font-weight: 600; cursor: pointer; color: #4480c7;\"\u003eINFORMATION\u003c\/summary\u003e\n\u003cp style=\"font-size: 17px; line-height: 1.6;\"\u003eThe squirrel-effect brush replicates the desired flexibility of traditional wash brushes, with a brush head made of synthetic nylon fibers.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17px; line-height: 1.6;\"\u003eIts main function is to carry enough water and pigment to cover an area without having to reload the brush after each stroke. It is particularly useful for skies, backgrounds, blending, and wet-on-wet transitions.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17px; line-height: 1.6;\"\u003eIt can also be used with water-based ink or heavily diluted gouache. For very fine outlines, tight details, or thick paint, a more responsive round brush is more suitable.\u003c\/p\u003e\n\n\u003c\/details\u003e\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n\u003csummary style=\"font-size: 18px; font-weight: 600; cursor: pointer; color: #4480c7;\"\u003eFEATURES\u003c\/summary\u003e\n\u003cul style=\"font-size: 17px; line-height: 1.6; padding-left: 22px;\"\u003e\n\n\u003cli\u003eType: watercolor wash brush\u003c\/li\u003e\n\n\u003cli\u003eFibers: synthetic squirrel-effect nylon\u003c\/li\u003e\n\n\u003cli\u003eHandle: birch wood\u003c\/li\u003e\n\n\u003cli\u003eTechniques: watercolor, washes, water-based ink, diluted gouache, and fluid pigments\u003c\/li\u003e\n\n\u003cli\u003eSold individually\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp style=\"font-size: 17px; line-height: 1.6;\"\u003e\u003cstrong\u003eNo. 4 — Precise Washes\u003c\/strong\u003e\u003cbr\u003eFor notebooks, small compositions, controlled areas, and smaller colored sections.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17px; line-height: 1.6;\"\u003e\u003cstrong\u003eNo. 6 — Versatile Washes\u003c\/strong\u003e\u003cbr\u003eFor intermediate sizes, gradients, blending, and most common watercolor work.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17px; line-height: 1.6;\"\u003e\u003cstrong\u003eNo. 8 — Large Washes\u003c\/strong\u003e\u003cbr\u003eFor backgrounds, large flat washes, large water reserves, and compositions on larger formats.\u003c\/p\u003e\n\n\u003c\/details\u003e\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n\u003csummary style=\"font-size: 18px; font-weight: 600; cursor: pointer; color: #4480c7;\"\u003eUSE \u0026amp; CARE\u003c\/summary\u003e\n\u003cp style=\"font-size: 17px; line-height: 1.6;\"\u003eDampen the brush head before picking up color, then remove excess water on the edge of the container or palette. Gradually load the brush according to the desired intensity and fluidity.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17px; line-height: 1.6;\"\u003eFor an even wash, prepare enough color before starting and work without letting the edge of the stroke dry between brushstrokes.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17px; line-height: 1.6;\"\u003eAfter use, rinse the fibers with clear water until all pigments are gone. Gently reshape the brush head with your fingers, without pulling on the fibers.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17px; line-height: 1.6;\"\u003eDo not leave the brush soaking in water: this can deform the brush head and weaken the ferrule. Dry it flat or with the head facing down before storing it.\u003c\/p\u003e\n\n\u003c\/details\u003e\n\u003cdetails style=\"border-top: 1px solid rgba(58,123,200,0.3); padding: 8px 0;\"\u003e\n\u003csummary style=\"font-size: 18px; font-weight: 600; cursor: pointer; color: #4480c7;\"\u003ePAIR WITH\u003c\/summary\u003e\n\u003cp style=\"font-size: 17px; line-height: 1.6;\"\u003eTo prepare several dilution levels, use this brush with the \u003ca href=\"\/en\/products\/palette-en-ceramique-compartimentee\" style=\"color: #4480c7; text-decoration: underline;\"\u003ecompartmented ceramic palette\u003c\/a\u003e. Its separate zones allow you to maintain a dense color, an intermediate mix, and a lighter wash during the same session.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17px; line-height: 1.6;\"\u003eIt can also be used with \u003ca href=\"\/en\/products\/pigment-aquarelle-supervision\" style=\"color: #4480c7; text-decoration: underline;\"\u003eSuper Vision watercolor pigments\u003c\/a\u003e to work on diffusions, blending, granulations, and transparent layering.\u003c\/p\u003e\n\n\u003cp style=\"font-size: 17px; line-height: 1.6;\"\u003eBetween strokes, place it horizontally on the \u003ca href=\"\/en\/products\/repose-pinceaux-en-ceramique\" style=\"color: #4480c7; text-decoration: underline;\"\u003eceramic brush rest\u003c\/a\u003e to preserve the shape of the brush head and keep your work area tidier.\u003c\/p\u003e\n\n\u003c\/details\u003e\n\u003chr style=\"border: none; border-top: 1px solid rgba(58,123,200,0.3); margin: 14px 0;\"\u003e\n\u003cp style=\"font-size: 17px; line-height: 1.6;\"\u003e\u003cstrong\u003e🤍 Ikane Studio Tip\u003c\/strong\u003e\u003cbr\u003eFor a smooth wash, prepare the entire amount of color needed before the first stroke. Tilt the paper slightly and keep the bottom edge of the wash wet so that each stroke joins the previous one without creating a dry demarcation.\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"No. 4","offer_id":58168428757324,"sku":"CJJJJTJT18095-BlackD","price":13.0,"currency_code":"EUR","in_stock":true},{"title":"No. 6","offer_id":58168428790092,"sku":"CJJJJTJT18095-BlackF","price":16.0,"currency_code":"EUR","in_stock":true},{"title":"No. 8","offer_id":58168428822860,"sku":"CJJJJTJT18095-BlackH","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Pinceau_lavis_aquarelle.jpg?v=1784798254"},{"product_id":"repose-pinceau-en-bois-sculpte","title":"Carved wooden brush rest","description":"\u003cp\u003e\u003cstrong\u003eCarved wooden brush rest — calligraphy holder\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size:18px; line-height:1.6;\"\u003e\nThis brush rest allows you to horizontally place a calligraphy brush while working, without its tip directly touching the table.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size:18px; line-height:1.6;\"\u003e\nIts irregular reliefs keep the handle slightly elevated between strokes, during ink preparation or a break. This keeps ink residue away from the paper and work surface.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size:18px; line-height:1.6;\"\u003e\nMade of wood, the holder has an organic shape inspired by rock or root formations. It accompanies brushes used for Chinese calligraphy, sumi-e, wash painting, and ink painting.\n\u003c\/p\u003e\n\n\u003chr style=\"border:none; border-top:1px solid rgba(58,123,200,0.3); margin:16px 0;\"\u003e\n\n\u003cdetails style=\"padding:8px 0;\"\u003e\n  \u003csummary style=\"font-size:16px; font-weight:700; color:#4480C7; cursor:pointer; text-transform:uppercase;\"\u003e\n    Information\n  \u003c\/summary\u003e\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    This holder is designed to horizontally support the handle of a brush during use.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    It prevents placing the wet or ink-laden tip directly on the table, paper, or inkstone.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top:1px solid rgba(58,123,200,0.3); padding:8px 0;\"\u003e\n  \u003csummary style=\"font-size:16px; font-weight:700; color:#4480C7; cursor:pointer; text-transform:uppercase;\"\u003e\n    Features\n  \u003c\/summary\u003e\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    \u003cstrong\u003eMaterial\u003c\/strong\u003e: wood\u003cbr\u003e\n    \u003cstrong\u003eShape\u003c\/strong\u003e: carved organic relief\u003cbr\u003e\n    \u003cstrong\u003eUsage\u003c\/strong\u003e: calligraphy, sumi-e, wash painting, and ink painting\u003cbr\u003e\n    \u003cstrong\u003eContents\u003c\/strong\u003e: 1 brush rest\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    Exact dimensions and wood type are not specified by the supplier. The brush shown in the images is not included.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top:1px solid rgba(58,123,200,0.3); padding:8px 0;\"\u003e\n  \u003csummary style=\"font-size:16px; font-weight:700; color:#4480C7; cursor:pointer; text-transform:uppercase;\"\u003e\n    Use \u0026amp; care\n  \u003c\/summary\u003e\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    Place the brush rest on a flat surface, then rest the handle in one of the indentations. The tip should remain completely clear and not touch the table.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    Use it during short breaks, between strokes, or when changing dilution. After the session, the brush should be rinsed and dried according to its usual maintenance method.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    Clean the wood with a dry or slightly damp cloth. Avoid prolonged immersion and abrasive products.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top:1px solid rgba(58,123,200,0.3); padding:8px 0;\"\u003e\n  \u003csummary style=\"font-size:16px; font-weight:700; color:#4480C7; cursor:pointer; text-transform:uppercase;\"\u003e\n    For whom\n  \u003c\/summary\u003e\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    This brush rest is suitable for beginners and experienced artists who use a traditional brush and want to protect their workspace during their session.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    Its decorative format is also suitable for desks dedicated to writing, ink drawing, or brush painting.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top:1px solid rgba(58,123,200,0.3); padding:8px 0;\"\u003e\n  \u003csummary style=\"font-size:16px; font-weight:700; color:#4480C7; cursor:pointer; text-transform:uppercase;\"\u003e\n    To combine with\n  \u003c\/summary\u003e\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    Use this holder with the\n    \u003ca href=\"\/en\/products\/pinceau-traditionnel-de-calligraphie\" style=\"color:#4480C7; text-decoration:underline;\"\u003e\n      traditional bamboo calligraphy brush\n    \u003c\/a\u003e\n    to rest the brush between strokes without getting ink on the table.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    To prepare solid ink, combine it with the\n    \u003ca href=\"\/en\/products\/baton-d-encre-traditionnelle-mosong\" style=\"color:#4480C7; text-decoration:underline;\"\u003e\n      Mosong Sumi traditional ink stick\n    \u003c\/a\u003e\n    and the\n    \u003ca href=\"\/en\/products\/pierre-a-encre-7-5-cm-initiation\" style=\"color:#4480C7; text-decoration:underline;\"\u003e\n      beginner's inkstone\n    \u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    Complete the set with the\n    \u003ca href=\"\/en\/products\/papier-xuan-artisanal-en-fibres-vegetales\" style=\"color:#4480C7; text-decoration:underline;\"\u003e\n      handmade Xuan paper\n    \u003c\/a\u003e\n    or browse the\n    \u003ca href=\"\/en\/collections\/calligraphie\" style=\"color:#4480C7; text-decoration:underline;\"\u003e\n      Ink \u0026amp; Calligraphy\n    \u003c\/a\u003e\n    collection.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border:none; border-top:1px solid rgba(58,123,200,0.3); margin:16px 0;\"\u003e\n\n\u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n  \u003cstrong style=\"color:#4480C7;\"\u003e🤍 Ikane Workshop Tip\u003c\/strong\u003e\n\u003c\/p\u003e\n\n\u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\nOnly rest the brush on the holder with the tip slightly downwards during short breaks. For complete drying after rinsing, use the recommended method for your brush rather than leaving it on the brush rest.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"A","offer_id":58199229825356,"sku":"CJJJJTJT56017-A","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"B","offer_id":58199229858124,"sku":"CJJJJTJT56017-B","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Repose-pinceau_en_bois_sculpt.jpg?v=1784965459"},{"product_id":"set-de-4-pinceaux-fins-de-calligraphie","title":"Set of 4 fine calligraphy brushes","description":"\u003cp\u003e\u003cstrong\u003eSet of 4 fine calligraphy brushes\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size:18px; line-height:1.6;\"\u003e\nThis set includes four fine-tipped brushes for calligraphy, ink drawing, and detailed brushwork.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size:18px; line-height:1.6;\"\u003e\nTheir narrow shape allows for working on small characters, precise lines, outlines, and elements that require less ink retention than a wash brush.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size:18px; line-height:1.6;\"\u003e\nThe brush heads are made of mixed hairs, combining flexibility and firmness to accommodate pressure changes while maintaining a tight point. The handles feature a golden finish, making it easy to distinguish the set from other tools.\n\u003c\/p\u003e\n\n\u003chr style=\"border:none; border-top:1px solid rgba(58,123,200,0.3); margin:16px 0;\"\u003e\n\n\u003cdetails style=\"padding:8px 0;\"\u003e\n  \u003csummary style=\"font-size:16px; font-weight:700; color:#4480C7; cursor:pointer; text-transform:uppercase;\"\u003e\n    Information\n  \u003c\/summary\u003e\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    These brushes are designed for fine strokes and small formats. They allow for drawing narrow lines, constructing small characters, and adding details to an ink painting.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    Their more contained ink retention makes it easier to control the amount of ink deposited compared to a larger brush used for washes or large characters.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top:1px solid rgba(58,123,200,0.3); padding:8px 0;\"\u003e\n  \u003csummary style=\"font-size:16px; font-weight:700; color:#4480C7; cursor:pointer; text-transform:uppercase;\"\u003e\n    Features\n  \u003c\/summary\u003e\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    \u003cstrong\u003eSet composition\u003c\/strong\u003e: 4 brushes\u003cbr\u003e\n    \u003cstrong\u003eBrush head\u003c\/strong\u003e: mixed hair\u003cbr\u003e\n    \u003cstrong\u003eUse\u003c\/strong\u003e: small characters, fine lines, outlines, and ink details\u003cbr\u003e\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    The exact composition of the different hairs, dimensions, and handle material are not specified by the supplier.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top:1px solid rgba(58,123,200,0.3); padding:8px 0;\"\u003e\n  \u003csummary style=\"font-size:16px; font-weight:700; color:#4480C7; cursor:pointer; text-transform:uppercase;\"\u003e\n    Use \u0026amp; care\n  \u003c\/summary\u003e\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    Before first use, gradually moisten the brush head with clear water to release the hairs without bending them. Then reshape the tip between your fingers.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    Load only the tip of the brush for the finest strokes. To achieve a slightly wider line, gradually increase the pressure without completely flattening the brush head on the paper.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    After use, rinse each brush with clear water until no residue remains. Reshape the tip, then let the brush dry flat or in an appropriate position, without pressing the brush head against a surface.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    Do not leave brushes soaking in water: this can deform the hairs and weaken their attachment.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top:1px solid rgba(58,123,200,0.3); padding:8px 0;\"\u003e\n  \u003csummary style=\"font-size:16px; font-weight:700; color:#4480C7; cursor:pointer; text-transform:uppercase;\"\u003e\n    For what uses\n  \u003c\/summary\u003e\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    This set is suitable for working on small characters, connecting strokes, outlines, fine botanical motifs, and details in an ink composition.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    It can complement a larger brush: the main brush builds up masses and significant variations, while the fine tips are used for more precise areas.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top:1px solid rgba(58,123,200,0.3); padding:8px 0;\"\u003e\n  \u003csummary style=\"font-size:16px; font-weight:700; color:#4480C7; cursor:pointer; text-transform:uppercase;\"\u003e\n    To combine with\n  \u003c\/summary\u003e\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    To alternate between fine lines and broader strokes, combine this set with the\n    \u003ca href=\"\/en\/products\/pinceau-traditionnel-de-calligraphie\" style=\"color:#4480C7; text-decoration:underline;\"\u003e\n      traditional bamboo calligraphy brush\n    \u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    Prepare different densities with the\n    \u003ca href=\"\/en\/products\/baton-d-encre-traditionnelle-mosong\" style=\"color:#4480C7; text-decoration:underline;\"\u003e\n      Mosong Sumi traditional ink stick\n    \u003c\/a\u003e\n    and the\n    \u003ca href=\"\/en\/products\/pierre-a-encre-7-5-cm-initiation\" style=\"color:#4480C7; text-decoration:underline;\"\u003e\n      initiation inkstone\n    \u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    To test the precision of the tips and pressure changes, use\n    \u003ca href=\"\/en\/products\/papier-xuan-semi-mur\" style=\"color:#4480C7; text-decoration:underline;\"\u003e\n      semi-sized Xuan paper\n    \u003c\/a\u003e,\n    whose intermediate absorption offers more control than untreated paper.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    Find complementary papers, brushes, and inks in the\n    \u003ca href=\"\/en\/collections\/calligraphie\" style=\"color:#4480C7; text-decoration:underline;\"\u003e\n      Ink \u0026amp; Calligraphy collection\n    \u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003chr style=\"border:none; border-top:1px solid rgba(58,123,200,0.3); margin:16px 0;\"\u003e\n\n\u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n  \u003cstrong style=\"color:#4480C7;\"\u003e🤍 Ikane workshop tip\u003c\/strong\u003e\n\u003c\/p\u003e\n\n\u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\nBefore a composition, draw a series of lines with light, medium, and then firmer pressure. This test helps check the tip's resilience and choose the brush that best matches the desired thickness.\n\u003c\/p\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":58199287071052,"sku":"CJJSBGBG02449-Pine branch set","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Set_de_4_pinceaux_fins_de_calligraphie.jpg?v=1784965525"},{"product_id":"pinceau-de-voyage-calligraphie-et-lavis","title":"Calligraphy and Sumi-e Travel Brush","description":"\u003cp\u003e\u003cstrong\u003eSandalwood Travel Brush for Calligraphy and Wash Painting\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size:18px; line-height:1.6;\"\u003e\nThis traditional brush features a wooden handle and a cap designed to protect its tip during transport. Its size makes it ideal for carrying in a pencil case for practicing calligraphy, wash painting, or ink painting outside the studio.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size:18px; line-height:1.6;\"\u003e\nThe tapered tip allows for varying line thickness depending on the angle of the handle and the pressure applied. It can be used to form characters, draw flexible lines, or apply broader strokes to paper.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size:18px; line-height:1.6;\"\u003e\nThe brush measures 20.5 cm and is available in two finishes: black sandalwood or red sandalwood. Each model is sold individually.\n\u003c\/p\u003e\n\n\u003chr style=\"border:0; border-top:1px solid rgba(58,123,200,0.3); margin:28px 0 0;\"\u003e\n\n\u003cdetails style=\"border-top:1px solid rgba(58,123,200,0.22); padding:8px 0;\"\u003e\n  \u003csummary style=\"font-size:16px; font-weight:700; color:#4480C7; cursor:pointer;\"\u003e\n    INFORMATION\n  \u003c\/summary\u003e\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    This model adopts the shape of a traditional calligraphy brush while adding a protective cap. This limits contact between the tip and other tools when carried in a pencil case or pouch.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    The loop at the end of the handle also allows the brush to be hung while drying or attached inside a suitable storage unit.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top:1px solid rgba(58,123,200,0.22); padding:8px 0;\"\u003e\n  \u003csummary style=\"font-size:16px; font-weight:700; color:#4480C7; cursor:pointer;\"\u003e\n    AVAILABLE COLORS\n  \u003c\/summary\u003e\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    • Black sandalwood\u003cbr\u003e\n    • Red sandalwood\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    Both variants have the same shape, length, and use. Only the handle finish changes.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top:1px solid rgba(58,123,200,0.22); padding:8px 0;\"\u003e\n  \u003csummary style=\"font-size:16px; font-weight:700; color:#4480C7; cursor:pointer;\"\u003e\n    FEATURES\n  \u003c\/summary\u003e\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    • Tip shape: tapered\u003cbr\u003e\n    • Handle material: sandalwood\u003cbr\u003e\n    • Length: 20.5 cm\u003cbr\u003e\n    • Uses: calligraphy, wash painting, and ink painting\u003cbr\u003e\n    • Quantity: 1 brush\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top:1px solid rgba(58,123,200,0.22); padding:8px 0;\"\u003e\n  \u003csummary style=\"font-size:16px; font-weight:700; color:#4480C7; cursor:pointer;\"\u003e\n    USE \u0026amp; CARE\n  \u003c\/summary\u003e\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    Before first use, fully moisten the tip with clear water to gradually release the hairs and restore their flexibility.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    Load the brush by gently rolling the tip in ink or diluted color. Use its end for fine lines, then increase pressure to widen the stroke.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    After use, rinse the tip with clear water until all color has disappeared. Gently reshape with your fingers, then hang the brush or let it dry flat.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    Only replace the cap when the tip is completely dry. Storing it enclosed while still damp can retain moisture and deform the bristles.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top:1px solid rgba(58,123,200,0.22); padding:8px 0;\"\u003e\n  \u003csummary style=\"font-size:16px; font-weight:700; color:#4480C7; cursor:pointer;\"\u003e\n    FOR WHOM\n  \u003c\/summary\u003e\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    This brush is suitable for those who practice calligraphy, wash painting, or ink painting and are looking for a protected tool that is easy to transport between the studio, a class, or an outdoor sketching session.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top:1px solid rgba(58,123,200,0.22); padding:8px 0;\"\u003e\n  \u003csummary style=\"font-size:16px; font-weight:700; color:#4480C7; cursor:pointer;\"\u003e\n    TO PAIR WITH\n  \u003c\/summary\u003e\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    Use this brush with the media and tools presented in the guide\n    \u003ca href=\"\/en\/pages\/batons-et-pierres-a-encre-papiers-pinceaux-plumes-lavis\" style=\"color:#4480C7; text-decoration:underline;\"\u003e\n      Inksticks and Inkstones, Papers, Brushes, Pens, and Wash Painting\n    \u003c\/a\u003e.\n    It can also be combined with\n    \u003ca href=\"\/en\/products\/pigment-aquarelle-supervision\" style=\"color:#4480C7; text-decoration:underline;\"\u003e\n      Supervision watercolor pigments\n    \u003c\/a\u003e\n    to work with highly diluted colors and variations in stroke.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    To discover the place of the brush in Chinese calligraphy, also consult the guide dedicated to the\n    \u003ca href=\"\/en\/pages\/quatre-tresors-du-lettre-pinceau-encre-papier-pierre\" style=\"color:#4480C7; text-decoration:underline;\"\u003e\n      Four Treasures of the Study\n    \u003c\/a\u003e.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top:1px solid rgba(58,123,200,0.22); border-bottom:1px solid rgba(58,123,200,0.22); padding:8px 0;\"\u003e\n  \u003csummary style=\"font-size:16px; font-weight:700; color:#4480C7; cursor:pointer;\"\u003e\n    \u003cspan style=\"display:inline-flex; align-items:center; justify-content:center; width:19px; height:19px; margin-right:7px; border-radius:50%; background:#4480C7; color:#FFFFFF; font-size:11px; vertical-align:middle;\"\u003e♥\u003c\/span\u003e\n    IKANE WORKSHOP TIP\n  \u003c\/summary\u003e\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    Before leaving, transport the brush clean and dry. Prepare a small amount of ink or color separately, then rinse the tip as soon as the session ends to prevent the material from drying between the bristles.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e","brand":"Ikane Studio","offers":[{"title":"Black","offer_id":58206510940492,"sku":"CJJT167723301AZ","price":22.0,"currency_code":"EUR","in_stock":true},{"title":"Red","offer_id":58206510973260,"sku":"CJJT167723302BY","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Pinceau_de_voyage_calligraphie_et_lavis.jpg?v=1784965711"},{"product_id":"papier-artisanal-murier","title":"Mulberry fiber handmade paper","description":"\u003cp\u003e\u003cstrong\u003eMulberry fiber handmade paper 34 × 68 cm – Pack of 10 sheets\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size:18px; line-height:1.6;\"\u003e\nMade from mulberry fibers, this handmade paper features a natural texture, an off-white hue, and deckled edges. Visible fibers and slight surface irregularities give each sheet a unique look.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size:18px; line-height:1.6;\"\u003e\nIts 34 × 68 cm format offers ample space for calligraphy, wash painting, ink work, collage, or brush compositions. Its textured surface can also be used in projects combining drawing and paper arts.\n\u003c\/p\u003e\n\n\u003cp style=\"font-size:18px; line-height:1.6;\"\u003e\nThe pack includes 10 mulberry fiber sheets. Before undertaking a major project, a test is recommended to observe the reaction of the paper with the tools and mediums used.\n\u003c\/p\u003e\n\n\u003chr style=\"border:0; border-top:1px solid rgba(58,123,200,0.3); margin:28px 0 0;\"\u003e\n\n\u003cdetails style=\"border-top:1px solid rgba(58,123,200,0.22); padding:8px 0;\"\u003e\n  \u003csummary style=\"font-size:16px; font-weight:700; color:#4480C7; cursor:pointer;\"\u003e\n    INFORMATION\n  \u003c\/summary\u003e\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    This paper is made from mulberry fibers. Its natural hue, visible fibers, and deckled edges contribute to its handmade appearance.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    Each sheet may have slight differences in texture, hue, or finish. These variations are not defects but are part of the characteristics of this type of paper.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top:1px solid rgba(58,123,200,0.22); padding:8px 0;\"\u003e\n  \u003csummary style=\"font-size:16px; font-weight:700; color:#4480C7; cursor:pointer;\"\u003e\n    FORMAT\n  \u003c\/summary\u003e\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    • Sheet dimensions: 34 × 68 cm\u003cbr\u003e\n    • Quantity: 10 sheets\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top:1px solid rgba(58,123,200,0.22); padding:8px 0;\"\u003e\n  \u003csummary style=\"font-size:16px; font-weight:700; color:#4480C7; cursor:pointer;\"\u003e\n    CHARACTERISTICS\n  \u003c\/summary\u003e\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    • Material: mulberry fibers\u003cbr\u003e\n    • Color: natural off-white\u003cbr\u003e\n    • Surface: textured, with visible fibers\u003cbr\u003e\n    • Edges: deckled\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top:1px solid rgba(58,123,200,0.22); padding:8px 0;\"\u003e\n  \u003csummary style=\"font-size:16px; font-weight:700; color:#4480C7; cursor:pointer;\"\u003e\n    USE \u0026amp; CARE\n  \u003c\/summary\u003e\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    This paper can be used for calligraphy, wash painting, ink drawing, collage, and various paper art practices.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    As its absorbency and sizing are not specified, conduct a test on a preliminary sheet before embarking on a significant composition or using a large quantity of water.\n  \u003c\/p\u003e\n\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    Store sheets flat, in a dry place, away from moisture and direct light.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top:1px solid rgba(58,123,200,0.22); padding:8px 0;\"\u003e\n  \u003csummary style=\"font-size:16px; font-weight:700; color:#4480C7; cursor:pointer;\"\u003e\n    FOR WHOM\n  \u003c\/summary\u003e\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    This paper is for calligraphers, illustrators, painters, and creators looking for a natural fiber support with a visible texture and irregular edges.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top:1px solid rgba(58,123,200,0.22); padding:8px 0;\"\u003e\n  \u003csummary style=\"font-size:16px; font-weight:700; color:#4480C7; cursor:pointer;\"\u003e\n    TO PAIR WITH\n  \u003c\/summary\u003e\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    Pair this paper with the \u003ca href=\"\/en\/products\/pinceau-traditionnel-de-calligraphie\" style=\"color:#4480C7; text-decoration:underline;\"\u003etraditional Chinese bamboo calligraphy brush\u003c\/a\u003e, the \u003ca href=\"\/en\/products\/baton-d-encre-traditionnelle-mosong\" style=\"color:#4480C7; text-decoration:underline;\"\u003eMosong Sumi traditional ink stick\u003c\/a\u003e, and the \u003ca href=\"\/en\/products\/pierre-a-encre-7-5-cm-initiation\" style=\"color:#4480C7; text-decoration:underline;\"\u003e7.5 cm ink stone\u003c\/a\u003e to prepare ink and practice lines, density variations, and washes.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e\n\n\u003cdetails style=\"border-top:1px solid rgba(58,123,200,0.22); border-bottom:1px solid rgba(58,123,200,0.22); padding:8px 0;\"\u003e\n  \u003csummary style=\"font-size:16px; font-weight:700; color:#4480C7; cursor:pointer;\"\u003e\n    \u003cspan style=\"display:inline-flex; align-items:center; justify-content:center; width:19px; height:19px; margin-right:7px; border-radius:50%; background:#4480C7; color:#FFFFFF; font-size:11px; vertical-align:middle;\"\u003e♥\u003c\/span\u003e\n    IKANE STUDIO TIP\n  \u003c\/summary\u003e\n\n  \u003cp style=\"font-size:16.5px; line-height:1.6;\"\u003e\n    Start by drawing a few lines and applying a small amount of water to an initial sheet. This will allow you to observe the absorption rate, the diffusion of lines, and the surface's reaction before choosing the most suitable technique.\n  \u003c\/p\u003e\n\n\u003c\/details\u003e","brand":"Ikane Studio","offers":[{"title":"Default Title","offer_id":58207648710988,"sku":"CJJT139616201AZ","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/files\/Papier_artisanal_en_fibres_de_m_rier.jpg?v=1784965770"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/8786\/7468\/collections\/Boite_pinceaux_calligraphie.png?v=1779053471","url":"https:\/\/b31fyk-vr.myshopify.com\/en\/collections\/calligraphy.oembed?page=2","provider":"IKANE PARIS","version":"1.0","type":"link"}